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Vodafone 020 Live: Lessons on professionalism for artists and event organizers

When R2bees were called on stage to perform at the Vodafone 020 Live concert and they didn’t turn up, I posted on Twitter that they had bailed out on the organizers intuitively and people started asking questions that I didn’t have answers to.  Later in the night, when the group popped up to perform ‘Kiss […]



trey songz in ghanaWhen R2bees were called on stage to perform at the Vodafone 020 Live concert and they didn’t turn up, I posted on Twitter that they had bailed out on the organizers intuitively and people started asking questions that I didn’t have answers to.  Later in the night, when the group popped up to perform ‘Kiss Your Hand’ with Wande Coal and moved on to perform their new single ‘Agyeii’ I thought perhaps the show was rearranged to have Wande Coal and R2bees perform their hit song together. 

The group told the crowd “we were here early but they didn’t want us to perform” and I interpreted it to mean that the organizers didn’t want them to perform earlier because they wanted to include Wande Coal ( who came in between Dbanj’s performance) in R2bee’s performance so I explained it as such on Twitter. But later I received a communication from the management of R2bees which said:

“A lot of things happened at the backstage; there was a little miscommunication that was the reason why R2bees didn’t appear on stage when they were called. It wasn’t our fault.  And we also want the general public and event organizers to know that, if they are not ready to spend money to organize a good show, they shouldn’t even bother to start arrangements. And it’s about time they respect the local artists and treat them right, and give them what they want for shows.”

“As soon as we got to the back stage, they didn’t even communicate with us or give us a notice that we going to go on stage, then they called us. If they want to claim that we were late at back stage, ask if they provided us a room at the hotel.  They only provided a single room for the whole R2bees crew which is even disrespect to the artist, so R2bees had to go home to Tema to relax after sound check and get ready.  So since they didn’t provide us enough rooms for the artist, we also got ready from Tema to the show. It’s a lesson, if event organizers really need the artists, they will provide whatever they need for them to make the show a success, they shouldn’t just think about the hype of the show but also the content of the show and treat the artists right.”

This made me wonder where the much talked about lack of respect and professionalism in the Ghanaian industry comes from so far as concerts and shows are concerned. Is it a problem from event organizers; are the organizers professional enough in their handling of Ghanaian artists; are Ghanaian artists handling themselves in a professional manner enough for event organizers to give them the respect they deserve? Based on my observation of events before, during and after the Vodafone 020 Live concert, I will try to do some analysis of the situation and hopefully we can review it in a manner to help the industry grow.

First and foremost, none of the Ghanaian artists on the bill at this point should be talking about the money they were paid for the 020 Live show either is isolation or in comparison with the foreign acts. They were aware of how much they would be paid as negotiations were made before they agreed to perform. I know of an artist who was billed to perform but because he couldn’t reach an agreement with Vodafone over payment, he pulled out before the final list of performers was announced.

After agreeing to perform, I believe a contract was signed highlighting what would be required from both artists and the organizers including issues of promotion, production, and logistics among others.  I believe that since Trey Songz, Amber Rose and Dbanj do not live in Ghana, their contract would stipulate extra conditions such as feeding and boarding for them and their entourage.  With that said, I don’t know how many hotel rooms would be adequate enough to host  R2bees and their entourage a few hours before their performance; who constitute that entourage and  how many people were agreed between R2bees and the organizers to be a part of this entourage? I want to believe that even for Trey Songz, a number of people were agreed to come along with him to Ghana on the bill of Vodafone and any extra person outside the agreed number would have to cater for him or herself.

Again, based on the communication from the R2bees management I can deduce that they were late in getting to the venue for the concert since they had to travel from Tema to the Accra International Conference Centre.  This brings me to the issue of time management in general and I know we cannot even pretend as a people to be good managers of time. I have been to shows where the artists have arrived on time only to find out that organizers are not ready to start the show; and I have also been to shows where organizers have had to delay the show because the artists do not arrive on time.  I believe the late start of the 020 Live show was due to the latter.

Let’s just assume that all the artists on the bill apart from R2bees had arrived on time and there was a production schedule that says 5five will go on stage at 7pm followed by R2bees at 7:20. Its 6:50 and R2bees hasn’t shown up; what does the organizer do? Should the show start at 7 and have another artist follow instead of R2bees; should the production schedule be rearranged so that only the artists available would perform; or should the show be delayed for R2bees to arrived so that the bill is complete as advertised and the show rolls out according to production schedule?

From what I heard, time and respect for schedules were thrown to the dogs by most of the Ghanaian artists on the bill. Most of them were late to rehearsals, sound check and interviews; and some didn’t even turn up for some of these activities. I also heard that there was an incident where an artist was scheduled for an interview at a radio station before Trey Songz. The artist was late and when he got to the radio station, it was already the turn of Trey Songz and he wanted to go on air while Trey was on.  And when the radio station didn’t allow him he left fuming!

Enough of the hearsays, and on to what I observed with my own eyes!  When Trey Songz arrived in Ghana, he spent a short time in his hotel room and started his rounds to radio stations because although tired from the long journey, he knew he was contractually bound to make these promotional appearances for the concert. After that he came back to Villa Montecello where the 020 Live Cocktail for the artists and industry people was taking place. Over there he granted exclusive interviews to some media people and then moved to the party area to join guests. Originally the cocktail party was meant for the Ghanaian artists to host and welcome the foreign artist to Ghana but in typical style most of them were late or didn’t even turn up.

The following day was a press conference at the Golden Tulip scheduled for 12 noon. Trey Songz got to the hotel on time and in fact was seen waiting in his car for the others to turn up. Finally after delaying the press conference for about an hour, the press interaction had to go on without most of the Ghanaian artists. Bear in mind that this press conference was held ahead of the final sound check for the concert, meaning that the delay would also affect the final preparations for the show. From Vodafone’s own ‘babies’, R&M to whoever was on the bill, there was very little respect for time and schedules. In fact I heard that the management of Trey Songz was upset on the night of the concert because he was told he would perform at 11pm. He left his hotel room to the venue only to wait in the dressing room for close to two hours before finally going on stage. So I would understand when he questions the professionalism on the part of organizers in this case.

In my review of the 020 Live concert, I stated that I didn’t enjoy the performances from most of the Ghanaian artist perhaps because I have seen them doing the same thing over and over again and most of them simply have to work on their artistry. I was told when the 020 Live concert was launched that the audience would see ‘live band’ performances from the artists and for me that would have been a novelty. But of course that wasn’t the case on the night as all of the Ghanaian acts performed to backing tracks. I don’t know if the organizers scrapped off that idea or the artist didn’t cooperate on that level because there was a band setup which was used by Trey Songz and Dbanj. It was only Dr Cryme that experimented with the idea by performing his hit song with a brass band. Although it didn’t go as well as planned because according to the management of Dr Cryme, the band wasn’t given their microphones.  And well, the sound on the night was quite bad at some stage; I blame the organizers for the noisy sound that came out now and then.

Trey Songz and Dbanj didn’t only perform with a band; they performed well over 30 minutes each. I wonder how many of the Ghanaian artists on the bill could do that. I know non-highlife artists like VIP, Samini and even Sarkodie have been doing that in recent times and I hope they continue and improve on their artistry. This is how their value for concerts and show will go up or else they will remain opening acts for more capable artists or be paid to make an appearance and sing over a backing track.

Amber Rose’s inclusion in the 020 Live concert was perhaps questionable but without a doubt well informed. She is a growing music entrepreneur with connections in the music industry regardless of how she got those connections.  She is half Italian and half Cape Verdean and so has a link to Africa that she would want to explore especially in the area of music. The Vodafone concert was a great platform for the Ghanaian artist to sell themselves and I feel that if professionalism means anything to her (which I believe it does) then most of our people failed.

I guess the lesson in this for both event organizers and artists is that event organizers should know that Ghanaian artists are becoming conscious of the potentials of their careers and are increasingly demanding respect and professionalism in their dealings with event managers. And it’s about time too! The lesson for the artists is that demanding for respect and professionalism doesn’t come as a right of stardom; it demands more professionalism on their part.

In every industry that music has worked and succeeded as a business, it has been so because people invested in it.  I see Vodafone as investors and their recent major entry in the Ghanaian music industry via the Ghana Music Awards, 4syte Music Video Awards, 020 Live and other, shows this commitment in addition to building their brand image in Ghana.  Musicians need to be business oriented and explore the opportunities they can get from such corporate bodies and not chase after the ‘bling bling’ culture that MTV projects because very often MTV doesn’t show how the stars became able to life those lifestyles.  I don’t think 50 Cent would be late for a business meeting for an endorsement deal regardless of his stardom and wealth.  Why; because he is professional and he knows what he can gain from that endorsement.

I believe things are improving in the industry and these little details will go a long way to sustain that growth and even see us soaring higher. Let’s learn from past mistakes, build on it and grow. God bless Ghana music!


Radio & TV

No show from Sista Afia and more catfights, as cast of ‘GH Queens’ gather for ‘Reunion show’



gh queens online

Just as it was reported during the premiere event for ‘GH Queens’ sometime in April, some stars from the pseudo-reality TV show were again missing from the Reunion show, which started airing on Friday. Yes, the fiesty Sista Afia and Fantana will not be making an appearance on the three-part special reunion show on Akwaaba Magic (DStv channel 150). (more…)

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Ameyaw Says

Coachella through the eyes of an African



Ameyaw Debrah at Coachella 2022

My second showing at the Coachella Music & Arts Festival confirmed to me the sheer diversity of talent and music that gets showcased each year. But Coachella is more than music and arts, it is a celebration of cultures, the spirit of people, fashion, and more. If you’re a conservative African,  then expect some cultural shocks as the festival doesn’t hold back in celebrating life and accepting it in all of its forms.

The festival embraces queer and intersecting groups, so seeing raunchy and over-the-top costumes from festival-goers is to be expected. Some of the washrooms on the festival grounds are even gender-neutral, so expect to see both women and men queuing up to use the same washroom.  Marijuana has been legal in California for many years, so you should also expect people to smoke at free range; without much care for those who don’t.  If you’re able to look beyond all these as “an African”, then you too can have a swell time at Coachella!


After seeing Burna Boy and Mr Eazi perform in 2019, when I had my first experience of Coachella,  I felt proud as an African.  I also noticed how the African festival-goers (from mainly across the United States and the United Kingdom) watched with some pride the performances from Mr Eazi and Burna Boy on the Coachella stage. So when the lineup was announced for 2000 to include Seun Kuti & Egypt 80 and Aya Nakamura, I was happy that Africans were becoming a regular on the festival’s lineup.  Sadly, Covid-19 didn’t let that happen in 2020 and 2021. In fact, I almost entered a $2,000 bet with my colleague blogger, David Mawuli that when the festival returned, there would be a Ghanaian artist on the lineup. Thank goodness I rather spent that money on a bonus hunt online casino. Well, at least I won $120 back!


When the lineup was announced for 2022, the only African on the main stages was Black Coffee, while fellow South Africans,  Major League DJZ scheduled for The DoLab tent. So when I attended weekend two of the festival, I made sure to watch Black Coffee’s set. He played on Day 1. Unlike the Burna Boy and Mr Eazi sets, that I witnessed in 2019, the audience at Black Coffee’s set was not predominantly Africans. It was a global audience. The crowd was as thick as it was energetic.  It was also exciting to hear the 2022 Grammy Award Best Dance/ Electronic Album-winner, incorporate remixes of some authentic African rhythms in his set.


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Arooj Aftab Coachella 2022 Friday 04 22 Gobi Performances Weekend 2

Arooj Aftab, Coachella 2022, Friday 04-22, Gobi, Performances, Weekend 2 Credit/Provider
Beth Saravo

On Day 1, I also showed some interest in Pakistani vocalist Arooj Aftab, who won the Grammy this year for Best Global Performance.  A lot of Africans had tipped ‘Essence’ by Wizkid and Tems for that award. So, I had to find out for myself what makes Arooj Aftab tick.


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With these two performances of interest out of the way, I stuck to my plan of focusing on big acts that I haven’t seen performing before because, with the grand nature of the festival and the sheer size of the venue, it is simply impossible to experience everything!


The Empire Polo Club is a 78-acre polo club, which leases out its polo grounds for the festival. The venue is so huge that festivalgoers walk for several miles before getting into the main entrance to the festival grounds. When accounting for land used for parking and camping, the event covers a footprint of over 600 acres!


Across the grounds, several stages continuously host live music. The main stages are the Coachella Stage, Outdoor Theatre, Gobi Tent, Mojave Tent, and Sahara Tent; in addition to the smaller Yuma stage and Sonora stage. Each stage was unique in appearance and suited for the lineup of artists on it. The big stages had elaborate settings to create various visual aesthetic attributes needed to project the individuality of the artists and make festival-goers enjoy their performances even better.

Ari Lennox Coachella 2022 Coachella Stage Friday 04 22 Performances Weekend 2

Ari Lennox, Coachella 2022, Coachella Stage, Friday 04-22, Performances, Weekend 2


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I missed Ari Lenox’s performance at Afrochella in Ghana this past December so, I had to experience her set especially after all the buzz she generated on social media with her visit to Ghana.  The sultry singer hit the stage, giving fans a look and performance to remember. The D.C. native hit the stage in a jaw-dropping gold ensemble to perform several ‘woke female’  themed songs for her fans.

Anitta proved why she is a sensation in the Latin world and beyond, with her high octane performances. The Brazilian singer changed into three different sexy outfits that accentuated her figure as she rocked them in front of an enthusiastic crowd.


Baby Keem, who recently won a Grammy for best rap performance, was one of the up-and-coming hip-hop performers at the festival. One of the highlights from his set was bringing on label boss, Kendrick Lamar, a little over 30 minutes into his set. The rappers, both in all-black ensembles, performed together for the final two songs including “family ties.”


I ended Day 1 with Harry Styles who literally brought disco to the desert! One of the biggest highlights from the set of the “As It Was” singer, was bringing Lizzo on stage to perform a song from the One Direction archives.  It was fun to see him perform with so much energy, and he was very interactive with the crowd too.


Day 2

Giveon Performances Saturday 04 23 Weekend 2

Giveon, Performances, Saturday 04-23, Weekend 2


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On Day 2 I kicked things off with a performance from R&B singer, Giveon. I was late in getting to the venue but was happy to at least see him perform his hit song ‘Heartbreak Anniversary’ before he left the stage. I then visited The Do Lab stage for some electrifying DJ mixes and performances.


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Grammy-winning rapper, Megan Thee Stallion showed all the hot girls and boys of Coachella how a superstar commands a stage during her hour-long set. She opened her show with “Megan’s Piano” wearing a black and silver spacey one-piece with futuristic glasses on. She and her backup dancers shook everything they had, and the crowd went wild as expected.


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Rapper, Isaiah Rashad opened his set with a powerful pre-recorded film acknowledging recent speculation about his sexuality. In a collage of media footage and audio, commentators react to a video of Rashad leaked this year,  showing the rapper being intimate with two men.  He gave fans back-to-back performances of his hit songs amidst cheers and a lot of support.

Billie Eilish Coachella Stage Saturday

Billie Eilish, Coachella Stage, Saturday

When I saw Billie Eelish on the Coachella lineup in 2019 I didn’t know her back then, so I didn’t attend her set, but days after I found out she was the new it-girl and she later went on to sweep the Grammy Awards the following year. So, this time I simply had to experience her, and I did! Her 90-minute set featured songs like “NDA,” “Therefore I Am,” “idontwannabeyouanymore” and “You Should See Me In A Crown.” She had a small accident when she fell onstage while singing “Getting Older.” Later on during her set, Eilish brought along her brother Finneas O’Connell for an acoustic cover of her single “Your Power.”

21 Savage Coachella 2022 Performances Sahara Saturday 04 23

21 Savage, Coachella 2022, Performances, Sahara, Saturday 04-23

I closed the night with a little bit of 21 Savage!


Day 3


On Day 3 I was physically worn out from all the standing and walking, so I didn’t want to do too much. I circled my day around a few acts.  I kicked off with Brixton rapper Dave, whose set was attended by a huge UK crowd that cheered him along throughout his performance!


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He recreated his “Alex From Glasto” viral moment from 2019 by picking a fan from the crowd to join him on stage to rap a verse from ‘Thiago Silva,’ his 2016 hit with AJ Tracey.  He also performed his hit song ‘Location’ which features Burna Boy. Dave’s set was one of my favorites!


Since I had seen Doja Cat recently at Day N Vegas, I only saw the tail end of her set, as I wanted to go to the Coachella Stage on time to get closer to the headliners Swedish House Mafia and The Weeknd. I wasn’t so sure when they were announced as the replacement of Kanye West but seeing them back-to-back made so much sense, and the energy was just what was needed to bring Coachella to an end!


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Swedish House Mafia started things off, dropping hit electronic dance music tracks back-to-back, punctuated by fireworks and pyrotechnics.  Their set lasted about 55 minutes. When they played their most popular song, “Don’t You Worry Child,” they dropped the music entirely at the key moment to allow the crowd to sing the chorus in unison.

Swedish House Mafia x The Weeknd Coachella Stage Performances Sunday 04 24

Swedish House Mafia x The Weeknd, Coachella Stage, Performances, Sunday 04-24
Credit: Jacob Mulka

The Weeknd then rolled through with a crowd-pleasing list of hits, including “The Hills,” “Starboy” and “I Feel It Coming.” He was amazing on the night although his set lacked a lot of the theatrics and stagecraft and special guests.  He closed his set with a slowed-down version of his mega-hit “Save Your Tears.” Then Swedish House Mafia rejoined him and they closed the set, and the 2022 Coachella experience, together with the song “Moth to a Flame.”


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Ameyaw Debrah wants to sue Kanye West for pulling out of Coachella, after he spent over $3000 planning his trip




Ghanaian blogger, Ameyaw Debrah is looking to sue someone over Monday’s news that rapper, Kanye West had pulled out of the upcoming Coachella Music and Arts festival…and Kanye for now is the obvious choice!

According to the blogger, he has spent almost $4,000 in booking flights and a hotel for the two-weekend festival in Indio, California, which runs April 15-17 and April 22-24.  He pointed out the unusually high prices of accommodation in the area due to the festival.

In a video posted on Ameyaw TV, Debrah cited possible mental stress from spending so much money, and not getting what he paid for in the end.  He however hopes the Kanye’s replacement can make up for his troubles.

According to reports from Variety, reps for West and the festival did not immediately respond to requests for comment as to why the rapper pulled out of the festival.

The reason for his cancelation was not immediately clear, although a source tells Variety that he had not rehearsed or prepared for the appearance. While West played a full set, accompanied by Drake, at the Los Angeles Coliseum in December, Coachella is North America’s largest music festival and by necessity runs a very tight operation. West also pulled out of a planned headlining appearance at the 2020 festival — which ultimately was postponed until this year due to the pandemic — mere days before it was announced, sources confirmed to Variety at the time.

Yet there are many other reasons why news does not come as a shock, as West’s unpredictable and combative behavior in recent months put a question mark over his appearance even as it was announced in January; he had been barred from a planned appearance at Sunday night’s Grammy Awards due to what was described as his “concerning online behavior.” West canceled the closing dates of his 2016 “Saint Pablo” tour and was hospitalized for mental-health reasons shortly afterward, following incidents that were similar in ways to his behavior in recent months. West has said many times that he suffers from bipolar disorder.

Coachella’s first two nights will be headlined by Harry Styles and Billie Eilish. The festival essentially hedged its bets on West by billing EDM titans Swedish House Mafia in an unspecified spot on the lineup, listed at the bottom of the official announcement poster, leaving open the option of the group replacing him as Sunday’s headliner in the event he pulled out. With the festival just 11 days away, that seems a likely scenario.

Rumors had been circulating that Travis Scott would be joining West for the performance, but TMZ says that he will not be appearing either. Scott has been keeping a low profile since 10 people died in a rush toward the stage during his headlining performance at his Astroworld festival in Houston in October.

Such an appearance would be on-message for West, who in recent months has been publicly embracing such ostracized celebrities as Marilyn Manson, who is accused of sexual assault, and DaBaby, who has made unapologetically homophobic comments in recent months.

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Ameyaw Says

‘I hail you’- Kelvynboy reacts as Sarkodie requests for his “Down flat” song to be played in a club in London




klass boy

Ghanaian rapper, Sarkodie is all about helping bring the young ones in the music industry up. (more…)

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People & Lifestyle

Africans don’t trust each other – my experience with an Ethiopian taxi driver in Las Vegas



Ameyaw Debrah at palazzo gondola

My recent trip to Las Vegas, Nevada came with many experiences, as I put myself out there to explore the city a lot more than I did in my previous two visits. My first time in Vegas was for one night only, to attend the Miss Universe finale in 2017.  My second time was for the Day N Vegas festival in 2019, which also brought me back for a third time this year.

On day-two of Day N Vegas, I had an experience that corroborated the belief of many Africans, that we do not trust one another.  Due to Day N Vegas, most of the area around the Las Vegas Festival Grounds was closed to taxis and rideshare apps such as Uber and Lift, which made it very stressful to get a car whenever I closed from the festival and headed to my hotel room. It meant that after walking and standing at the grounds for hours, we had to walk quite a distance to look for cars.

My experience was even made worse when the data on my AT&T phone number kept failing, meaning that after all the stress covering the concerts, I couldn’t use Uber to request for a ride.  On the night of day 2, I discovered that there was a pick-up point for taxis within the Circus Circus Hotel, Casino & Theme Park. Sadly the taxis were not coming in as rapidly as I would have wished for. I was the third in line, but it took over one hour of standing in the queue till I finally got a taxi.

When the taxi came, I got in but when the driver asked for the address I was going to, I couldn’t remember the location of my hotel. I mentioned the name of the hotel, but the driver wasn’t familiar with it and insisted that he couldn’t take me if I didn’t get the address for him. I wasn’t willing to waste the hours of standing and waiting to be turned down by any driver. My internet wasn’t working, and I tried to ask him to use his internet Ito locate the hotel, but he was indifferent. I told him “lets go to downtown and I will know where my hotel is,  because it’s not far from the Fremont Street”.

Finally, he agreed and moved on. Then he started a conversation with me, once he suspected I was from Africa. I told him I was from Ghana when he told me he was Ethiopian. He asked about my visit and thought I was a ‘new rich African’ when I told him I was in town for Day N Vegas.

When, I finally arrived at my hotel I tried to pay with a card. Since it was a metered cab, I could see my fare right in front of me, with a POS device for payment. But I noted it was slightly expensive paying with  a card compared to paying cash, so I told the driver that I would rather pay with cash, after all I am African!

Then surprisingly he asked me how much I would pay him, the meter said $18 so I said I will give him $20 but he screamed “no $25!” I then gave him a $100 note to which he retorted, “are you sure it’s not fake?”.  I said no, laughed it off and collected my change.

Watch my vlog on the experience below:

Interestingly, the following night, I had internet, so I ordered for an Uber ride after the Day N Vegas finale, and again the driver was Ethiopian. This time it was a younger driver and we had an interesting conversation about Africa and the civil war in Ethiopia.

I had noticed that there were a lot of Ethiopians in Vegas. Most of the African restaurants listed on Uber Eats are Ethiopian and most of the drivers were too. When I pointed it out in our conversation, he told me that Vegas has the next biggest concentration of Ethiopians in the USA after the DMV tristate.  I also found out that affluent Ethiopians like to buy Mississauga Real Estate styled homes in the USA.

According to the U.S. Census Bureau, approximately 68,001 people reported Ethiopian ancestry in 2000. Between 2007 and 2011, there were approximately 151,515 Ethiopia-born residents in the United States. According to Aaron Matteo Terrazas, “if the descendants of Ethiopian-born migrants (the second generation and up) are included, the estimates range upwards of 460,000 in the United States.

Some Ethiopians living in the US enjoy using exquisitely designed Ten Point Crossbow in archery games. Football is the most popular sport in Ethiopia. The Ethiopian national football team called the “Walyia Antelopes” won the 1962 African Cup of nations and in 2013 Ethiopia qualified for the Africa Cup of Nations for the first time in 31 years.

Other sports played include basketball, volleyball, and tennis. Ethiopia has a tradition of medal-winning runners: Abebe Bikila, Belayneh Dinsamo, and Derartu Tulu. Haile Gebreselassie has set several world records.

Ethiopia has made remarkable progress in education, with primary school net enrolment tripling between 2000 and 2016 to the current 100 per cent.  Although most children enroll in school, many do not complete their education: 85 per cent make it past Grade 5 and 54 per cent past Grade 8. Progress has been enabled through a sustained government-led effort to reduce poverty and expand the public education system equitably. This has been backed by substantial increases in national education expenditure and aid to the sector, as well as improved planning and implementation capacity at all levels. According to, there is a good number of Ethiopians having higher education in Canada.

Ethiopian national identity is grounded in the long history of Christianity and Islam in the region, and independence from foreign rule since antiquity.

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Ameyaw Says

How to make money online as a blogger or content creator



The world loves South African wines CapeWine2018 810x600 1

With over 15 years of covering entertainment in Ghana and beyond under my belt, I still cannot get over comments on social media that suggest that many Ghanaians don’t understand the concept of blogging. (more…)

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