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I’m tired of fighting for my kids; I will sell my assets and leave the country – Funny Face rekindles fight with baby mama
Ghanaian comedian and actor, Benson Nana Yaw Oduro Boateng, better known as Funny Face has once again found himself embroiled in a public spat with his baby mama, vanessa igniting a fresh round of controversy.
The outspoken entertainer took to his social media to vent his frustrations, expressing exhaustion from what seems to be an ongoing battle for custody and access to his children.
In a series of candid posts, the actor, who is famous for his role in TV3’s sitcom chorkor Trotro bared his emotions, lamenting the challenges he faces in trying to maintain a relationship with his kids amidst the backdrop of a tumultuous co-parenting dynamic.
His remarks were candid and poignant, reflecting the complexities and hardships many parents encounter when navigating the complexities of separation or divorce.
Funny Face disclosed that Vanessa reconnected with him and allowed him to talk to the children on video call after four years. However, in a sudden change of events, Funny Face said his baby mama has stopped picking his calls.
Baffled by Vanessa’s sudden shift, he expressed his disappointment, feeling misled by her initial gestures of reconciliation.
“In life, the most treacherous person is two-faced. Someone who changes like a chameleon.
“Vanessa, it’s been four years since you separated me from the kids. When I apologized to Bola Ray and he forgave me, I extended that forgiveness to you too. Then you came back, pleading for co-parenting, professing your love for me, and so on. Was it all a facade? Did you realize I wasn’t taking your words seriously? Because I knew you were insincere. You reignited my love for our kids, only to snatch them away again.
“Now you dodge my calls, claiming to be busy or asleep, or having others answer on your behalf. But my calls aren’t about you; they’re about seeing my children. Four years without them is tormenting. You know how much I adore them. After all the suffering you’ve caused me, you’re doing it again? The kids will grow up and understand what I’ve endured. No amount of influence from your family can alter their perception of me,” he conveyed in an Instagram post.
The comedian, who seem to be fed up with the mistreatment he faces when requesting to see his children, “Take the children and raise them… I’m tired of battling to see my own flesh and blood. I’ll sell my assets, relocate to another country, and start anew!”
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Lalue’s Last Dance, as majestic display of culture brings curtain down on Prampram Kpledomi
One striking feature about the LalueKpledomi festival is the Drum or “Kplemi”. Slashed with a permanent white marker, whoever carries it, carries the soul and spirit of the people of Prampram. It is their heritage.
For bystanders, it may look ordinary to the eyes but for those closer to it, it is a spiritual heirloom that has transcended generations. And it comes with blessings. The present generation therefore has a duty to ensure the traditional transition continues.
After all, it is through the sounds from the belly of the drum that draw the crowd together, to pay homage to their cultural heritage. And through traditional rites, the evocation of blessings is thus performed in the form of dance. There is no age limit to the performance, so far as one has the limb to move. So, after the first two that took place, the third and final one came off with the full and active participation of hundreds of participants from all walks of life, including foreign tourists.
Despite its festive nature, the spiritual aspects were also not left out- they were taken care of by the traditional priests and the various priestesses in charge of various deities. A procession often preceded the celebration to the grounds. The only difference for the final one is that it often ended up in Lakple or lower Prampram, where final rites are performed, and the drum dipped into the ocean.
First, the sound of the drum must kick in for the procession to begin. Bystanders then join in. once the procession enters Lakple and before a sacred tree is circled around as part of the rites, libation is performed another sacred ground. Upon the performance of those rites, the procession then visits key homes in the area, where associated rites and dancing are performed. Among the cortege in the procession, apart from the Queenmother Naa Osabu Abbey I, Nene Tetteh Wakah III, Paramount Chief, priests and various priestesses responsible for various deities, Dawhenya Mantse Nene Tetteh Kodie Arden IV was also present. There were also Asafoatsemei and Asafoanyemei. After the last performance, the cortege then proceeded to the beach, where rites were also performed by the priests for and on behalf of the people of Prampram. As a fishing community, prayers were said for bumper harvests for our fishermen and those associated with the business. Prayers were also said for other professional bodies and groups. Speaking to PramcitiTV, the YouTube Channel based in Prampram, Nii Ayiku Obleh IV, “Numlor Kpanyor” or Counsellor of Kley, said the third and final Kple offers the town an opportunity to cleanse itself from negative things.
“We are mandated by the gods to cleanse ourselves in the sea and once that is done, we can now celebrate the new year,” he added.
Part of the cleansing also involves the dipping of the drum into the ocean and once that is done, the public is therefore allowed to enter sea and bath.
Already, there are talks within the town of strategically packaging the festival as one of the most important hubs for cultural tourism.
by Anny Osabutey, Alvin Nii Okai Kasabrefo, Ronnie Botchwey & Naa Merley Aborti Korley.
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