Album Review
Album Review: Jeremiah Gyang – The Love Album
If you listen to most of the songs that come out of our entertainment industry these days, you will agree with me when I say that art is dead. Music, for most of these artists, is just basic business, which is understandable because, hey, I’m not the one paying their bills. Artists love sycophants, the sycophants or fans love noise, so give them noise, come up with a few dance steps to go with your noise and you will make big money. Some fans might even go ahead and call you a “Legend.” I call it “noise” because most of the time, I end up losing a few brain cells after listening to some Nigerian songs. Artists are not in the music business for the art, not anymore. Ask the average Nigerian what he loves about some of these songs and 9 out of 10 times, you will get answers like “The beat is nice”, nothing else. The noise they create does entertain most of us, and I guess making “entertainment” is also some kind of Art ? Regardless, it’s nice to see a musical talent like Jeremiah Gyang who still stays true. I consider him to be one of the most soulful, lyrically skilled artists that Nigeria has to offer. I became a fan after listening to his earlier releases, particularly Comforter’s Song Ft. Asa – Track 02 and Ke ce Kadai – Track 05. The Love Album obviously has a love theme through most of it. I am big on vocal harmonies and I was happy because, on most of the tracks, Jeremiah shows his vocal skills, like Track 01 – Kauna Allah Ft. Skales, and Track 03 – The Only One, which are also released earlier. And then, there are tracks like 06 – You’re My Fire, 11 – Daddie’s Song and track 12 – With You. Every thing about these three songs are brilliant! The love I have for these songs can not be explained, you just have to listen to them. Daddie’s Song gives you the type of feeling where you get so weak, but also want to jump for joy. I have no idea what he was saying because it is in Hausa Language, but this song is just beautiful. These three tracks are my favorites from the album, not a note out of place, and the harmony is just thrilling.
Jeremiah gives us a salsa tune in Track 09 – Let’s Hold Hands, as he talks about how we as a people should keep hope alive as we try to make Nigeria a better country. Then we find him focusing more on gratitudes in Track 14 – Thank You Lord, as he shows his appreciation to God for getting him to where he is right now and making him do the things he does.
Crowd pleasers like In Love With You – Track 8 and Keep It – Track 13 , balance out the album well with bubbly up-tempo beats. Jeremiah features just the right amount of heart and personal touch to make you want more. I have listened over and over and believe me, it is anything but a disappointment. This one is for those prepared for soul and R&B to move on to another level. Because that’s really what Jeremiah is doing with this album.
I didn’t review every single track because I didn’t want to feel like I was giving away too much. The Love Album is filled with nothing but good music. So If you are ready to hear something that will someday be considered visionary in the evolution of Nigerian music, don’t miss this album.
The Love Album was released on the 14th of October and it is available online HERE
Album Review
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Album Review
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The Music Industry in Nigeria is competitive and ever evolving. Between 2018 and 2019, we have witnessed the rise of artistes like Joeboy, Teni, Fireboy DML, Blaqbonez, Rema, Oxlade, Zlatan and the list goes on and on. (more…)
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Youssou N’Dour’s new album, ‘History’ pays homage to great African artists, without losing sight of the future ahead
Youssou N’Dour’s new album meditates on moments from a storied career and pays homage to late great African artists, without losing sight of the future ahead. History (Naïve Records release: May 17, 2019)gives new life to tracks from Babatunde Olatunji’s 1970s records, N’Dour’s own cassettes sold on the streets of Dakar in the 1980s, and a 2019 […]
Youssou N’Dour’s new album meditates on moments from a storied career and pays homage to late great African artists, without losing sight of the future ahead. History (Naïve Records release: May 17, 2019)gives new life to tracks from Babatunde Olatunji’s 1970s records, N’Dour’s own cassettes sold on the streets of Dakar in the 1980s, and a 2019 hit by Swedish star Mohombi. N’Dour reinvigorates them all with that inimitable voice—and mature musicianship—that makes Youssou N’Dour the undisputed King of African Pop.
He’s achieved a globe-spanning career, 35 albums, and hits at the top of charts around the world, but N’Dour still sees each project as a chance to explore different directions. 2017’s Seeni Valeur took to new heights the spirited Senegalese mbalax that N’Dour popularized in Senegal and around the world, while Africa Rekk (2016) featured up-to-the-minute Pan-African collaborations with Akon, Fally Ipupa, and producer Spotless, who returns on History.
The new album opens with “Habib Faye,” a moving tribute to the bassist who, as musical director of N’Dour’s band Super Étoile de Dakar, shaped their sound starting in the 1980s. The two giants of mbalax worked on separate projects in recent years, but at Faye’s untimely death in April 2018, N’Dour cancelled shows to be at his funeral. “Habib Faye was my friend, bassist, and music director for almost twenty years.” N’Dour reminisces. “Together we created many songs and played many shows around the world. Naturally, this is the first song I wrote for this album.” It‘s serene, not a lament but a contemplative elegy, a prayer with a mbalax beat and smooth sax by Cameroonian Alain Rodrigue Oyono.
History honors another late legend: Babatunde Olatunji, the Nigerian-American drummer, singer, and social activist whose Drums of Passioninspired the likes of John Coltrane and Carlos Santana. “I wanted people to know about Babatunde, a great Nigerian who had an immense impact on his country,” N’Dour explains. N’Dour returns Olatunji to the spotlight with covers of “My Child” and “Takuta,” co-composed with Prince Ayo Manuel Ajisebutu, that feature Olatunji’s original vocal recordings at the center of new arrangements. N’Dour’s own unmistakable voice carries Olatunji’s songs into the present moment.
N’Dour also digs deep into his own history, with fresh takes on three tracks from across his remarkable career. The first recording of the love song “Salimata” dates to 1989’s Jamm, while “Ay Coono La” appeared on Set in 1990. These were electric times for N’Dour: after 10 years as a star in Senegal at the helm of Super Étoile de Dakar, his work with Peter Gabriel brought him international notice, and his 1989 album The Lion attained global fame. Reimagined for 2019, these tracks have a new energy and lush production that leaves space for the emotional colors of N’Dour’s voice to glow.
With “Birima Remix,” N’Dour places the past and future in harmony. From the album Joko in 2000, “Birima” tells the legend of a Senegalese king. Now N’Dour has recreated the song with a new richness in collaboration with Seinabo Sey, a young Swedish singer with Senegambian roots making waves on the Scandinavian electro-soul scene. Sey’s new lyrics pay tribute to her father’s heritage and the immigrant experience, creating a multilayered exploration of African values and ancestors. N’Dour’s remix of “Hello” by Swedish-Congolese singer Mohombi shows that History is not only about the past: “Hello” swept Mohombi to the final of Sweden’s Melodifestivalen competition in March 2019.
N’Dour’s new songs make vivid, current stories a part of History. “Confession,” a collaboration with Mike Bangerz (BGRZ), a French beatmaker of Beninese heritage, chronicles the romantic plight of a young emigrant working abroad. On “Macoumba,” N’Dour, BGRZ, and saxophonist Oyono riff on the characters and sounds of Dakar’s streets, where a macoumba is an unlucky gambler. “Tell Me” rounds out the album with a multilingual plea for connection and trust.
Throughout his extraordinary career, Youssou N’Dour has always been moving forward, creating new sounds even when he makes forays into tradition. Now, exploring his own past and the legacy of friends and heroes, N’Dour makes History his own.
Kosi YNot – Color MeKosi YNot – Color Me[/caption]
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On August 18, multiple award-winning Ghanaian singer, Becca will release her album, ‘Unveiling’ to mark her 10 years in the music industry. The album contains 10 tracks carefully selected to represent her anniversary, with 3 bonus tracks that all together define the dynamism of Becca as an artist. (more…)
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