President Joe Biden kept his word and nominated a black woman to serve on the nation’s highest court for the first time ever. He has selected Ketanji Brown Jackson as his nominee to the Supreme Court, according to a White House announcement.
President Biden nominated Judge Ketanji Brown Jackson to become the 116th associate justice of the United States Supreme Court. The 51-year-old U.S. appeals court judge was nominated to succeed Justice Stephen Breyer, for whom she clerked. The 83-year-old judge – who is considered to be the most senior jurist in the court’s three-member liberal wing – announced in January he has plans to retire this Summer.
If Judge Jackson is selected, she will make history as the first Black woman on the nation’s highest court. And trust, she didn’t get the nomination simply because she’s a Black woman. ”President Biden sought a candidate with exceptional credentials, unimpeachable character, and unwavering dedication to the rule of law,” the White House said in a statement. “Judge Jackson is an exceptionally qualified nominee as well as an historic nominee, and the Senate should move forward with a fair and timely hearing and confirmation.”
If she’s selected, she’ll be the first justice in decades with any significant experience representing criminal defendants. The last justice with any real experience as a defense lawyer in criminal cases was Justice Thurgood Marshall.
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Judge Jackson served as a federal public defender for two years and she was a member of the U.S. Sentencing Commission during the time the panel significantly rolled back federal sentencing guidelines for many drug offenses.
Judge Jackson’s background is quite impressive. She went to Harvard Law, she served as a Supreme Court clerkship, spent some time at prestigious corporate law firms, she held a seat as a judge on the U.S. Court of Appeals for the D.C. Circuit Court of Appeals, and she was also a judge on the U.S. District Court for the District of Columbia.
Judge Jackson was one of President Biden’s first judicial nominees. She was confirmed with bipartisan support to the U.S. Court of Appeals for the D.C. Circuit in 2021.
During her confirmation hearing for the U.S. Court of Appeals, Sen. John Cornyn, R-Texas, asked Jackson what role race played in her time as a judge.
“I don’t think that race plays a role in the kind of judge that I have been and would be. I’m doing a certain thing when I get my cases,” Judge Jackson replied. “I’m looking at the arguments, the facts and the law. I’m methodically and intentionally setting aside personal views, any other inappropriate considerations, and I would think that race would be the kind of thing that would be inappropriate to inject into my evaluation of a case.”
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Interesting a republican had the audacity to ask this, but they acted shocked and appalled that people felt the need to ask now-Supreme Court Judge Kavanaugh about his multiple sexual assault accusations. Hmph.
Judge Jackson was born in Washington, DC and grew up in Miami, Florida. Her parents attended segregated primary schools, then attended historically black colleges and universities. Both started their careers as public school teachers and became leaders and administrators in the Miami-Dade Public School System. When Judge Jackson was in preschool, her father attended law school. In a 2017 lecture, Judge Jackson traced her love of the law back to sitting next to her father in their apartment as he tackled his law school homework—reading cases and preparing for Socratic questioning—while she undertook her preschool homework—coloring books.
Judge Jackson stood out as a high achiever throughout her childhood. She was a speech and debate star who was elected “mayor” of Palmetto Junior High and student body president of Miami Palmetto Senior High School. But like many Black women, Judge Jackson still faced naysayers. When Judge Jackson told her high school guidance counselor she wanted to attend Harvard, the guidance counselor warned that Judge Jackson should not set her “sights so high.”
That did not stop Judge Jackson. She graduated magna cum laude from Harvard University, then attended Harvard Law School, where she graduated cum laude and was an editor of the Harvard Law Review.
Judge Jackson lives with her husband, Patrick, and their two daughters, in Washington, DC.
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Senate Majority Leader Chuck Schumer (D-N.Y.) said in a statement: “With her exceptional qualifications and record of evenhandedness, Judge Ketanji Brown Jackson will be a Justice who will uphold the constitution and protect the rights of all Americans, including the voiceless and vulnerable. Once the President sends Judge Jackson’s nomination to the Senate, Senate Democrats will work to ensure a fair, timely, and expeditious process – fair to the nominee, to the Senate, and to the American public,” he added.
Senate Minority Leader Mitch McConnell (R-Ky.) said in a statement: “I voted against confirming Judge Jackson to her current position less than a year ago. Since then, I understand that she has published a total of two opinions, both in the last few weeks.” He added: “With that said, I look forward to carefully reviewing Judge Jackson’s nomination during the vigorous and thorough Senate process that the American people deserve.”
Now that President Biden has named Judge Jackson as his nominee, the President will seek the Senate’s consent to confirm Judge Jackson to the Supreme Court. Judge Jackson’s nomination is subject to confirmation by the Senate, where Democrats hold the majority by a 50-50 margin with Vice President Kamala Harris as the tie-breaker.
Do LaB kicked off its return to Coachella Weekend Two on Friday, April 19 with a couple standout surprise performances and a full lineup of electronic and crossover talent. Check out highlights from the first day of Weekend Two at the Do LaB stage below.
Prolific French DJ and hitmaker DJ Snake performed a special hip-hop set as the headlining surprise guest of the night.
Versatile trap and hip-hop influenced fan favorite TroyBoi performed as the other Do LaB surprise set of the night.
Additional previously announced day one programming featured acts like Juelz, HoneyLiv, CocoRosie, Alleycvt, Yung Singh, and more.
Stay tuned for notifications on announcements, surprise sets, and more by visiting the link here. Set times for the remainder of the weekend can be found here, along with more general info on Do LaB in the press release here. Additional photo selects from each day can be found here (photographer name listed in file name for photo credits).
The Do LaB stage at Coachella provides a preview of the brand’s flagship boutique festival, Lightning in a Bottle. The five day Lightning in a Bottle experience fuses a top tier musical lineup, immersive art installations, cause-driven educational programming, and a variety of yoga and movement programming within a sprawling lakeside venue in beautiful Buena Vista Lake, California.
Taking place over Memorial Day Weekend on May 22-27, LIB 2024’s musical programming highlights include Skrillex, Labrinth, Lane 8, James Blake, M.I.A., Skream, Tycho, ISOxo, Tipper, Fatboy Slim, CloZee, Nora En Pure, Bob Moses, Honey Dijon, Damian Lazarus, and several more.
More info on LIB can be found on their website here and in the official press release here, along with the media application here.
A legend known to cinephiles the world over, a major work of the silent era, one of the most monumental restorations in the history of filmmaking will be unveiled on May 14 as a world premiere: Napoléon by Abel Gance (1st period), in a version resulting from a colossal, passionate effort by the Cinémathèque française, with the support of the CNC.
It has taken more than sixteen years to bring Abel Gance’s masterwork back to life. The film-opera extravaganza has gone through an epic saga to regain its integrity and glory.
Various sources were used to rediscover the original storyline for this extraordinary reconstruction of the 7-hour film, divided into two eras. Reels were found at the Cinémathèque française, the CNC, the Cinémathèque de Toulouse and the Cinémathèque de Corse, as well as in Denmark, Serbia, Italy, Luxembourg and New York. Georges Mourier and his team worked frame-by-frame and reviewed nearly 100 kilometers of film. Director Abel Gance’s editing notes and correspondence with his editor, found at the BNF, made it possible to re-edit the film in its original version.
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In 1927, Napoléon by Abel Gance was as ambitious as its subject: it used multiple technical and aesthetic innovations such as horse-mounted cameras and the famous triptych ending, on three screens simultaneously. With its grandiose cast and thousands of extras, the film amazed audiences and critics alike when it premiered at the Paris Opera on April 7, 1927, in the presence of French President Gaston Doumergue and Marshals Foch and Joffre. It then embarked on a world tour.
With the advent of talking pictures, the reels were scattered across the globe, some lost or destroyed. The film was then recut and mutilated many times over — with 22 different versions known to date. In the 1980s, Abel Gance’s film fascinated filmmakers Claude Lelouch and Francis Ford Coppola, as well as the great silent historian Kevin Brownlow and Costa-Gavras, President of the Cinémathèque française. It has not been shown in its original version, known as the “Grande Version”, since 1927.
The first part, with a running time of 3 hours and 40 minutes, will be presented as the pre-opening event at the Festival de Cannes and as the opening film of Cannes Classics.
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The film will then be shown in its entirety with an exceptional live performance of the film score, with 250 musicians from Radio France at the Seine Musicale in Paris on July 4 and 5, as well as at the Radio France festival in Montpellier, and then at the Cinemathèque française and in summer festivals. It will be released in French cinemas at a later date and will be shown on France Télévisions and Netflix.
The Festival de Cannes is proud to be the venue for the rebirth of Napoléon by Abel Gance, a monument of the 7th Art, almost 100 years after its creation.
Reconstructed and restored by the Cinémathèque française, with the support of the CNC (French Ministry of Culture), under the direction of Georges Mourier, with the Éclair Classics/L’Image Retrouvée laboratory. Musical setting by Simon Cloquet-Lafollye, performed by Benjamin Bernheim, tenor, the Orchestre National de France, the Orchestre Philharmonique and the Chœur de Radio France, conducted by Fabien Gabel.
Making yet another major power move, three-time GRAMMY® Award-nominated Nigerian global superstar and Afrobeats pioneer Davido has inked a deal with UnitedMasters for his recently launched label Nine+ Records.
In this groundbreaking collaboration, Davido will spearhead artist development, A&R, and behind-the-scenes curation, nurturing a pioneering lineup of artists across the continent under Nine+ Records. United by a shared vision, the teams will work together to introduce and foster talent, amplifying Davido’s influence and extending his reach even further. This partnership marks a pivotal moment in shaping the future of African and world music.
Together, the teams will collaborate closely in order to not only introduce, but cultivate career talent. It only expands Davido’s influence and reach.
Of today’s announcement Davido said, “I couldn’t be more proud to partner with Steve and the team at United Masters, this announcement represents an exciting new chapter for developing and established artists around the world.”
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Steve Stoute, Founder and CEO of UnitedMasters states, “Over the last 2 years, we’ve proven our commitment to Africa investing in artists, education, and technology. Today, we are doubling down. With this new venture with Davido & the launch of Nine Plus Records, we reinforce our mission in becoming a bridge for artists on the continent. Together we’ll identify & develop new artists while supporting them with brand and synch opportunities.”
Nine+ Records will be announcing more artists and partners in the future.
Last night, Davido just sold out one of the most iconic venues in the world, headlining Madison Square Garden in New York City. He ignited the stage with what will be remembered as a historic set, bringing Afrobeats to the Big Apple in the biggest way possible. In advance of the show, he extensively spoke to Billboard who praised how “Performing in New York has also become a special ritual” for him.
This news also arrives on the heels of various major company announcements for UnitedMasters. The company locked down a high-profile alliance with SymphonyOS and Groover. Plus, it hosted its annual “A Celebration of Independence” GRAMMY® Concert at the Palladium in Hollywood, CA. The show boasted an all-star lineup, including headliner Davido, Uncle Waffles, Tokischa, Donavan’s Yard, and NLE Choppa. Of the latter, The Source wrote, “This marked the first time UnitedMasters featured international acts, solidifying its impact and representation within the global independent artist movement.”