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Okyeame Kwame advises artistes to censor their songs
Versatile Ghanaian musician, Okyeame Kwame has advised young and upcoming artistes to tame down the excitement they use in making music.
He noted that the excitement sometimes causes them to use some uncensored and radio unfriendly words in their music.
Explaining why he is big on censoring his songs free of indecent language, Okyeame Kwame said, “I am a family brand now and people are always going to listen to my songs in their cars with their kids. If I don’t censor my songs and myself as an artiste, people will also turn off the music when they get there. These are some of the sacrifices that we make”.
On his accord, instead of using vivid descriptions and some radio unfriendly words, artistes should learn to use ‘coded’ languages and terms so these messages get to the intended public.
He revealed that his latest single with Kuami Eugene tilted, ‘Yeeko’ was censored as he had to restrain himself from using some not so radio friendly words. “These are some of the sacrifices we make for the industry”, he repeated.
Citing highlife legends, Amakye Dede, Daddy Lumba and Kojo Antwi as some of the senior members he met in the Ghanaian music scene and has learned from, Okyeame Kwame said, “We came immediately after Daddy Lumba, Amakye Dede and Kojo Antwi. For Amakye Dede and all of these greats to do songs and describe women and their fantasies in a decent way with us still jamming to their songs, but the young ones of today will just say and use the words in its raw nature.
But since we are coming off the back of Amakye Dede and all these people, we try to censor our lyrics”, he told NY DJ in an interview on Y 102.5 FM’s ‘Ryse N Shyne’ morning show.
The made in Ghana ambassador reiterated that musicians need to examine thoroughly the kind of words they use in their music so it becomes radio friendly as it is a necessary sacrifice.
SOURCE: e.TV Ghana
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Lalue’s Last Dance, as majestic display of culture brings curtain down on Prampram Kpledomi
One striking feature about the LalueKpledomi festival is the Drum or “Kplemi”. Slashed with a permanent white marker, whoever carries it, carries the soul and spirit of the people of Prampram. It is their heritage.
For bystanders, it may look ordinary to the eyes but for those closer to it, it is a spiritual heirloom that has transcended generations. And it comes with blessings. The present generation therefore has a duty to ensure the traditional transition continues.
After all, it is through the sounds from the belly of the drum that draw the crowd together, to pay homage to their cultural heritage. And through traditional rites, the evocation of blessings is thus performed in the form of dance. There is no age limit to the performance, so far as one has the limb to move. So, after the first two that took place, the third and final one came off with the full and active participation of hundreds of participants from all walks of life, including foreign tourists.
Despite its festive nature, the spiritual aspects were also not left out- they were taken care of by the traditional priests and the various priestesses in charge of various deities. A procession often preceded the celebration to the grounds. The only difference for the final one is that it often ended up in Lakple or lower Prampram, where final rites are performed, and the drum dipped into the ocean.
First, the sound of the drum must kick in for the procession to begin. Bystanders then join in. once the procession enters Lakple and before a sacred tree is circled around as part of the rites, libation is performed another sacred ground. Upon the performance of those rites, the procession then visits key homes in the area, where associated rites and dancing are performed. Among the cortege in the procession, apart from the Queenmother Naa Osabu Abbey I, Nene Tetteh Wakah III, Paramount Chief, priests and various priestesses responsible for various deities, Dawhenya Mantse Nene Tetteh Kodie Arden IV was also present. There were also Asafoatsemei and Asafoanyemei. After the last performance, the cortege then proceeded to the beach, where rites were also performed by the priests for and on behalf of the people of Prampram. As a fishing community, prayers were said for bumper harvests for our fishermen and those associated with the business. Prayers were also said for other professional bodies and groups. Speaking to PramcitiTV, the YouTube Channel based in Prampram, Nii Ayiku Obleh IV, “Numlor Kpanyor” or Counsellor of Kley, said the third and final Kple offers the town an opportunity to cleanse itself from negative things.
“We are mandated by the gods to cleanse ourselves in the sea and once that is done, we can now celebrate the new year,” he added.
Part of the cleansing also involves the dipping of the drum into the ocean and once that is done, the public is therefore allowed to enter sea and bath.
Already, there are talks within the town of strategically packaging the festival as one of the most important hubs for cultural tourism.
by Anny Osabutey, Alvin Nii Okai Kasabrefo, Ronnie Botchwey & Naa Merley Aborti Korley.
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