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Tim Westwood steps down from Capital Xtra radio over sexual misconduct allegations

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Tim Westwood has stepped down from his Capital Xtra radio show “until further notice” after sexual misconduct claims, the station’s parent company has said.

His exit follows allegations from seven women of predatory sexual behaviour and touching by the British hip-hop DJ.

“Following the claims that have recently come to light, Tim Westwood has stepped down from his show until further notice,” a statement from Global said on Wednesday.

Westwood strenuously denies the claims.

On Tuesday, a joint investigation by the BBC and The Guardian featured the accounts of seven women relating to alleged incidents between 1992 and 2017.

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Westwood, 64, presented a Saturday night slot on hip-hop station Capital Xtra for nine years. He previously hosted shows on BBC Radio 1 and 1Xtra from 1994 to 2013.

Two of his forthcoming DJ sets in Birmingham and Bognor Regis have also been cancelled in light of the allegations.

The women accused Westwood of predatory sexual behaviour and touching, claiming he abused his position in the music industry to exploit them.

Two said he had initiated unwanted and unexpected sex, one claimed she was subjected to unwanted oral sex, and four accused the DJ of touching their bottoms or breasts.

The women who spoke to the BBC are all black, and said they met Westwood through his work. They told their stories in a BBC Three documentary, Tim Westwood: Abuse of Power.

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Earlier on Wednesday, BBC director general Tim Davie described the testimony of the women as “powerful and appalling”, and called for anyone else with evidence to come forward.

Mr Davie said he had found no evidence of complaints made to the corporation about the DJ while he was at the BBC.

Westwood hosted the influential rap show on Radio 1 and a drivetime show on sister station 1Xtra before moving to Capital Xtra in 2013 when it changed its name from Choice FM. He also fronted the UK version of hit MTV show Pimp my Ride in 2005.

He is known for giving a platform to new artists, as well as getting some of the biggest rappers in the world onto his programmes – from Eminem to Cardi B.

The self-styled “Big Dawg” also performed at nightclubs around the UK and internationally, and hosted freestyle sessions and interviews on his popular YouTube channel alongside his radio show.

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A spokesman for Westwood said he strenuously denied in their entirety the serious allegations made against him.

He said he did not behave in the manner described and any suggestion that he acts, or has acted, in the way described would be false.

SOURCE: BBC

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DaBaby says he went from getting $300K for a feature to $150K after recent controversy

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American rapper, DaBaby has revealed that he now gets half of what he used to get paid for a feature verse after a recent controversy.

(more…)

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Napoléon by Abel Gance (1st period) opening Cannes Classics at the 77th Festival de Cannes

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Napoléon by Abel Gance (1st period) opening Cannes Classics at the 77th Festival de Cannes

A legend known to cinephiles the world over, a major work of the silent era, one of the most monumental restorations in the history of filmmaking will be unveiled on May 14 as a world premiere: Napoléon by Abel Gance (1st period), in a version resulting from a colossal, passionate effort by the Cinémathèque française, with the support of the CNC.

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Davido Inks Partnership with UnitedMasters For His Nine+ Records Venture

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Davido Inks Partnership with UnitedMasters For His Nine+ Records Venture

Making yet another major power move, three-time GRAMMY® Award-nominated Nigerian global superstar and Afrobeats pioneer Davido has inked a deal with UnitedMasters for his recently launched label Nine+ Records.

In this groundbreaking collaboration, Davido will spearhead artist development, A&R, and behind-the-scenes curation, nurturing a pioneering lineup of artists across the continent under Nine+ Records. United by a shared vision, the teams will work together to introduce and foster talent, amplifying Davido’s influence and extending his reach even further. This partnership marks a pivotal moment in shaping the future of African and world music.

Together, the teams will collaborate closely in order to not only introduce, but cultivate career talent. It only expands Davido’s influence and reach.

Read Also: Davido gifts fan $50k to payoff student loans

Of today’s announcement Davido said, “I couldn’t be more proud to partner with Steve and the team at United Masters, this announcement represents an exciting new chapter for developing and established artists around the world.”

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Steve Stoute, Founder and CEO of UnitedMasters states, “Over the last 2 years, we’ve proven our commitment to Africa investing in artists, education, and technology. Today, we are doubling down. With this new venture with Davido & the launch of Nine Plus Records, we reinforce our mission in becoming a bridge for artists on the continent. Together we’ll identify & develop new artists while supporting them with brand and synch opportunities.”

Nine+ Records will be announcing more artists and partners in the future.

Last night, Davido just sold out one of the most iconic venues in the world, headlining Madison Square Garden in New York City. He ignited the stage with what will be remembered as a historic set, bringing Afrobeats to the Big Apple in the biggest way possible. In advance of the show, he extensively spoke to Billboard who praised how “Performing in New York has also become a special ritual” for him.

This news also arrives on the heels of various major company announcements for UnitedMasters. The company locked down a high-profile alliance with SymphonyOS and Groover. Plus, it hosted its annual “A Celebration of Independence” GRAMMY® Concert at the Palladium in Hollywood, CA. The show boasted an all-star lineup, including headliner Davido, Uncle Waffles, Tokischa, Donavan’s Yard, and NLE Choppa. Of the latter, The Source wrote, “This marked the first time UnitedMasters featured international acts, solidifying its impact and representation within the global independent artist movement.”

Stay tuned for a whole lot more soon

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Record Rainfall in UAE: Dubai in Chaos as Streets Flood

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Chaos swept through the United Arab Emirates as it faced the most intense rainfall in 75 years, with certain regions recording over 250 mm (approximately 10 inches) of rain within a mere 24-hour period, as per the state’s media office statement released on Wednesday, April 17. (more…)

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Ashanti & Nelly Are Engaged, Expecting First Child Together

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Nelly and Ashanti are working on a special duet! (more…)

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Baloji and Emmanuelle Béart will co-preside over the Caméra d’or Jury of the 77th Festival de Cannes

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Screenshot 2024 04 17 at 18.29.58

The 77th Festival de Cannes will feature an unprecedented yet self-evident pairing at the head of the Caméra d’or Jury. As rich dialogue and inspiring gaze arise from encounters, the Festival de Cannes is eager to bring together Emmanuelle Béart and Baloji to co-preside over the Jury that will honor one of the first films presented in the Festival’s Official Selection or its parallel sections.

An unprecedented pairing since French actress Emmanuelle Béart and director and songwriter Baloji, who evolves in Belgium and the Democratic Republic of Congo, have never met. She has worked with some of the world’s greatest filmmakers, dazzling both screen and stage with her incandescent performance. He is a bold, visionary creator, who made two short films before receiving the New Voice Prize at Un Certain Regard in 2023 for his acclaimed debut feature Omen.

 

An obvious pairing as both are free spirits with no limits, who rely on their art to achieve creative freedom. Through her impressive filmography and her humanitarian commitment, Emmanuelle Béart is forever supporting a filmmaking to be shared, to emancipate, transcend borders and help us live together. Baloji, in his first feature film with impressive aesthetic mastery, delivers a chronicle that transcends otherness through the prism of magical realism.

 

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Delighted to be paired at the head of the Caméra d’or Jury, Baloji and Emmanuelle Béart will combine their voices to welcome the first features of filmmakers who look at the world with inspiration, tell us about it with emotion and invite us to discuss it with the conviction of beginnings. “Being a self-taught filmmaker and a filmmaker from the Congolese diaspora,” confides Baloji, “it’s a great honour to be able to witness the vitality of first-time directors, to discover their strong singularities and their inaugural work, which will have a lasting impact on the identity of their filmography.” Emmanuelle Béart declares: “A first film is about the impossibility of doing anything other than delving into the depths of one’s being to find out what we can’t keep quiet about. A deeply moving and terribly free birth: no one is waiting for you yet. We will honor our duty with wonder and respect.”

 

The Caméra d’or Jury has been co-chaired three times before: by actress Françoise Fabian and director Daniel Schmid in 1996, by Marthe Keller and Géraldine Chaplin in 2002, and by brothers Luc and Jean-Pierre Dardenne in 2006.

 

In 2023, the Caméra d’Or was awarded to Pham Thien An for Inside the Yellow Cocoon Shell  by the Jury presided over by French actress Anaïs Demoustier

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