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Skannah is the next big star Ghanaians should keep an eye on

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It’s amazing how Skannah is gradually building momentum around his dominance. He is the next big Ghanaian act to look out for. Best known for doing good music, matched up with his aim of gaining global attention with his music craft, Nungua-based afro-fusion artist Robert Nii Okpoti Sowah, better known as Skannah is on the verge of cementing his rightful spot using his yardstick in the music industry.

Aside from some fans comparing his current song “No Lust” to Camidoh’s “Kaba”, he’s musically smart, intelligent, incredibly philosophical and relatable. I assure you, he’ll stand the test of time. His work ethic and attitude towards music validate his chances of becoming one of the best and top-ranking acts in the music space. All he needs is a solid support system from the industry, gorilla marketing and promotional strategies to keep him on top of his game.

Watch the lyrics video below.

 

Signed to Liquid Zero Records, Skannah is currently promoting his most talked about hit single “No Lust” which is receiving massive rotation on all the major radio stations in the country. The lyrics video is chalked over 16k views on YouTube in less than 2 weeks. He has over 7 singles in the market and many unreleased projects under his sleeves. He’s the yin yang type of artist in the sense that he uses both real-life and imaginative stories to paint relatable messages intertwined with positive vibes.

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Environmental, emotional and real-life circumstances are his tools and inspirational fuel for composing good music. Skannah is a force to reckon with. Based on the merit of his hard work, style, fashion sense and the path he has carved for himself, I can boldly say he is a household name. His blend of the local dialect, songwriting skills, how he jumps on a beat, the types of instrumentation he rides on, subject matter and his vocals make him exceptionally incomparable. Keep an eye on him.

Stream “No Lust”: https://lnkfi.re/NOLUST

Written by: John Claude Tamakloe.

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