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Tony Shhnow is “Finessin'” in new video

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Tony Shhnow

A visionary among those leading Atlanta’s Hip Hop renaissance, Tony Shhnow has just shared his new video for “Finessin’”, a standout track off of his recently released project, Reflexions. Over a swanky saxophone and silky strings, Tony reminisces on his lifelong venture of “Finnessin’” with the kind of effortlessly poignant story-telling bars his fans have come to expect. In the video, Tony sports a throwback Celtics jersey while performing the smooth track in a low-lit crib––an appropriate pairing for the lyrics, “I’m only in the house because I plan to own the building.”

“Finnessin’” exemplifies the first-class lyricism and worthwhile originality Tony Shhnow delivers throughout his newly released project Reflexions.

Read Also: ATL standout Tony Shhnow releases new project Reflexions


Tony Shhnow is a preeminent figure in Atlanta’s hip-hop scene and his new mixtape, Reflexions is overflowing with a sea of lucid instrumentation, polished finesse, and show-stopping lyricism. From the iconic trap sound and emerging “plugg” scene of his hometown of Atlanta documented by Soundcloud recently, to classic hip-hop wordplay and R&B-inspired beats, Reflexions is an abstract blend of the extensive styles at Tony’s disposal. As described by Pitchfork, “The level of lyrical and musical comfort Shhnow displays on Reflexions is almost unnerving.”

Not only is Reflexions receiving critical-acclaim, but the project was also recently co-signed by R&B superstar Brent Faiyaz, a nod to the high level of respect fellow musicians have for Tony. The 18-track tape also includes Tony’s recent singles, “Keep In Touch” and “Last Chance” (feat. Zelooperz), as well as features from OJ Da Juiceman, Bear1Boss, and Matt OX. This past Spring, Tony hit the road with budding Boston rapper Cousin Stizz for a multi-city tour. Reflexions is a worthwhile encapsulation of Tony’s journey to constantly reinvent his eclectic sound, express the most honest version of himself on the mic, and produce music on the cutting-edge of the blossoming underground of hip-hop.

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