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The Grease Guide: Zara616 shares how to grow as a producer and musician

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Patrick Mazara, professionally known as Zara616 is a producer known for his works with well-established artist such as Skilla Baby, Baby Smoove, Amaarae, Jdot Breezy, Baby Money, YN Jay and more. He’s always been big on growth and he loves to see people, especially producers thriving.

He therefore drops some free gems on what in a year helped him solidify his spot in the producer game with “The Grease Guide.”

Step 1 : BRAND

Understand that YOU ARE YOUR BRAND. Your producer tag is crucial especially when starting because it can direct people towards more of your work and when it does you should make sure your social media accounts reflect you as a producer to maintain their interest. I went about growing mine by providing my audience with authentic content of video edits to my beats that would keep them interest and later on I allowed people to put a face to the name by also posting myself. To continue to build your brand my advice is to also invest in meeting artists in person, advertise yourself and your beats and finally, stay consistent.

Read Also: Best popular summer fashion trends 2022

Step 2 : Publishing and Beat Store

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Get your publishing together by creating a BMI or an ASCAP along with signing up for Songtrust or Beatstars Publishing to register your works. Following this, sign up for SoundExchange so that you are paid for any music you create or for any placement (when a musician uses your beat) you obtain. If you make music as a musician be sure to register your music as well as you will be missing out on money. Do keep in mind that PUBLISHING AND ROYALTIES IS NOT THE SAME THING. If you produce for artist that are signed to a major label make sure you should be getting an advance, net artist royalties, and publishing. Do not sign a bad deal but do not be ungrateful especially if the terms you’ve signed and advance being given is something you do not have. That especially goes for loop-makers. Lastly, look into creating a beat store such as Airbit and Beatstars so that you’re audience can both listen to and purchase your beats.

Step 3 : Networking

Networking is one of the most crucial steps! You’re skill will only get you so far and if you have no way of having it heard you won’t get any placements. So network with producers, work with the smaller artist in a camp and soon the bigger artist will want to work with you because they hear what you’ve provided for their mans.

Step 4 : Genuineness

Stay genuine. When you’re so hungry for success we tend to just jump the gun but staying genuine and realizing people are still human is one of the best things you can do. I personally get tired of people trying to work before even forming a connection so I know engineers feel the same because people attempt to use them for placements but don’t even form any kind of bond first as well as with A&R’s and managers. Have a respectful approach, don’t blow them up but show you genuinely admire their craft or love their artists’ sound and your time to work with them will come.

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Step 5 : Patience

Understand that your time will come. Do not be envious of another producer getting back to back placements because they worked just as hard if not harder to get to where they are. Take your time and develop your own sound. I recommend making a single drum kit with all of your favorite sounds and only using that one. In a few months you should be able to play your beats and tell that every beat has some type of similarity that people can recognize and say you produced it.

Step 6 : Business

Do not take things personal. You have to understand these people do not know you. They aren’t obligated to respond back, or rap to your beats. If you blow up and rappers you wanted to work with finally hit you back, do it! You’ll miss out on the opportunity if you decide to be petty because if they came to you, they’re more likely to take you serious.

Step 7 : Consistency

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Work hard and be consistent. If it was easy everybody would do it. As long as you’re constantly sending beats out and working with producers, your chance of a placement will only keep increasing so stop just sitting on beats. Send the same ones out until they get placed, have some versatility so you aren’t confided in a box. Invest in going to studios or even running ads on your posts because you never know who could see it.

Step 8 : Manifestation

Manifestation has gotten me a long way and can be a very in depth topic but my advice to start is to believe yourself and be grateful as if you’ve already accomplished what it is you want to accomplish down the line. We constantly tell ourselves negative things and that’s the reason why it happens but if we flip that around and speak positive affirmations, only speak good things would the good not come to be? I always tell my peers to be grateful, and that even if it isn’t something you have just yet, believe you have it. By having that energy of gratefulness you increase your frequencies and that allows your manifestation to find its way into your life and when it does you can truly be grateful.

Overall, there’s a lot that comes with being a producer and how far you make it honestly just reflects your determination but no matter what just keep it going. Especially when you don’t feel like it because that’s when the placements and opportunities appear. Stay genuine, be authentic, make sure you create what you want to and not what others want, prioritize your mental health, and just be appreciative of everything, even if it’s just a like on a beat or song you put on Youtube, appreciate it.

Instagram : @zarabeats_

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Twitter : @zarabeats

Youtube : Zara616

Website : http://airbit.com/zarabeats

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I’m ready to share my connections with other musicians – MOG

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Contemporary Ghanaian gospel singer and songwriter, Nana Yaw Boakye, better known by the stage name MOG Music has stated that he is ready to help his fellow crooners with the little connections he has to help project Ghanaian music. (more…)

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‘Kuami Eugene is alive and receiving treatment’ – Lynx Entertainment issues statement

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Following news of Ghanaian musician Kuami Eugene’s involvement in a car accident, Lynx Entertainment, the record label representing him, has issued an official press statement. (more…)

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Ghana International Trade Fair Center on the eviction and demolition of Fantasy Dome

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The Ghana Trade Fair Company Limited has dismantled the “Fantasy Dome,” owned by Fantasy Entertainment, which has been on the trade fair site since January 2018, to pave way for developers to complete the ongoing “Ghana International Trade Fair Center Development Project.”

The dismantled facility will be available to its owners for it to be relocated.

The tenancy agreement between owners of the Fantasy Dome and the Trade Fair Company Limited expired on 31 December 2023. Since then, all efforts by the management of the Trade Fair Company Limited to get “Fantasy Entertainment” to remove the “Fantasy Dome” from the Trade Fair site has proved futile.

The CEO of Fantasy Entertainment has stated in a Saturday March 17th interview that he has an injunction, but the Trade Fair Company Limited has VEHEMENTLY DENIED any such injunction. In fact the company states that it has not been served with any court processes and no injunction was served on the day of the demolition.

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Ironically, access to the portion of the site where the “Fantasy Dome” is situated at the Trade Fair site is vital for developers to construct the power and water infrastructure for the project as well as the drainage system to serve the new Ghana International Trade Fair Center. The dome has hampered the progress of these works for approximately 12 months.

To this end, the Trade Fair Company Limited on Saturday, 16 March 2024, embarked on an exercise supervised by the Ghana Police Service with support from the National Security Ministry to take down the “Fantasy Dome” in order for construction works on the Trade Fair site to proceed freely.

Brief background

The Ghana Trade Fair Company (GTFCL) was established by an Executive Instrument (EI) in 1960 as a project to facilitate Ghana’s post-independence trade and industrialization drive.

The Executive Instrument 10 acquired a 239.92-acre land for this purpose and to showcase Ghana’s exports with the view to attracting investors into its fledgling economy.

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From its origins in 1960, GTFCL has metamorphosed into a limited liability company strategically positioned to promote and facilitate trade in Ghana.

There have been attempts by successive governments to revive the company through various public-private partnership initiatives. These attempts have focused on redeveloping the entire center under various themes. The current redevelopment project is considered as a core part of President Nana Akufo Addo’s vision to position Ghana as a trade hub for West Africa.

The new Ghana International Trade Fair Center Development Project, when completed, would have a convention and an exhibition center, a technology hub, retail mall, commercial offices, hotel accommodation, and public realm spaces.
Infrastructure works and construction of the major exhibition center are now underway.

It is under the Akufo-Addo government that the company was revived to successfully undertake an aggressive redevelopment of the site. The management and board of directors of the company under this government have worked tirelessly to turn the company into a commercially viable business today and have secured funding from development partners to develop the site.

The new GTFC

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The new Ghana International Trade Fair Center Development Project, when completed, would have a convention and an exhibition center, a technology hub, retail mall, commercial offices, hotel accommodation, and public realm spaces.
Infrastructure works and construction of the major exhibition center are now underway.

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Kuami Eugene Survives Car Crash, Sustains Injuries

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Multiple award-winning Ghanaian singer and songwriter, Eugene Kwame Marfo, professionally known as Kuami Eugene narrowly escaped a near-fatal accident when his car rammed into a tipper truck on the night of Sunday, March 17, 2024. (more…)

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Ghana’s Blitz Bazawule’s ‘The Color Purple’ dominates 2024 NAACP Image Awards

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“The Color Purple” a film directed by Ghanaian filmmaker Blitz Bazawule dominated at the 55th NAACP Image Awards on Saturday night, taking home four accolades including outstanding motion picture. (more…)

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Mix Master Garzy’s 2MG Music foundation inspires hope through music on Ghana’s Independence Day

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Ghana Independence Day holds great significance for the nation, but for 2MG Music Foundation, it became a day of deeper meaning as they embarked on a journey of compassion at Orthopedic Training Centre in Nsawam.

Benjamin Garzy Mensah, popularly known as Mix Master Garzy is the Founder and CEO of 2MG Music Foundation, an NGO based in Ghana which is also affiliated with the 2MG Music record label.

Their inspiring mission of “Touching Lives through Music: was definitely achieved at the OTC Camp. On Ghana Independence Day, the music foundation arrived at the hospital loaded with instruments, ready to uplift spirits and bring smiles to the patients.

As the musicians played, OTC came alive with the soothing sounds of music. Children had the chance to showcase their talents through dance and song, creating a fun filled inclusive atmosphere. Performing artists rallied to show their unwavering support for the event such as Niashun, Akua Music and Mr Drew and the Band Masters who held the fort for the live entertainment.

The music served as a welcome distraction for the OTC members, reminding them of joy and resilience amidst their physical challenges. Each song imparted a message of hope, showing them, they were not alone in their journey towards healing. Beyond melodies, they forged connections and touched hearts, leaving a lasting impression on children, families and staff. Inspired, they pledged to continue spreading joy through music.

In commemorating Ghana Independence Day at OTC, 2MG Music Foundation embarked on a meaningful journey of compassion and solidarity. Through music, they brought smiles and hope to all, reminding us of the importance of supporting one another in times of need.

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