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Alaye Geng & Kilimore Ready to Drop ‘MAD VIBES’ EP With Hip-Hop Heavyweights

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Emerging Ghanaian Duo, Alaye Geng, and Rising Sensation Kilimore are set to release their collaborative project dubbed “MAD VIBES,” featuring some heavyweights in the Ghanaian Hip-Hop scene.

The seven-track tape ready to be released on April 5, features notable names like Ypee, Kweku Flick and Osjeez. Spanning different genres, the tape is a holistic project that sheds light on several leitmotifs.

The tape opens with a Masta Khen Afrobeats produced track titled “Angelina,” and follows with “Mama” – a drill jam produced by the talented Khendibeatz. It promises to be all flames on the Flames engineered back-to-back tracks “Come Online” and “Mad Vibez,” featuring the celebrated Kumasi-based trapstar Ypee. Tracks five and six, both produced by Sickbeatz sees the “Money” hitmaker Kweku Flick with his adenoidal vocals on “Online,” with Alaye Geng and Kilimore doing it all alone again on the penultimate song titled “Abena.”

 

Osjeez closes the tape as the last featured act on “Confirm,” and production credit goes out to Flames again.

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“MAD VIBES” promises to be a celebration of creativity, passion, and pure musical talent. With Alaye Gang’s signature style and Kilimore’s undeniable charisma, this collaboration tape is finally ready to alter a shift in the current soundscape.

A merchandise launch and an exclusive listening session for the tape will take place on a yet to be announced date.

The “MAD VIBES” tape is set to send shockwaves across the Ghanaian music landscape. Bill Gucci and 2BK Savage collectively known as Alaye Geng, and Kilimore are ever ready to match the expectations after the tape drops with consistent releases. Watch Out!

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OLMYTI Kojo Atinka Makes A Triumphant Return To Music As He Delivers On “Kaya” Off Tofamba’s EP “Road To Kpandai”

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Ghanaian musician OLMYTI Kojo Atinka has made a stunning return to the music scene, by innating music lovers and fans with his feature on the song “Kaya” from his label mate Tofamba’s latest EP, “Road To Kpandai”.

The collaboration and the various videos of him singing the song have not only rejuvenated Atinka’s career but also sparked widespread excitement and curiosity among netizens, leading many to ask why such a formidable talent went into some form of hiding.

In response to the many questions on his social media pages about why he decided to go on this hiatus from music, OLMYTI Kojo Atinka explained that he felt there was a need to pause music for a while and focus on his side hustle to raise enough funds so he could invest in his crafts since the music space in Ghana lacks investors.

Currently, Atinka is back with his feature on “Kaya”, a song from his label mate Tofamba’s EP, “Road To Kpandai”.

In a recent interaction about the collaboration, Atinka stated; “It was the greatest mutual feeling ever, felt like we’ve known each other for decades” and the synergy is evident in the track, which has received positive feedback from fans and critics alike ever since the EP was released in October, 2023.

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Speaking about his goals for the release, he disclosed that it is both personal and professional as he aims to satisfy his creative urges while also making a significant impact on his career.

As he promotes the single, Atinka has been actively engaging with his fans by releasing several viral videos showcasing his talent.

Ahead of the official release of the viral video for “Kaya” released on May 23rd, with a follow-up release on May 30th, he is leaving no stone unturned.

The video which is directed by the talented Nana Ampadu, promises to be a visual treat that complements the powerful lyrics and dynamic performance by Atinka and Tofamba.

OLMYTI Kojo Atinka , born Emmanuel Kojo Bentil on January 16, 1990, began his musical journey at a young age, performing on prestigious stages like FunWorld, Kiddafest, and Recognize.

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He attended Wesley Grammar School, where he continued to hone his musical talents.

His early career saw him recording with renowned sound engineers such as Roro, Appietus, and Wei Ye Oteng. At the age of 13, Atinka was already a prominent figure in the Ghanaian music scene.

One of his notable achievements was the cover version of Sarkodie’s “You Go Kill Me”, which garnered over 30,000 views on YouTube and Facebook, marking a significant milestone in his career.

His vibrant performances and collaborations with artists like Tinny, Myke Kesse, TicTac, and Samini further solidified his reputation as a talented rapper before his hiatus and he has promised that his return with Tofamba on “Kaya” is just the beginning of what promises to be an exciting new chapter in his career.

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Ras Kuuku Releases New Album “Road of Evil,” Addressing Social Issues

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Renowned Ghanaian reggae and dancehall artist, Ras Kuuku has finally released his latest studio album, titled “Road of Evil,” under the PUOM Music label.

This highly anticipated 10-track album showcases Ras Kuuku’s versatile talent and his commitment to addressing personal and social themes through his music.

“Road of Evil” features a robust line-up of ten tracks, each bringing a unique flavor to the album.

Ras Kuuku, known for his powerful voice and lyrical prowess, on this latest album brings a mix of melodies.

“Road of Evil,” the title track, sets the tone with a strong reggae rhythm, addressing the struggles and challenges faced in society. This track, produced by BozyBeat and mixed by Caskeysonit, highlights the essence of the album with its thought-provoking lyrics and compelling sound.

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The collaboration with Kwesi Amewuga on “Krom” is another highlight, as it stands out as a testament to Ras Kuuku’s ability to blend traditional and contemporary sounds seamlessly.

Ras Kuuku, whose real name is Kojo Kurankye, has been a significant figure in the Ghanaian music scene, known for his dedication to reggae and dancehall genres. His music often reflects his roots and the socio-political issues affecting Ghana and Africa at large.

With “Road of Evil,” the Reggae/Dancehall Artiste of the Year award winner at the 2020 Vodafone Ghana Music Awards (VGMA) continues to build on his legacy, using his platform to speak on pertinent issues while entertaining his audience with his unique talent.

Available on all Digital Stores – https://mipromo.ffm.to/raskuuku-roadofevil

Road To Evil Music Video – https://www.youtube.com/watch?v=hTjAXQNlUP0

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By Fiifi Adinkra 

 

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Medikal verse on Nanky’s song goes viral after recent issues with Fella

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Medikal has found a wave of support from fellow Ghanaian musicians and fans in the wake of his recent social media posts hinting at challenging times. Fans have flooded his channels with messages urging him to “stay strong” and “take it easy.”

Adding to the sentiment, a beautiful song titled “Confusion” by Nanky, featuring Medikal, has seen a resurgence in popularity online. Listeners are connecting with Medikal’s verse 3 years ago, finding his lyrics relatable to his current situation.

Nanky himself reached out to Medikal on Instagram, offering words of encouragement and urging him to stay strong. You can see the message here: https://www.instagram.com/p/C7ONxPDMNg1

Meanwhile, Nanky is riding high on the success of his recently released Afrobeat jam titled “Duro,” dedicated to celebrating the beauty of women in all its forms.

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Stream Duro on preferred music stores now – https://album.link/i/1735233954

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Experience the Evangelistic Power of Gospel Music with ADOMcwesi and Becky Bonney’s “Yesu Nkoaa (Jesus Alone)”

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The Ghanaian gospel music scene is about to get buzzing with the release of “Yesu Nkoaa” (Jesus Alone), a powerful new track by ADOMcwesi featuring Becky Bonney.

This innovative track seamlessly blends the rich rhythms of highlife with the edgy beats of funk and hip-hop, creating a unique sound that transcends traditional gospel boundaries. The single is available on all major streaming platforms HERE

“Yesu Nkoaa” is not just a song; it’s an experience that reaffirms the power and sovereignty of Jesus as the ultimate answer to life’s challenges.

The track is characterized by its infectious beats and powerful, biblically grounded lyrics, making it both anointed and irresistibly catchy. It promises to resonate deeply with listeners, offering a fresh and inspiring perspective on gospel music.

Listen on Apple Music below:

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https://music.apple.com/us/album/yesu-nkoaa-feat-becky-bonney/1743835469?i=1743835698

ADOMcwesi (he/him), known for his almost feminine silky smooth vocals, and Becky Bonney (she/her), with her deep bassy undertones, create a vocal harmony that is both surprising and captivating.

Their combined voices deliver a powerful message of faith and hope, making “Yesu Nkoaa” a must-listen for anyone seeking spiritual upliftment.

“This collaboration is a testament to the versatility and dynamism of gospel music,” says ADOMcwesi. “We wanted to create something that not only honors our faith but also pushes the boundaries of what gospel music can be.

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‘Yesu Nkoaa’ is a declaration of Jesus as the sole solution to our problems, and we hope it inspires and blesses everyone who hears it.”

Becky Bonney adds, “Working with ADOMcwesi has been an incredible journey. Our styles may be different, but our message is the same. This song is a celebration of our shared faith and a testament to the power of gospel music to bring people together.”

“Yesu Nkoaa” is set to be the future sound of gospel music, blending traditional and contemporary elements in a way that is both innovative and deeply spiritual.

Listen on Spotify below:

https://open.spotify.com/track/30kX9nNwgLu2LZxkYuXAo9?si=c05bd8b82a2b49b3

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The single is available on all major streaming platforms HERE. Follow ADOMcwesi and Becky Bonney on social media for updates and exclusive behind-the-scenes content.

Subscribe to his YouTube Channel and get interactive across his socials via;

Facebook – ADOMcwesi

Twitter – @Adom_cwesi

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Instagram – @adom_cwesi

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Benjies charts his course to stardom with introspective debut EP “TRI”

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Benjies charts his course to stardom with introspective debut EP “TRI”

With the finesse of a poet, Benjies explores the multifaceted nature of identity in 10 minutes of pure lyrical bliss on his debut EP, “TRI.” His 3-track spectacle is available to stream in music stores worldwide. Listen to it here: https://bfan.link/tri-2

Money, love and mental health are some of the relevant issues of our day and to Benjies, these are cardinal to his self-expression, hence “TRI.” This thematic representation of himself (as reflected on the EP’s cover) sees the rapper break into the Ghanaian Hip-Hop scene at lightspeed with silky flows and a melodic rap style that renders a catchy narrative. Bundle this talent with the groovy touches of PsykoWorldWide, Elormbeatz, Swit and Benjies is invincible on his first EP.


“TRI” opens up with the hard-hitting ‘Scheming.’ Benjies acknowledges the power of money and rhymes about his determination to secure the bag by any means necessary. He uses the Akan proverb “sika yɛ mogya” as a substrate for his intriguing rhymes to atomize, dropping nuggets of wisdom along the way.

Benjes shifts the scope to mental health in the second track, ‘Pain Killer’ featuring Nemisis Loso. Here, the rapper artistically contemplates turning to alcohol and other vices as a quick fix to his problems. He is, however, quick to highlight the negative impact of such choices on his psyche, relying on a clever Fante flow to keep his call for staying sober fresh and exciting.


Things slow down for the EP’s closer, ‘Ride or Die.’ Benjies takes his time on this one, putting his better half on a pedestal over a soothing Hiplife production that feels classic. In an intimate show of affection, the rapper appreciates this significant figure for sticking it out with him through thick and thin. The rapper’s lyrics echo a sense of gratitude, steadily manifesting his final identity: love.

After drawing inspiration from his extensive time studying in China, Benjies is ready to disrupt the Ghanaian Hip-Hop scene through his tasteful blend of Hip-Hop, Hiplife, Afrobeats and Jazz with the funky rhythms of Alternative music. Last year, the burgeoning Fante rapper, who is equally fluent in Cantonese, dropped two tracks (’On the Go’ and ‘Third Person’) to test the waters and showcase his talent. Since then, he has been eager to establish himself as a prominent player in the industry, making his latest EP a must-listen.

Instagram: _benjies
Twitter/X: @Benjies_
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Gibrilville and Kwaw Kese Join Forces for Exciting Remix of “Gorilla”

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Dynamic duo Gibrilville and Kwaw Kese have teamed up for an electrifying remix of their hit single “Gorilla.” The collaboration brings together two powerhouse artists in the Ghana music industry to create a fresh and innovative sound that is sure to captivate listeners around the world.

Originally released as a standalone track, “Gorilla” quickly gained momentum and garnered widespread acclaim for its infectious beat and catchy lyrics. Now, with the addition of Kwaw Kese’s unique style and flair, the remix takes the song to new heights, offering fans a fresh take on an already beloved track produced by klenam Lednum “Klxnam” from the Uk.

Gibrilville and Kwaw Kese are no strangers to success in the music industry, with both artists boasting an impressive catalogue of hits and a dedicated fan base. By joining forces on the remix of “Gorilla,” they have created a collaboration that is sure to resonate with fans of both artists and introduce their music to new audiences.

The remix of “Gorilla” is now available on all major streaming platforms, including Spotify, Apple Music, and YouTube. Fans can expect an exciting blend of Gibrilville and Kwaw Kese’s signature sounds, as well as a few surprises along the way.

Don’t miss out on this exciting collaboration between two of the most talented artists in the industry. Stream the remix of “Gorilla” today and experience the magic for yourself.

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For more information, please visit Gibrilville and Kwaw Kese’s official websites and social media pages.

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