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Tim Westwood accused of sexual misconduct by multiple women

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DJ Tim Westwood is facing multiple allegations of sexual misconduct by women who say he abused his position in the music industry to exploit them.

The 64-year-old is accused of predatory and unwanted sexual behaviour and touching, in incidents between 1992 and 2017.

The BBC and the Guardian have heard detailed accounts from seven women in a joint investigation into the former BBC Radio 1 DJ.

He strenuously denies the allegations.

The DJ was an early champion of hip-hop in the UK and hosted the first nationally-broadcast rap show on UK radio from 1994

The seven women who spoke to the BBC are all black, and say they met Westwood through his work. Some of them accuse the DJ of abusing his power within the music industry.

The women tell their stories in a BBC Three documentary, Tim Westwood: Abuse of Power, which airs on BBC Three at 21:00 on Tuesday.

Two of them, who were aspiring to work in the industry, say they agreed to come to London to meet him to discuss music. They accuse the DJ of driving them to a flat and initiating unwanted and unexpected sex. One was 19 at the time, while Westwood was 53.

Another woman told the BBC she met Westwood, then in his mid-30s, when she was 17 and a member of a R&B group. She says she was subjected to unwanted oral sex after agreeing to meet him.

Four further young women accuse the DJ of either touching their bottoms or breasts as they posed for photographs with him at different events where he was performing.

The women, whose names have been changed to protect their identities, do not know each other. Some work in the music industry and fear repercussions – with the DJ continuing to have a prominent role in an industry long-criticised for its treatment of darker-skinned black women.

Allegations about Westwood’s behaviour toward young black women have circulated on social media for some time. In 2020, Westwood issued a statement to the Mail Online hitting out at the “fabricated allegations” and said they were false and without foundation.

Now, for the first time, following our investigation, women detail their experiences.

When Isabel discovered Tim Westwood was DJing at her local nightclub, she spotted a chance to have her music heard by someone influential. She was 19, and had already been getting studio time – featuring on rappers’ tracks as a vocalist.

Isabel was young when she realised she could sing. During her strict religious upbringing in the Midlands in the early 2000s, contemporary music was banned at home, but she spent Sundays singing gospel in church. Secretly, however, she would write her own music and dream of a future as a recording artist.

By 2010, when she was a university student, she was continuing to pursue a career in music. She knew a national platform like BBC Radio 1 could take her to the next level. “[Tim Westwood] was the main gatekeeper to get to the level of exposure I needed,” she says.

Isabel put together a mixtape of unreleased work and included her contact details inside the CD case. Her best friend together with her stepmum went to the club night with her.

They managed to hand the CD to Westwood, and Isabel says the DJ – then aged 53 – called her the next day. The two arranged to meet in London.

Her family and friends shared her excitement. “We were thinking that this is a really good lead at this point,” she says. “He wants to act on this quickly.”

Within days, she was on a train to London for an afternoon meeting. Isabel says the plan was to meet at Nike Town on Oxford Street, near BBC Radio 1’s studios.

She says Westwood was there waiting in a huge American-style car. Isabel assumed they were going to talk about her music over coffee or a drink – a point she wishes she had clarified.

“I don’t ask where we’re going. And then at this point, we start driving,” she recalls.

But she says her discomfort grew as she realised they were heading out of central London. “This is where I’m now like ‘Oh God, where are we going, what’s happening?’”

She says the conversation dried up – to the point where it was almost “menacingly silent”.

She alleges at one point on the journey, the DJ tapped her arm to get her to turn and see that he had undone his trousers and had exposed his genitals. “I’ve looked and I’ve seen and I’m like, ‘Oh, no, oh no, like, oh my God. Just don’t say anything. Don’t look. Don’t say anything.’ And I’m hoping that’s enough for him to just… not.”

Isabel says she felt “completely powerless” and “very, very scared”.

She says they eventually arrived at what she believes was Westwood’s flat. She remembers it being filled with lots of records. She says she was led to a room, where she refused an offer of a drink.

“He leaves the room and then he comes back completely naked,” she alleges. “That’s when I noticed that he has got a condom and he has removed it [from the wrapper] and started putting it on.”

Isabel says she recognised the condom packet. It had the DJ’s face on one side – part of a campaign Westwood did with Durex. “I remember that very vividly because I remember that was kind of when my brain also started to shut down.”

Isabel describes sitting on a chair “frozen with fear”. She says Westwood held her shoulders and turned her around.

“I knew what was going to happen at this point. So, I’m just like ‘Oh my God,’ And I remember being like, hunched up and like holding on to the back of the chair, like, scared.

“He almost, like, tapped me on the back of my leg as if he wanted me to move my leg, which I didn’t do. And then he sort of did.”

Westwood then penetrated her.

She says after he finished, she quickly got dressed and sat waiting to leave. She says the DJ seemed annoyed when she asked for a lift to the station.

Isabel recalls going over and over the experience on what felt like a really long journey back north. “I just remember feeling so deflated. So sad. Feeling really ashamed of myself and bad.”

She says the encounter led her to drop out from her studies and music career.

Isabel’s stepmum told the BBC the whole family had been excited about Isabel’s chance at a breakthrough. But she knew instinctively that something had happened when Isabel got home and wouldn’t talk about the meeting.

But she says that after she heard Isabel’s account, she felt guilty for not chaperoning her – and says she cried when Isabel disclosed that her silence was, in part, over worries her family would be disappointed with her.

Like others the BBC spoke to, Isabel became aware in 2020 of allegations being made by women on social media alleging misconduct by Westwood.

Pamela’s story echoes Isabel’s. She was just 20 when she met Westwood through friends. It was 2000 and she was working with young people who wanted to break into the music industry. She says the DJ invited her to do work experience with him at BBC Radio 1.

He had joined the BBC in 1994, after making a name for himself on pirate and then commercial radio. But his show mostly focused on US artists, and Pamela says the DJ told her he wanted to understand more about the UK scene and “get a younger audience”.

She says the DJ, in his 40s at the time, reassured her “stern Jamaican” mother on the phone that her daughter would be OK heading to London. Pamela travelled by train from the Midlands and says Westwood picked her up in a huge American-style car.

She says, as they drove, he kept stroking her leg and touching her face. She kept batting his hand away. She says he wasn’t concentrating on the road and was swerving so much that a police officer on a motorbike pulled up beside them and knocked on the passenger window. Pamela says Westwood apologised – and was told to keep his eyes on the road.

Pamela assumed she would be staying in a hotel as part of the work experience, but says the DJ instead drove her to an apartment where she remembers “records and trainers and oversized clothes everywhere”.

She says that at one point, he began trying to kiss her neck and remove her clothing. “I didn’t give him any kind of come on. There was no flirtation,” she says.

“If you are trying to actively touch me and I am pushing your hand away, that means I don’t want to do anything with you. If you are trying to remove [an] item of my clothing, and I put it back on, that means I don’t want it to be gone. If I’m showing you I’m uncomfortable, why would you just not stop doing it?”

She says she remembers thinking she couldn’t get out of the situation. “I’m in London alone with this man. Now, if I try and get out of this, who’s to say how he’s going to react. So I just submit to it.”

Pamela says she went home as soon as she could. She describes the encounter as “traumatic” and “disgusting”.

The work experience Westwood offered didn’t take place. We asked the BBC whether any monitoring of any work experience scheme took place but they did not provide an answer to this question.

Pamela later spoke to a friend who works in the music industry about her experience.

Pamela is critical of the BBC and other organisations for the “celebrity status” Westwood’s position afforded him over the years – a position she believes he abused.

“I would describe it as an abuse of power because… who they’re going to believe? This little girl from the Midlands, or this big, shiny star from London? He’s on national radio, international.”

Westwood fronted the UK version of the hit MTV show Pimp my Ride in 2005, and was also given a drive-time show on BBC Radio 1’s sister station 1Xtra, which focused on contemporary black music.

He is known for giving a platform to new artists, as well as getting some of the biggest rappers in the world onto his programmes – from Eminem to Cardi B.

He eventually left the BBC in 2013 as part of scheduled changes. In a Freedom of Information request, BBC News asked the BBC whether it had received any complaints against Westwood during his time in its employment. The corporation said it could “neither confirm nor deny whether the BBC holds the requested information”.

In a statement regarding our investigation, the BBC said “it does not comment on individuals”, but added that presenters would be expected to comply with strict codes of conduct.

One woman’s story we heard goes back three decades. It was the early 1990s and Tamara had been talent-spotted by producers trying to put together a British R&B group. At that time, songs from American R&B girl groups like TLC and SWV were getting radio play and finding chart success.

Tamara spent her time in and out of studios recording music – as well as enjoying London’s nightlife meeting other artists. One time when she’d seen him around, Westwood, who was then in his mid-30s, suggested they should meet up. She was 17 at the time and believed the meeting was to talk about her career.

She says that, at the time, the DJ had “absolute power”.

He picked her up, and after stopping briefly at a radio station, he took her to a flat.

According to her, he started to take down her trousers and underwear. “Then he began instantaneously to give me oral sex. There was no talking. There was no kind of no communication about that. It was just before I knew it – that’s what was happening.”

Tamara says that at first she tried to push his head or his shoulders away but he just continued.

“And then I just realised that I’m in a position where it’s already gone too far. I’m in a place, I’m already far from home. I wouldn’t know how to get home from here. I was manipulated into that situation – I was led to believe one thing, when he had something else in mind.”

Working in the same industry, she says their paths continued to cross. She says Westwood had sex with her several times over the next few years before she cut off the encounters.

“I think it was almost implied by him that OK, because we’d had the first encounter, I would be up for the next encounter and being young and not having the strength and courage to just say ‘Look, no, I don’t feel right about this because I don’t feel right about it.’ It just happened.”

In 2021, Tamara watched the BBC’s Music’s Dirty Secrets documentary in 2021 and contacted the producers asking them to investigate the DJ.

Now 64, Westwood continues to perform at nightclubs around the UK and internationally, hosts freestyle sessions and interviews on his popular YouTube channel and has a Saturday night show on Global’s Capital Xtra.

Four further women have told the BBC about their experiences with the DJ as they posed for photos at events with him.

Farah says she was introduced to Westwood in 2000 at an afterparty at Bristol Carnival. She says he put his hand down her top and “grabbed” her breast while they were gathered for a group photograph.

“I felt cold and I felt dirty. I felt humiliated – embarrassed that I’d done something wrong,” she says.

The BBC spoke to her friend who recalled Farah telling her years ago about the incident.

Another woman, Claire, described meeting Westwood at a club in Ayia Napa, Cyprus in 2009. She recalls that he said “lemme grab some ass” as she and a friend posed for a photograph with him, before the DJ put his hand down the back of her denim shorts. She says she “froze” and felt “very intimidated” by the experience.

A third told the BBC she was a huge fan of Westwood’s BBC Radio 1Xtra show when she went to an event he was DJing at in Essex – also in 2009. Then aged 19, Loretta also describes feeling his hand snake down her back before he grabbed her bottom while they posed for a picture.

“I felt his hand go back up. And stopped at my neck. And do you know, in that moment I was kind of frozen.”

Nyla was in university when she met Westwood at a New Year’s Day event in 2017, she told the BBC. She says he described her as the “pengest girl in the rave” during his DJ set and then later, while she and her friend recorded a Snapchat video with him, she says he put his hand up inside the back of her skirt. She says she was “shocked” and felt “objectified”.

She says the DJ managed to find her Snapchat contact and called her the next day to ask her to “hang out”. She didn’t meet up with him.

The BBC has seen the Snapchat footage and the images the women say were taken during their encounters.

None of the women the BBC spoke to have reported their interactions to the police. Some say they are speaking about their experiences in the hope it encourages others to come forward and leads to the DJ being “held accountable” for his behaviour.

“It makes it feel like that wasn’t completely for nothing,” Isabel says about coming forward.

“Like, I don’t just have this trauma scar for no reason. There’s a purpose for other people to not have to experience it.”

Source: BBC

 

 

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Atlanta’s very own Tony Shhnow releases new single “Keep In Touch”

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Tony Shhnow, a staple in Atlanta’s underground hip-hop scene, has just released his new single and visual for “Keep In Touch” leading up to the release of his new project Reflexions, out 6/9. The suave new track showcases Tony’s glossy flows & braggadocios delivery over a silky smooth instrumental. The waining keys & understated electric guitar pair perfectly with Tony’s confident cadence, amounting to a track that seamlessly delivers Tony’s signature swagger and exceptional ingenuity. The vintage visual features Tony channeling his inner 90’s R&B star––rapping his boastful verse inside a low-lit bar alongside a pool table, all while sporting a classic leather jacket, gold-plated glasses & sleek white turtleneck. “Keep In Touch” serves as a perfect sampler for the unparalleled craftsmanship and forthright creativity he’ll be delivering with his forthcoming project Reflexions on 6/9.

If the past few years have taught us anything, it’s that trying to keep up with Tony Shhnow is impossible. In the span of 12 months, Tony dropped a whopping 7 successful projects, a feat that has truly separated him from the pack. As described by Pitchfork, “Tony’s consistent and overwhelming output has quickly made him a breakout of Atlanta rap’s underground.” Through the projects he’s dropped in 2021, including 48 Laws of Power, 48 Laws of Flower 2 (Art of Production), Authentic Goods, RPS N PLAN BS ll with 10kDunkin, Dis Should Hold You Over 2, and kicking off 2022 with Kill Streak 2 (Deluxe), Tony has been releasing music in the vein of Atlanta’s trap superstars of the 2010s and has no plans on stopping. Tony continued his hot streak in 2022 by hitting the road with budding Boston rapper Cousin Stizz for a multi-city tour this Spring. Earlier this month, Tony released “Last Chance” (feat. Zelooperz), the lead single for his forthcoming project Reflexions, out 6/9. Through his gripping visuals and non-stop work ethic, Tony has solidified himself in the next generation of Atlanta artists poised for stardom.

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MTV announces Düsseldorf as host city for MTV EMAs 2022

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MTV today announced the “MTV EMAs” 2022 will take place in Düsseldorf at PSD Bank Dome, marking the annual global music celebration’s sixth time in Germany. The ‘EMAs’ will broadcast live on MTV in more than 170 countries on November 13th and feature show-stopping performances and appearances from the world’s biggest stars.

“There is no other event like the ‘MTV EMAs’ which connects audiences in every corner of the world to their favorite artists,” said Raffaele Annecchino, President & CEO, International Networks, Studios, & Streaming, Paramount. “We can’t wait to head back to Germany to bring today’s biggest stars, young changemakers and superfans together for the ultimate global music celebration.”

“As we celebrate the 25th anniversary of MTV Germany, we’re excited to return to the incredible country where we hosted our first ‘EMAs’ back in 1994 in front of Berlin’s iconic Brandenburg Gate,” said Bruce Gillmer, President of Music, Music Talent, Programming and Events, Paramount, and Chief Content Officer, Music, Paramount+. “Düsseldorf is a vibrant, multicultural city and the perfect setting for an epic night celebrating today’s top artists and the incredible power of music to cross borders and unite us.”

Host, nominees, performers, and presenters to be announced later.

Previous ‘EMAs’ held in Germany were Berlin (1994 & 2009), Frankfurt (2001 & 2012), and Munich (2007).

The “2021 MTV EMAs” were held live from the Papp László Budapest Sportaréna in Hungary and saw Nigeria’s Wizkid recognized as the ‘Best African Act’. Hosted by rap superstar Saweetie, the epic event featured electrifying performances from Ed Sheeran, Maluma, Imagine Dragons, Kim Petras, Måneskin and honoured some of the world’s biggest artists while also celebrating music, love, and equality. For the first time, the “MTV EMA Generation Change Award” recipients were recognized during the main show and MTV honored five young changemakers furthering equality and love.

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Eminem Releases 20th Anniversary Expanded Edition Of Iconic Album ‘The Eminem Show’

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Eminem has just released the 20th-anniversary expanded edition of The Eminem Show (Shady Records/Aftermath Entertainment/Interscope Records) — his record setting, Grammy Award-winning fourth studio album. The deluxe reissue features 18 bonus tracks (including B-sides, live performances, instrumentals, and an unreleased song), none of which were previously available for download or streaming. Go HERE to listen to The Eminem Show (20thAnniversary Expanded Edition), and see below for the full tracklist.
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As Eminem told SPIN Magazine at the time, “One of the frustrating things was people saying, ‘He’s got to cuss to sell records,'” he says. “That’s why with this album I toned it down a bit as far as shock value. I wanted to show that I’m a solid artist and I’m here to stay.”
Executive-produced by Dr. Dre — with most tracks produced by Eminem alongside his longtime collaborator Jeff BassThe Eminem Show features guest appearances from Dr. Dre, Nate Dogg, Dina Rae, Obie Trice and D12. In addition to “Without Me,” the album features hit singles like “Cleanin’ Out My Closet, “Superman, and “Sing for the Moment.Named the best album of 2002 by Blender, Muzik, and LAUNCH, The Eminem Show was also hailed as one of the best albums of the 2000s by a variety of publications.
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TRACKLIST FOR THE EMINEM SHOW (20TH ANNIVERSARY EXPANDED EDITION)
1.      Curtains Up (Skit)
2.      White America
3.      Business
4.      Cleanin’ Out My Closet
5.      Square Dance
6.      The Kiss (Skit)
7.      Soldier
8.      Say Goodbye Hollywood
9.      Drips
10.  Without Me
11.  Paul Rosenberg (Skit)
12.  Sing For The Moment
13.  Superman
14.  Hailie’s Song
15.  Steve Berman (Skit)
16.  When The Music Stops
17.  Say What You Say
18.  ‘Till I Collapse
19.  My Dad’s Gone Crazy
20.  Curtains Close
[BONUS TRACKS]
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2. The Conspiracy Freestyle (Featuring 50 Cent) (B-side from the “Business” CD Maxi)
3. Bump Heads (Featuring 50 Cent, Tony Yayo, and Lloyd Banks) (B-side from the “Business” CD Maxi)
4. Jimmy, Brian and Mike (Previously Unreleased)
5. Freestyle (#1) (Live at Tramps, New York, 1999)
6. Brain Damage (Live at Tramps, New York, 1999)
7. Freestyle (#2) (Live at Tramps, New York, 1999)
8. Just Don’t Give a Fuck (Live at Tramps, New York, 1999)
9. The Way I Am (Live at the Fuji Rock Festival, 2001) (Featuring Proof)
10.  The Real Slim Shady (Live at the Fuji Rock Festival, 2001) (Featuring Proof)
11.  Business (Instrumental)
12.  Cleanin’ Out My Closet (Instrumental)
13.  Square Dance (Instrumental)
14.  Without Me (Instrumental)
15.  Sing For The Moment (Instrumental)
16.  Superman (Instrumental)
17.  Say What You Say (Instrumental)
18.  ‘Till I Collapse (Instrumental)
Over the course of his career, Eminem has sold over 130 million albums and 389 million singles worldwide. He was Nielsen SoundScan’s top-selling artist of the 2000s with 32.2 million albums sold in that decade in the U.S. alone. In addition, Eminem was also named Billboard’s Artist of the Decade for the same period, 2000 through 2009. Eminem has won 15 GRAMMY® Awards and an Academy Award®. His 2010 album, “Recovery,” was the first album in the U.S. to be certified platinum digitally. In March of 2021 his greatest hits album, “Curtain Call: The Hits,” became the first hip-hop album to spend a full decade on the Billboard Top 200 albums chart.  His most recent album, “Music To Be Murdered By” was released January 17th, 2020 and was his ninth straight studio album to debut at No. 1 on the Billboard Top 200, selling over 279,000 units. “Music To Be Murdered By – Side B” is an expanded version of the album which was released in December 2020.  Its release brought the album back to No. 3 on the Billboard Top 200, breaking a 50-year record for biggest chart leap.
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Kourtney Kardashian Reveals She Was Told to Drink Travis Barker’s Semen to Help With Fertility

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Kourtney Kardashian was instructed by a doctor to drink Travis Barker’s semen “four times a week.” Bible. (more…)

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OKX reveals $10 million mystery box giveaway

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OKX, the world-leading cryptocurrency ecosystem and exchange, today revealed an exciting USD $10 million Mystery Box referral program. Every participating OKX user who shares the referral link with a friend will unlock a crypto reward from the prize box worth up to USD $500 for themselves and the recipient.
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For more information about the Mystery Box program please visit: www.okx.com/referral
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Sting, Black Eyed Peas, Pitbull, Stone Temple Pilots, Mod Sun & More To Particpate In Atlantis Concert For Earth

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Black Eyed Peas, Pitbull, Stone Temple Pilots, Bush, Mod Sun, Girlfriends and more are set to headline the first-everAtlantis Concert for Earth, a nonprofit concert and global conservation celebration taking place July 22-23, 2022 in partnership with and from the Azores Islands, Portugal. Sting will provide a special virtual performance. Nicole Scherzinger will also be performing as well as hosting. The event will feature performances, both live and virtual, from iconic artists and showcase the incredible solution-driven work of leading conservationists and organizations from around the world – the true ‘Rockstars for Earth.’ Featured organizations include Re:wild, Sea Legacy, Blue Azores, The Ocean Cleanup, Innerspace, Juccce, The White Feather Foundation—founded by Concert for Earth Ambassador Julian Lennon, Grounded, Earth Uprising— founded by Concert for Earth Ambassador Alexandria Villaseñor, Earth Percent and more. The event will inspire individuals to take action and become Rockstars for Earth themselves. Select artist performances will be livestreamed worldwide for free on Saturday, July 23rd via Veeps: HERE. In-person tickets are available to those local to the Azores HERE.

The zero- to low emission hybrid event is financially made possible by Atlantis Entertainment co-founder, Steven Schuurman. Any remaining carbon emissions from the event will be calculated, reduced, and where possible removed with support from A Greener Festival (AGF), a not-for-profit company committed to helping events, festivals and venues around the world become more sustainable and to reduce environmental impacts.

“Nature is the true headliner at the Atlantis Concert for the Earth,” said will.i.am of Black Eyed Peas. “It is a surreal other-worldly experience to perform on the rim of an extinct volcanic crater to celebrate the Rockstars of Conservation while using music as a megaphone to call attention to the need for global conservation.”

“Biodiversity, from wildlife to ecosystems, underpins the existence of life on Earth,” said Wes Sechrest, chief scientist and CEO of participating partner Re:wild. “We are excited to be a part of Concert for Earth, a celebration of the symphony of life on our unique planet and an invitation to come together to protect and restore nature for the benefit of biodiversity, the climate, and all of us”.

To spread the message of conservation and celebrate the inspirational stories and work of the Rockstars of Conservation, Atlantis Concert for Earth will be livestreamed via Veeps, a premium concert streaming service, for free to people worldwide. Viewers can access the content on Veeps.com or via the Veeps app on Apple TV, Roku, iOS, and Android. The livestream will be executive produced by Fortress Entertainment Group.

Embracing Concert for Earth’s inclusive mission to create awareness, educate and inspire action, there will be a ‘Click to Donate’ option during the livestream. 100% of donations from viewers will go directly to supporting the inspirational, solution-driven work of the festival’s conservation partners.

“I love Concert for Earth’s inclusive mission of finding balance with our planet and leaning into our passions and superpowers to inspire people to become Rockstars For Earth! The world is changed by our actions and not our opinions,” said Nicole Scherzinger

Atlantis Concert for Earth is taking place in Sete Cidades, in Azores, Portugal. The pristine venue is a natural amphitheater, nestled along two lakes inside an ancient volcano crater. With breathtaking 360-degree views, Atlantis Concert for Earth is the only concert for planet Earth with a location as visually stunning as this ecologically rich setting.

Atlantis Concert for Earth was created by Atlantis Entertainment, a full-service media, tv & film production company and record label founded by some of the most successful names in the music, film & television and tech industries, who also share a passion for conservation. The event was conceptualized by Atlantis Entertainment CEO and co-founder Nuno Bettencourt, an Azorean-born and Grammy-nominated multi-platinum artist, songwriter and producer known for his work with Extreme, Rihanna, Robert Palmer, Perry Ferrell and Janet Jackson, along with fellow co-founders Rene M. Rigal, an award winning television, film and content producer and the former Chief Creative Officer of Virgin Produced and President of State Street Pictures (Fox), and Steven Schuurman high-tech entrepreneur and philanthropist, co-founder of Elastic (NYSE: ESTC). With an all-star lineup booked by music industry veteran and talent booker, Scott Igoe, the concert will make “Earth the Headliner” by inspiring action and hope to bring humans back into balance with Earth.

“These days, words Climate and Climate Crisis trigger so many different emotions from all walks of life,” said Bettencourt, who has been working for over a decade to bring Concert For Earth to fruition. “It shouldn’t matter who you voted for, we don’t judge what your political color is internationally or, here in the U.S. if you are Republican, Democrat, Black, white, Hispanic, rich or poor. Because whatever we are, whether we like it or not, we share the same air, the same water and the same soil. We have all heard about the urgency, but fear is not the answer. Instead,  together during Concert for Earth we are taking our universal language and power of music to celebrate the Conservationists and Entrepreneurs from around the world who are game changers leading the way with real, tangible solutions to flip the current narrative of climate and conservation from blame, anger, and doom; to positivity and hope by shining a light on inspirational SOLUTIONS to get us back in balance with our planet.  It’s time to stop telling everyone how we are all going to die, but instead show them how we’re all going to live.”

More details and line-up announcements to be made soon. For more information and to keep up with the latest on Atlantis Concert for Earth, please visit: WEBSITE

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