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When it comes to the workplace, here’s how we can make #GirlsBelongHere

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When I was a young girl in Izmir, I never thought that I would someday become the Area Vice President of a multinational pharmaceutical company, leading a team of more than 2,500 colleagues who are making health happen for hundreds of millions of people across the Middle East and Africa region. 

I knew I loved science, and eagerly pursued my medical degree, qualifying as a psychiatrist. But it was only after I joined AstraZeneca in 2000 that the corporate world opened its doors to me, and I realized what women could achieve in the boardroom. Back then, the pharmaceutical industry was a male-dominated sector. I was the first Turkish woman to become an AstraZeneca Country President in Türkiye in 2014, a glass ceiling I was proud to break.

Twenty years on, and AstraZeneca is a very different place. More than 50 per cent of our global workforce are women. Women now make up 38 per cent of our Board of Directors, 42 per cent of our Senior Executive team, and 48.1 per cent of senior middle management roles and above. We are on track to achieving gender parity at all levels across the organization by 2025.

These figures are industry leading but there is still so much more that needs to be done to make girls and women feel that they belong in science, technology, engineering and mathematics (STEM) careers.

Despite the fact that girls generally achieve better grades on average in STEM subjects than boys1, less than 30 per cent of STEM researchers are women.2 We know that women and girls are not held back by their abilities, but rather by social attitudes and inequitable access to education. According to the Malala Fund,3 the coronavirus pandemic has set girls’ education back even more; it is estimated that 20 million girls may never return to school after COVID-19.

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To mark the International Day of the Girl (October 11), AstraZeneca is proud to join the global #GirlsBelongHere campaign, developed by Plan International, our partner in the Young Health Programme. The #GirlsBelongHere annual call-to-action was launched to tear down barriers of discrimination and prejudice that continue to hold girls back. It brings young women and girls into the boardrooms of companies around the world and provides them with a platform for their voices and opinions to be heard.

Over the first two weeks of October, girls and young women will step into senior leadership roles at AstraZeneca offices across the Middle East and Africa and spend time engaging with our leadership team. They will participate in 1:1 briefing meetings, manufacturing site visits, career mentoring sessions and team workshops, experiencing what it’s like to work at AstraZeneca.

As a science-led company, supporting the next generation of women and girls in STEM is a responsibility we are proud to carry. We remain committed to diversity and inclusion in the workplace, which includes promoting women in leadership.

Through our ‘She CAN’ initiative in Egypt, we are challenging traditional mindsets, and empowering women to stand on equal ground with their male colleagues through a cross-functional Women’s Council, development and empowerment programmes, leadership role modelling, workshops and other activities.

In South Africa, we are supporting the development and training of nurses and assistants at Unjani Clinic, a network of 100% black-women-owned healthcare providers for under-served communities. We are also working with WEConnect International, an NGO that supports women-owned enterprises, to help us identify a more diverse pool of suppliers and support sustainable communities.

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Earlier this year, AstraZeneca’s Near East and Maghreb office hosted the second edition of our Women’s Empowerment Summit in Tunisia, with the aim of honouring and empowering women within AZ and beyond.

And more than 500 colleagues across MEA have already enrolled in the AstraZeneca Women in Leadership Programme, which helps to build the capabilities of the next generation of female leaders and supports careers with lasting impact.

Occasions such as the International Day of the Girl give us pause to reflect on the role we can play in lifting up women and girls and making sure they can achieve their full potential. But this needs to be a year-round commitment. Through initiatives like these, I hope that we can inspire more young women to pursue STEM careers, making the field all the richer for it.

By Pelin Incesu

 Pelin Incesu is the Area Vice President, Middle East and Africa, AstraZeneca

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Lalue’s Last Dance, as majestic display of culture brings curtain down on Prampram Kpledomi

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One striking feature about the LalueKpledomi festival is the Drum or “Kplemi”. Slashed with a permanent white marker, whoever carries it, carries the soul and spirit of the people of Prampram. It is their heritage. 

For bystanders, it may look ordinary to the eyes but for those closer to it, it is a spiritual heirloom that has transcended generations. And it comes with blessings. The present generation therefore has a duty to ensure the traditional transition continues. 

After all, it is through the sounds from the belly of the drum that draw the crowd together, to pay homage to their cultural heritage.  And through traditional rites, the evocation of blessings is thus performed in the form of dance. There is no age limit to the performance, so far as one has the limb to move. So, after the first two that took place, the third and final one came off with the full and active participation of hundreds of participants from all walks of life, including foreign tourists. 

Despite its festive nature, the spiritual aspects were also not left out- they were taken care of by the traditional priests and the various priestesses in charge of various deities.  A procession often preceded the celebration to the grounds. The only difference for the final one is that it often ended up in Lakple or lower Prampram, where final rites are performed, and the drum dipped into the ocean. MG 2435 Radiant

First, the sound of the drum must kick in for the procession to begin. Bystanders then join in. once the procession enters Lakple and before a sacred tree is circled around as part of the rites, libation is performed another sacred ground.  Upon the performance of those rites, the procession then visits key homes in the area, where associated rites and dancing are performed. Among the cortege in the procession, apart from the Queenmother Naa Osabu Abbey I, Nene Tetteh Wakah III, Paramount Chief, priests and various priestesses responsible for various deities, Dawhenya Mantse Nene Tetteh Kodie Arden IV was also present.  There were also Asafoatsemei and Asafoanyemei.  After the last performance, the cortege then proceeded to the beach, where rites were also performed by the priests for and on behalf of the people of Prampram.  As a fishing community,  prayers were said  for bumper harvests for our fishermen and those associated with the business. Prayers were also said for other professional bodies and groups. Speaking to PramcitiTV, the YouTube Channel based in Prampram, Nii Ayiku Obleh IV, “Numlor Kpanyor” or Counsellor of Kley, said the third and final Kple offers the town an opportunity to cleanse itself from negative things. 

“We are mandated by the gods to cleanse ourselves in the sea and once that is done, we can now celebrate the new year,” he added. 

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Part of the cleansing also involves the dipping of the drum into the ocean and once that is done, the public is therefore allowed to enter sea and bath.  

Already, there are talks within the town of strategically packaging the festival as one of the most important hubs for cultural tourism. 

by Anny Osabutey, Alvin Nii Okai Kasabrefo, Ronnie Botchwey & Naa Merley Aborti Korley. 

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Kofi Kinaata shares tracklist for upcoming debut EP ‘Kofi oo Kofi’

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Ahead of Kofi Kinaata‘s upcoming debut EP, “Kofi oo Kofi” the musician has revealed the official tracklist for the project. (more…)

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Kofi Kinaata shares tracklist for his upcoming Debut EP

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Ahead of Kofi Kinaata‘s upcoming debut EP, “Kofi oo Kofi” the musician has revealed the official tracklist for the project. (more…)

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I regret using some foul words in the diss songs I released – Amerado

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Award-winning Ghanaian rapper, Derrick Sarfo Kantanka, commonly known as Amerado has expressed regrets for using insults in his diss songs to some of his colleagues he’s had lyrical ‘beef’ with. (more…)

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Nollywood embraces Ghanaian Actor Qwasi Blay with, “To The Man We Love”.

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Ghanaian movie sensation, Godwin Kwesi Blay Ekra Jnr, professionally known as Qwasi Blay breaks into the Nollywood Movie Industry in a fascinating Pamela Okoye story titled; “TO THE MAN WE LOVE”. (more…)

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Sarkodie announces ‘The Championship Mixtape’

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Sarkodie, Gyakie & Jay Bahd: London Studio Vibes

Ghanaian rap icon Sarkodie has exciting news for his fans as he announces a forthcoming mixtape. (more…)

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