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“There was nothing disrespectful in what he said”-Richie Mensah defends Kuami Eugene



Boss of Lynx Entertainment, Richie Mensah has weighed in on the on-going battle between his label member, Kuami Eugene and hip-life artist Guru NKZ.

The two have been trending yesterday following reports that Kuami Eugene chastised Guru for disrespecting his boss, Richie and seeking a feature with him.

“Guru did not use the right channel. You want to feature me but you go to media houses to insult the man who made me. I wouldn’t have been Kuami Eugene but for Richie so I expect that respect is accorded him no matter the differences that exist. I am under Lynx Entertainment and any song I produce needs to go through them,” Kuami Eugene is reported to have said in an interview on Adom TV.

The “Yeeko” hitmaker’s sentiments come following the altercation between hip-life artiste Guru and his boss.

In September last year, Guru had accused Richie Mensah, Okyeame Kwame and Bice Osei Kuffuor, a.k.a Obour for sabotaging his career for the past ten years despite his hard work and contribution to the music industry as both a musician and an investor.

Guru responded to Kuami Eugene’s statements saying;

“Point of correction I never begged for a Collaboration. I didnt ask for Collaboration because I wanted a hit song, I have alot of hit songs and im proud of that. I wanted you to know i appreciate your craft does why i wanted us to work together and nothing more.”

Richie has also waded into the conversation and defending Kuami Eugene’s statements.

He wrote:

“I normally stay quiet in most situations but this time I only feel it’s right I say something. Guru asked Lynx for a feature with either KiDi or Kuami Eugene, but the request was denied. He then went from one media house to another insulting myself and other members of Lynx management, even to the extent of accusing us of sabotaging his career for the past 10years. He spun stories which implied we have some extreme power in the industry to vitiate someone’s career. As usual my team and I stuck to our usual demeanour and stayed mute. When Kuami Eugene was asked in an interview if he would feature Guru, he simply said he couldn’t because Guru had insulted me consistently, and it wouldn’t be right to do a feature with someone who was disrespecting his boss. Let’s call a spade a spade. There was nothing disrespectful in what Eugene said. I’m a responsible leader, and I would have chastised my artist if he spoke out of turn. So my question is, those attacking Eugene for allegedly disrespecting his elder Guru, where were they when Guru was attacking myself and my reputation in a disrespectful manner? We talk about unity in the industry and then we go around bringing each other down. I personally have no problem with Guru. Never have and never will. I like to conserve my energy towards constant success and development than to waste my time on petty squabbling. Guru is a natural hitmaker, and doesn’t need KiDi nor Kuami Eugene on his song to make a hit. So there really should be no offence taken in any of this. So can we just drop all this wahala and everyone go back to making hits for Ghana.”

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Social media users go crazy as Moesha Bodoung makes first IG post in months



Ghanaian actress, Moesha Bodoung has returned to social media after a long break.

In the second quarter of 2021, the actress found Christ, an encounter, that led to series of scandals.

Moesha was reported to have suffered some mental breakdown amidst other things.

She went off social media through the period and was missed dearly by her followers.

On Saturday night, Moesha announced her return with a post on Instagram.

“God is King,” she shared.

See screenshot of her post below;

Moesha post has since generated a lot of reactions as colleagues in the industry as well as her fans rejoiced at her return.

See screenshots of some reactions below;

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Chance The Rapper meets Nana Addo, hints at coming back to Ghana in July with a ‘big group’



Although Chance The Rapper has returned to the USA, he already has plans to return to Ghana soon. (more…)

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‘I started cooking at the age of 10’ – Food vlogger Sweet Adjeley shares her journey



One of Ghana’s most celebrated food vloggers watched and loved worldwide, Sweet Adjeley has disclosed how her passion for cooking started at an early age. (more…)

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African animation Seal Team makes a splash on Netflix Top 10 Films in 27 countries around the world



Triggerfish’s third animated feature, Seal Team, is making a splash on Netflix’s global Top 10 films for the week ending 9 January 2022, with members watching over 10 million hours, making it the ninth most-watched film on Netflix in 27 countries!

Seal Team, which launched on New Year’s Eve, is the story of Quinn, a seal who spends his days relaxing in the sun, splashing in the beautiful waters off the coast of Cape Town, and swimming for his life from Great White Sharks. When he decides it’s time for the food chain to bite back, Quinn recruits a ragtag team of likeminded seals brave, stupid and crazy enough to try and teach those sharks a lesson.


Decider says, “Seal Team has laughs-a-plenty and a sense of good natured camaraderie in its heart,” not to mention “inspired voice casting” and “the kind of sight gags that look beyond cartoon kids’ fare.”


Common Sense Media recommends Seal Team for ages six and up, saying, “Though it doesn’t have the big-name studios behind it, this movie holds its own in the animation and voice acting categories… You can’t help but root for the seals.”


The all-star cast is far from wet behind the ears. Jessie T. Usher (A-Train in The Boys) stars as Quinn, opposite the likes of Oscar winner J.K. Simmons (Omni-Man in Invincible), Emmy winner Matthew Rhys (Philip in The Americans), Emmy nominee Kristen Schaal (Mabel inGravity Falls, The Guide in What We Do In The Shadows) and four-time Annie Awards nominee Patrick Warburton (Joe Swanson in Family Guy), as well as South African stars Sharlto Copley (Wikus van der Merwe in District 9) and John Kani (Rafiki in The Lion King).


Grammy Award winner Seal plays a singing seal called Seal Seal and action legend Dolph Lundgren (The Expendables) portrays a dolphin called Dolph – two castings which tell you everything you need to know about both the film’s humour and how swimmingly everything fell into place for the production.


Seal Team is the feature film debut of South African writer-director Greig Cameron, working from a story by Wayne Thornley (Adventures in Zambezia) and Brian and Jason Cleveland.


“Believe it or not, our underwater military animal team is based on a real unit that trains seals and dolphins to disarm mines,” says Greig. “Admittedly, the real-life version probably isn’t armed with exploding sardines and octo-suits made out of octopi that can change colour…”


Of course, seals are the unlikeliest of action heroes, especially when on land. “They’re these weird, flubby, amorphous slabs of butter on land,” says Greig. “We went on a research trip diving with them. As we left the harbour in the boat, I was looking at these derpy seals just lying there on the jetty, and I was wondering, ‘Goodness gracious, how are we going to make an action movie with these guys?’ But then as soon as we got in the water, I was like, ‘Yes, this is going to work amazingly.’ When they get in the water, it’s not just that they’re faster: their whole bodies re-form into these darting bullets. They’re pretty much the physical manifestation of ‘squash-and-stretch’ animation.”


Greig leaned into the ridiculousness of the seals vs. sharks premise. “Cape fur seals forming a military SEAL team to fight sharks is something so silly and ridiculous, it makes me grin,” says Greig. “It makes everyone grin.”

But co-director Kane Croudace says for all its silliness, behind the madcap gags and rapid-fire punchlines, Seal Team is also an inspiring underdog story that everyone at Triggerfish related to.


“It’s about a hero who is brave, stupid and crazy enough to want to do the dangerously impossible,” says Kane. “That’s a theme that resonates throughout my working career. Right at the beginning of my time with Triggerfish, we wanted to make a feature film at the bottom of Africa with a totally inexperienced crew, which everyone said was impossible. We went and did it anyway. If anyone working at a ’proper’ studio had seen our workflows on Adventures In Zambezia, they would have given us 150/1 odds against us ever finishing it. But shielded by our stupidity and bravado, we managed to do it and we’ve got better with each subsequent project. So I think Quinn’s attitude to the task ahead is mirrored in our tenacity in getting these films made.”


Triggerfish’s first two films,