Radio & TV
Msaki Talks About Writing ‘Blood, Guns And Revolutions’ And The Marikana Massacre

This Week’s Episode Features a Conversation With Msaki, the 5 Hottest Tracks of the Week, Africa Rising and LootLove’s Favourite Track of the Week!
Tune in to Africa Now Radio With LootLove This Sunday, November 21st at 2p London / 3p Lagos/Paris / 4p Johannesburg / 6a LA / 9a NYC on Apple Music 1 and broadcast on Cool FM in Nigeria every Sunday at 6pm
Cover Star Interview
South African singer-songwriter and multi-talented creative Msaki joins LootLove via FaceTime on Apple Music 1 to talk about her latest collaboration with Sun-El Musician & Diplo, “Tomorrow Silver.” She also discusses her two new albums, Platinumb Heart Beating and Platinumb Heart Open, and how working on two albums simultaneously helped her tackle themes of love and of protest, how her sound has evolved, and how she found her place in the world of electronic music.
The Big 5
LootLove shares the 5 hottest new African tracks of the moment. This week’s selection includes new tracks from Davido & Focalistic; Kizz Daniel; Djodje; KiddBlack, Blak Sherif & DJ FortuneDJ; and Kabza De Small & DJ Maphorisa feat. Ami Faku.
Africa Rising
South African R&B singer-songwriter Filah Lah Lah—Apple Music’s latest Up Next: South Africa cover star—is the latest artist featured from the Africa Rising playlist, a campaign which shines a light on the next generation of African superstars, and this week’s show features her two singles, “Real Love” and “This Is.” Listen HERE.
Loot Loves
Each week, LootLove chooses her favourite track, taken from one of Apple Music’s African playlists. This week she features Ghanaian singer-songwriter Gyakie and her single, “NEED ME,” from Apple Music’s Ghana Bounce playlist. Listen HERE—and find a roundup of all LootLove’s selections on Apple Music’s LootLoves playlist, HERE.
Tune in and listen to the full episode this Sunday, November 21st at 2p London / 3p Lagos/Paris / 4p Johannesburg / 6a LA / 9a NYC on Apple Music 1 at apple.co/_AfricaNow or on Cool FM in Nigeria every Sunday at 6pm.
MSAKI EXPLAINS THE FIVE-YEAR WAIT SINCE HER LAST ALBUM
Today I know why you take five years in between the albums! I’m exhausted, I’m spent, I’m completely shattered, I’m tired in the best way. I’ve poured out everything that I can actually give away right now, so I’m okay with the fact that some of the things I have to say do for a little bit longer, and the fact that I tried a lot of my work in front of people, and then I made it morph, and then I start again, and then I recalibrate emotionally what I want to say. Five years is actually just enough time to do that, in a way that makes sense to me and the things that I’ve been processing.
MSAKI ON WHY TWO ALBUMS MADE SENSE FOR HER RIGHT NOW
All the house songs are a big part of my life now because I started off just as the invitee, as a collaborator, as a visitor… but I’ve really fallen in love with this journey of being in this electro-dance space because I feel like I can still show up with the songs in my journal. I can still show up with my cryptic poems in that space too. I don’t feel like I’m shrinking myself, I don’t feel like I’m not heard. On the contrary, my poems get heard by a lot more people, and some of them come over to my indie-folk, afro-folk side, and stay. It’s also a way for me to say, I can be both those people, which is why having these two albums really makes sense for me right now.
MSAKI ON WRITING ‘BLOOD, GUNS AND REVOLUTIONS’ ABOUT THE MARIKANA MASSACRE
I started writing the first song on this project because of the platinum belt. I’m actually not so far from Rustenburg right now, Marikana is a couple kilometers away from where I am right now. That’s the first song I wrote as the rest response to what was going on in South Africa at the time, in absolute shock. As a person who grew up in a supposed rainbow nation and a hopeful tomorrow, that was a heartbreak moment for me, so every song since then has been an attempt to understand the political and historical and this neo-colonial capitalist world we’re living in. I was feeling it on a personal level, but also just trying to work through the songs, as questions like, how are we still here?
MSAKI ON HOW SHE CAME TO MAKE A HOUSE ALBUM
A lot of the collaborators, especially the producers from the house world, they were just return favours – I had been able to be on their projects, and when they heard that I was making an album, a lot of them assumed I was making house and sent me stuff.
At the beginning, I wasn’t making a house album at all. It just started happening where I found myself trying to split myself. “When am I going to release this?” I had this combination of these songs that we’re building, but I had been working on this like dramatic orchestral folk work, that was serious, that was protest [music], so it morphed into so many things over the years that I’ve been working on it but in the last year, I was like, why not say something as an electronic musician myself?
Radio & TV
Catch Lupita Nyong’o in The 355, Mumbi Maina in The Matrix Resurrections plus more international movies to stream on Showmax now, from The Batman to Smile

Radio & TV
Apple Music’s Africa Now Radio Pays Tribute to Costa Titch

This Week’s Episode Features a Special Tribute to Costa Titch, the 5 Hottest Tracks of the Week, Africa Rising and Dadaboy Ehiz’s Favourite Track of the Week!
Tune in to Africa Now Radio with Dadaboy Ehiz this Friday, March 24th at 8a London / 9a Lagos/Paris / 10a Johannesburg / 1a LA / 4a NYC on Apple Music 1 and broadcast on YFM Accra every Sunday at 2pm, YFM Kumasi on Saturdays at 3pm and YFM Takoradi on Saturdays at 6pm.
A Tribute to Costa Titch
This week, Dadaboy Ehiz hosts a special tribute to South African hip-hop and amapiano star, Costantino “Costa Titch” Tsobanoglou, who tragically passed away this month. To celebrate his life and legacy, Capetonian rapper YoungstaCPT—one of Costa Titch’s most frequent collaborators—reflects on Costa Titch’s impact on South Africa’s music and cultural scenes.
Read Also: Costa Titch Tragically Dies After Collapsing While Performing At Ultra Music Festival
“As an artist, Costa really upped the level of stage presence and performance value,” YoungstaCPT tells Apple Music 1. “With [his] dancing, he understood how to let music connect with the body. So I think he had advantage on most of us because he was able to create music that was guaranteed to make people move. He always made us want to perform better. And you saw how particular [he] was—every line, every snare, every bass drop. Somebody that kind of studied the game, and then found a way to fit into it and become successful. And it’ll be difficult for us to come to terms with this loss and even find someone to fill that void. May his soul rest in peace and fly with the angels.”
The Big 5
Dadaboy Ehiz shares the 5 hottest new African tracks of the moment. This week’s selection includes new tracks from K.O feat. Young Stunna, Diamond Platnumz & Oxlade, Karyendasoul & Msaki, Victony, Rema & Tempoe feat. Don Toliver, Nonso Amadi feat. Zinoleesky, and Odumodublvck.
Africa Rising
South African R&B singer-songwriter Vuyina is the latest artist featured from Apple Music’s Africa Rising playlist, a campaign which shines a light on the next generation of African superstars, and this week’s show features her singles, “Isimilo” and “Andisoze.” ListenHERE.
Dadaboy’s Song of the Week
Each week, Dadaboy Ehiz chooses his favourite track from one of Apple Music’s African playlists. This week, he spotlights Nigerian street-pop star Bella Shmurda’s collab with South African rapper Nasty C, “Philo (Remix)”, from Apple Music’s Naija Hits playlist. Listen HERE (and find a roundup of all Dadaboy’s selections on Apple Music’s Dadaboy’s Playlist, HERE).
Tune in and listen to the full episode this Friday, March 24th at 8a London / 9a Lagos/Paris / 10a Johannesburg / 1a LA / 4a NYC on Apple Music 1 at apple.co/_AfricaNow and broadcast on YFM Accra every Sunday at 2pm, YFM Kumasi on Saturdays at 3pm and YFM Takoradi on Saturdays at 6pm.
Radio & TV
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Radio & TV
African Folktales, Reimagined short films by Netflix and UNESCO to Launch Globally on 29 March

Tales as old as time from across the African continent, reimagined and retold by a new generation of six storytellers come together, the African Folktales, Reimagined short films in partnership with United Nations Educational, Scientific and Cultural Organization (UNESCO), will launch on Netflix on 29 March 2023 .
The anthology of six short films was launched as part of Netflix’s partnership with UNESCO to support the next generation of storytellers who were provided with resources including a $90 000 budget and creative guidance by established filmmakers as mentors to bring their stories to life. The emerging filmmakers were selected in 2021 following a call for submission that resulted in over 2000 applications from 13 countries in the sub-Saharan Africa region. The 6 emerging storytellers from Nigeria, South Africa, Mauritania, Kenya, Uganda and Tanzania will see their respective short films, make their debut on Netflix, globally.
The African Folktales, Reimagined short film collection features a variety of African on-screen talent in stories by emerging African storytellers such as Mohamed Echkouna from Mauritania with Enmity Djinn; Walt Mzengi Corey from Tanzania with Katope; Korede Azeez from Nigeria with Zabin Halima (Halima’s Choice); Voline Ogutu from Kenya with Anyango and the Ogre; Loukman Ali from Uganda with Katera of the Punishment Island and Gcobisa Yako from South Africa with MaMlambo.
Synopsis / Key Cast & Crew
- Zabin Halima (Halima’s Choice) – by Korede Azeez – Nigeria
With 99% of the world population uploaded into virtual worlds, a young girl from a secluded Fulani village inadvertently elopes with an AI to escape an arranged marriage. Genre: Sci-fi, Fantasy; Language: Hausa; Director: Korede Azeez; Producer: Kenneth Gyang; Cast: Habiba Ummi Mohammed; Adam Garba, Produced by Cinema Kpatakpata.
- Anyango and the Ogre – by Voline Ogutu – Kenya
With the backdrop of a childhood folktale, 13-year-old Otis struggles to protect his younger siblings from a monster that lives inside their home. Genre: Fantasy, Drama; Language: KiSwahili and English; Director: Voline Ogutu; Producer: Sarah Hassan; Cast: Trevor Jones Kamau; Sarah Hassan, Produced by Alfajiri Productions.
- Katera of the Punishment Island – by Loukman Ali – Uganda
Abandoned on an island, a woman grieving the loss of her baby exacts revenge on the powerful man who put her there. Genre: Thriller; Language: Runyankole and English; Director & Producer: Loukman Ali; Cast: Karababiito Tracy; Michael Wawuyo JR; Production company: Loukout Films.
- Katope – by Walt Mzengi Corey – Tanzania
A young child with magical origins sets out on a journey to help end the drought that is devastating the community – even if it means risking their own life. Genre: Fantasy, Drama; Language: KiSwahili and ciGogo; Director: Walt Mzengi Corey; Producer: Petrus Van Staden; Rebecca Mzengi Corey Cast: Jene Mahenyela Mwalimu; Rahele Matete; Production company: Solela Art and Film
- Enmity Djinn – by Mohamed Echkouna – Mauritania
Three generations after he was last summoned, an ancient Enmity Djinn finds himself in an unfamiliar city confronted by a familiar foe. Genre: Fantasy/Drama; Language: Hassaniya Arabic and French; Director & Producer: Mohamed Echkouna; Cast: Zainabou Ahmed Mohamed; Mamadou Mokhtar N’diaye Gueye.
- MaMlambo – by Gcobisa Yako – South Africa
The mystical river being, MaMlambo, watches over the sacred waters of discarded bodies. Genre: Drama; Language: isiXhosa; Director: Gcobisa Yako; Producer: Pakiso Albertus; Cast: Simphiwe Dana; Zikhona Bali
Each storyteller was partnered with a local production company and under the guidance of Netflix-appointed supervising producer, Steven Markovitz from Big World Cinema and industry mentors: Bongiwe Selane (mentor to Gcobisa); Jenna Bass (mentor to Korede); Pape Boye (mentor to Loukman); Femi Odugbemi (mentor to Mohamed); Leila Afua Djansi (mentor to Voline) and Tosh Gitonga (mentor to Walt) who provided guidance and nurtured the filmmakers on their journey to bring their stories to life.
“UNESCO is proud to present the tales of Africa, reimagined by its emerging, homegrown talents. At the crossroads of tradition, innovation, heritage and creativity, African expressions in the 21st century are as diverse and dynamic as its people. The UNESCO-Netflix partnership represents our shared commitment to the audiovisual industries of Africa, which have the potential to generate US$20 billion in revenues annually. African creativity is a force for sustainable development, and we cannot wait for the audiences around the world to feel its unstoppable energy,” says Ernesto Ottone R., the UNESCO Assistant Director-General for Culture.
“We are excited to finally bring this anthology of short films created by the next generation of African storytellers to Netflix members around the world,” says Tendeka Matatu, Netflix’s Director of Film in Africa. “This initiative is a testament to our ongoing efforts to strengthen the pipeline of African storytelling and to include voices from underrepresented communities. We’re grateful to our partners at UNESCO who walked this journey with us to provide an opportunity for the six emerging African filmmakers to create and showcase their reimagined folktales to the world, in their own languages, so that more people can see their lives reflected on screen.”
Radio & TV
It’s 1000 shows for Bliss and Jackie!

Bliss Kingg and Jacquline Acquaye commemorated 1000 television episodes together as an on-screen duo, making a strong case as Ghana’s longest running television couple of this generation. Their on-screen chemistry is unmatched and their dedication and consistency to their craft has commanded respect from the Ghanaian media fraternity and the massive audience they have won over for the 1000 mornings they came together on TV.
The TV couple began their television journey on September 17, 2018 when they pioneered a lifestyle morning show which gradually gained popularity and unveiled a niche TV market in Ghana.
The debate will continue on first half of Oscar wilde’s infamous quote; ‘Imitation is the sincerest form of flattery’. If there is any truth to this, then Bliss Kingg and Jacquline Acquaye must be flattered by the proliferation of tv shows that have adopted this format and the many new school presenters who have clearly taken a page from their book; a proof of their dominance and consistency in Ghana’s television viewing culture.
Bliss and Jackie who were nicknamed ‘The rich kids’ by renowned media personality Dr. Randy Abbey during their first stint, gained recognition as the hosts of GMG+, the lifestyle morning program that was built to support ‘Good Morning Ghana’ and to boost MetroTV’s rebuilding process.
GMG+ became a sensation, delivering a new audience to the station, but after 23 months and 425 episodes, the duo shocked the public with their double resignation and said goodbye to their first ever home.
In what was considered by many as a blockbuster transfer, the power TV couple announced a big move and the first live episode of their current morning program ‘Xpressive’ aired on GHONEtv. Produced by Platinum Life Media, ‘Xpressive ‘ hit the ground running on September 7, 2020, going on to deliver some of the most viewed shows and interviews in recent times.
Continuing to deal with the rumors of their romantic connection, Bliss kingg and Jacquline Acquaye mostly look unperturbed and have truly demonstrated focus, consistency and team work.
Celebrating the milestone on their TV show last Friday; surprise guest Dr. Lawrence Tetteh acknowledged the duo for their persistence and commitment to excellence.
It was very happy moments as the champagne was flowing and they had a morning full of surprises as Imexco Ghana, Chezzy pizza, Turf and others came to the show to share a moment with them.
Wrapping up on their 1000th run, the television duo thanked Bola Ray and Nana Aba Anamoah for their support and promised their audience to get a 1000 shows more together.
Congratulations to Ghana’s longest running television couple, Bliss Kingg and Jacquline Acquaye.
Radio & TV
New BBC Africa Eye investigation shines a light on Seychelles’ heroin epidemic

Known for its coral reefs and beautiful beaches, Seychelles, a tropical paradise located off the coast of east Africa, is visited by thousands of tourists. Yet, beyond the country’s multi-million dollar tourist industry, BBC Africa Eye shines a light on its heroin epidemic.
In a new investigation by BBC Africa Eye, Seychelles, Heroin and Me pieces together a complex picture of how political and socio-economic factors including poverty and a lack of rehabilitation centres, are contributing to what is now a drug epidemic.
According to Seychelles’ Government, based on population, Seychelles – which is made up of 115 islands – has the biggest heroin problem in the world, with around 10% of Seychellois dependent on the drug.
Presented by Joseph Fady Banane, the Seychellois support worker was one of the 10%. Now free of heroin, he uses his experience and role as a support worker to show viewers the true extent of the drug epidemic, whilst confronting his own painful past and reconnecting with the people he loves.
Meeting drug users, dealers, government officials and the communities caught in the middle, the film captures Fady’s journey as he gains first-hand access to their stories.
He told BBC Africa Eye how he was introduced to drugs: “I was 27 when I first took heroin. Business was not picking up, sitting outside Idecided to try my first couple of smokes, and that was it for five years. I still don’t know why I started smoking heroin, but part of it was just because I could – drugs were everywhere.” He added: “I became a stranger to my own mum, and my son was taken away.”
Throughout the film, individuals share details on the gruelling ripple effect of drugs in their communities and families.
Ravinia Jean, a mother, shares the impact of her son’s death Tony, who was heroin-dependent and a friend of Fady’s. “It is hard…it’s very painful.” She revealed her second son, Jude, is also using heroin and has been in and out of prison, where he is still able to buy the drug on credit. She said: “Parents have to pay for it because they will send people to collect the money…Of course you’re scared, they threaten you, they said they will kill him.”
However, there is still hope for drug-users like Jude. The documentary follows Jude’s journey towards recovery as he finally visits a councillor with hopes to recover from heroin-dependency.
The documentary also captures the common reality of drug-dependency passed from parents to children. Two brothers, Stefan and Roy (not their real names) are heroin-dependent – so was their mother. Stefan’s drug usage started from around the age of 12. He said: “I was looking after the drugs for somebody else… we said we were going to try it just for one day. We continued taking it until we ran out of drugs and that’s when I started getting sick. It was the drug withdrawal making me sick.”
Many people told the programme that drugs are used to escape the trauma of poverty. 25% of residents live below the poverty line, and in the last few years, use of crack cocaine in Seychelles has also increased. Latest figures show police seizures of cocaine have increased by almost 3,000% since 2018.1
Despite the scale of the problem, there is lack of support for heroin users due to the closures of all of the country’s residential rehabilitation centres which is contributing to the problem.
Revisiting the rehabilitation centre in Les Canelé that saved his life, which is no longer open to heroin users, Fady reflects on the consequences of the closures. “Back then, these rehab centres were helping hundreds of people. Rehab saved me from heroin, but with these programmes now closed – there’s not much help for anyone else, and many users have to fight their dependency alone.”
The only consistent support left for many users is a free methadone programme, a heroin substitute which can be used to detox.
The BBC Africa Eye investigation also revealed many women are resorting to sex work to aid their heroin-dependency. One woman told BBC Africa Eye: “No one will give you anything for free, so you have to do something.”
It is estimated two tonnes of heroin comes into Seychelles every year, which are mainly smuggled from Afghanistan via Iran through the Indian Ocean.2 In response, the government has resorted to a “war on drugs” approach, and the documentary explores whether this approach risks further alienating the drug-using community.
BBC Africa Eye obtained an exclusive interview with Seychelles President Wavel Ramkalalwan to understand the “war on drugs” approach. He said: “Communities, villages cannot be controlled by the drug lords, by drug addicts. This is why we have we have taken the approach that we need to disrupt those activities. It’s an all-out war on drugs in order for me to save our people.”
On what was being done to address the lack of rehabilitation centres, he revealed: “We have received a grant from the UAE to build a proper rehabilitation centre. And, and so we are going in that direction.”
BBC Africa: Seychelles, Heroin and Me is available on the BBC Africa YouTube channel on Monday 6 March 2023, here.
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