People & Lifestyle
Feature: Who said Gollywood?
Hollywood–the pinnacle of glam and wealth–the signature of success for anyone in entertainment.
Hollywood in California was once an agricultural village, an independent county/city with Los Angeles as its neighbor.
Filmmakers fleeing from the east coast and Thomas Edison sought a new central filmmaking location; the city of Hollywood was the smart choice. The sun was up long, it’s always sunny in California. The area boasted of varying landscapes, from deserts to mountains and even snow.
Above all, it was close to the Mexican border. If Edison’s men went looking for them for stringent rules and lawsuits, they could easily flee to Mexico and would not be extradited.
The city blossomed into a filmmaking hub and ultimately became known as the center of studio films.
When you say Hollywood, a noun, you refer to the center of powerhouse filmmaking. Same way when you mention the city of Chatsworth and film in the same sentence, everyone assumes you’re referring to the porn film industry. Yes. There is a section in Los Angeles that is considered the porn central of filmmaking.
There are films made outside of Hollywood that are called either independent films, micro budget etc. When you see a studio film, you know. When you see an indie or micro budget film, again, you know.
Bombay had the same set of characteristics as Hollywood. A city dedicated to Hindi language filmmaking. What was intended, as witticism became a serious and accepted name–Bollywood. Metonymy. Hollywood and Bombay, now called Mumbai are cities dedicated to filmmaking. The etymology dates back to 1932. When did Ghana receive independence? 1957? Ok. We’ll come back to that.
There are films made outside of the Bollywood Identity. Each has its style and traits.
Nollywood.
Simply called the Nigerian film industry until Matt Stainglass, in an article to the New York Times, came up with the sobriquet. Nigerians did not name themselves. The only person who can aptly define what he meant by Nollywood is Matt Stainglass himself. What style filmmaking was he referring to since there is no dedicated film hub in Nigeria? Nollywood celebrated Nollywood at 20 few years ago. Nigerians were making films long before Nollywood, which was born on the back of a film called Living in Bondage. A man importing VHS tapes was about to lose money when the importation was taxed high/banned. To sell his tapes, he made a film and put it to all the tapes. Ingenuity. That is how Nollywood was born. He birthed a genre within an existing industry. Filmmakers suddenly saw a quick and affordable way to churn out movies.
The name has been so adulterated; there is no real definition for it. Even Ghana films are called Nollywood. The sobriquet itself is just a form of imperialism.
There is now New Nollywood. To set apart films made with bigger budgets, better technology and a different style of storytelling. There are films like B for Boy by Chika Anadu that do not wear the tag Nollywood or New Nollywood. They prefer to be called Nigerian film to assist in a branding that is not judged sight unseen, based upon the style of filmmaking Nollywood has been known to represent.
Nollywood does not represent an industry, going by its etymology. It rather represents a style, a genre of filmmaking.
What then is Gollywood?
The etymology will be: Richard Boateng and a group of people woke up one morning and decided to name the Ghana film industry Gollywood, with absolutely no idea why they chose that name, and drag all films and filmmakers, kicking and screaming under this hole ridden umbrella. It must have “wood”. Period.
Most of the people carrying the offensive photo are folks who have not made films in years. Those that do are not making the kind of films that fit today. Their transmission has been stuck in opera square mode since the VHS era. They are not abreast with the times or technology. So, if they are branding their style of filmmaking Gollywood, all well and good. Do not drag other films and filmmakers into the fray.
If they really wanted to carry everyone along, this seminar would have been a place to start the debate on what to call the film industry and the style of filmmaking qualifies to live under such brand. All those who have worked under the umbrella of the Ghana film industry and would be affected by its brand would have been asked to vote.
The government is playing politics. Sharing money via ASOG in the name of film residuals. Residuals that filmmakers like me, Leila Djansi who has spent more than 3.5 million Ghana cedis in the past 8 years of making films in Ghana, have not received. Government releases the funds to ASOG and they men over there, products of Opera Square, share it among themselves. But the filmmakers making films that rake in box office and international appeal are left out. Because I do not reside in Ghana, I was not even aware I had residuals due me because it is all done in secrecy.
It is this same money sharing enterprise that birthed all these associations and people who organize one small workshop and quickly run to government for taxpayers money when our hospitals have no beds. Please use that money to import selfless doctors to help save lives in Ghana.
I was almost killed over the foreign Oscar submission board because a cross section of filmmakers thought I had been given some money by the Academy. I was not. I used my own funds and sponsorship from companies owned by my friends to fund the workshop and submission process.
It all boils down to “something small to chop chop”.
When Richard Boateng formed the Film Directors Guild of Ghana, I was in Ghana on a visit. He invited me to the launch. I went. I returned the invitation and he came to my home in the Volta Region. I remember telling him to seek after the interests of film directors – welfare, pension, distribution, and education. It went into one ear and came out through the other. To be fair, most of the working directors failed to show up to the event because ‘who is Richard Boateng to convene this without seeking my consent.” It occurred with the Oscar workshop. Some working filmmakers did not show up. They were feeling too important; it wasn’t their idea to control. Ghanaians are very quick to call peoples humility into question because they themselves are not humble. We are a proud and arrogant people. Which is why we always look out for humble people we can control.
I am of Ghanaian descent; I have made three films in Ghana and about Ghana that currently live on mainstream distribution platforms. I do not want to be called a Gollywood filmmaker! I do not want any of my films to be called Gollywood. Being a black woman with an accent in Hollywood is a challenge. You have to prove yourself and be twice as good to get a quarter of what others have. Do not muddy my waters.
Identity of an industry is not only in its name. It is content. Waakye on wheels is not popular because of its name. It is popular because of its taste. Let us first determine the identity of a Ghanaian film, and then we can talk about nomenclature– if Ghana Film Industry is not good enough.
And to Ghanaian filmmakers crying foul over the name. Unity. Unity, my friends. I recall an actor’s guild called Equity that failed to launch. Another actress, speaking to me said if she weren’t going to be the president of the association, she would stand against its formation. There is the crux of our problems. “It must be me. I must be the center of attention.” We like recognition way too much! We consider Kumasi and opera square filmmakers illiterate but they are way more united and that is why they can organize a seminar and give you a colonial identity, that is why they can share ASOG residuals and leave others out. It’s Book-long aka pride and greed. Bickering, gossip and rip each other apart. Instead of being partners in progress, we are rivals in competition. I am personally so cautious of Ghanaian filmmakers based on numerous bad experiences; I stay away from them entirely. No love, no trust. How is this fixed?
To Madam Catherine Afeku. To adequately support/build the film industry, you need all voices at the table—Leaders of the industry should be not appointed by political appreciation. A thorough representation of all branches and genres of films and filmmakers is needed. Hear from all of us and shape the industry in such a way that will benefit the country. Surrounding yourself with a few greedy people who have only gained and not contributed anything to sustainability of the industry is sad. They know next to nothing about how a film industry should be ran or organized. Look at their tax returns, their books and contributions before you seek advice from them. Look at the type of films they have put out. If that is what you want to identify the Ghanaian life with… by their fruits. Judge them by their fruits Written by Leila Djansi]]>
People & Lifestyle
Ghana Welcomes Starlink: Revolutionizing Connectivity
The National Communications Authority (NCA) in Ghana has recently approved the satellite broadband application of Starlink, a service by Elon Musk’s SpaceX, making Ghana the eighth African country to welcome this revolutionary internet service.
This development is set to challenge existing internet providers in the region, offering multi-gigabit speeds and lower latency through satellite technology.
Ghana to become eighth African country to approve Elon Musk's Starlink.
It is currently available in seven African countries: Mozambique, Eswatini, Zambia, Malawi, Kenya, Rwanda, and Nigeria. pic.twitter.com/OpJ0dI1WsW— Clovis T (@clovist237) April 27, 2024
Users have expressed satisfaction with Starlink’s service, citing significant improvements in speed and reliability compared to traditional providers. The service is currently available in seven African countries: Mozambique, Eswatini, Zambia, Malawi, Kenya, Rwanda, and Nigeria.
Recently got Starlink, and so far better than any residential internet provider I’ve used in this country tbh
— remi (@alo_aderemi) April 27, 2024
This expansion is expected to foster healthy competition and better offers, breaking the monopoly enjoyed by some internet providers. As Starlink continues to expand, it promises to revolutionize network access and connectivity in Africa, providing a much-needed boost to internet access across the continent.
People & Lifestyle
#AOTY2023: King Promise vs. Stonebwoy
The debate over King Promise’s candidacy for Artist of the Year has sparked a lively discussion among social media users, with arguments both for and against his potential win.
Those saying King Promise should rather win song of the year and not Artiste of the year cuz Patapaa too had one big song, did Patapaa do all this? Greg is winning this, forget the Stonebwoy shouts pic.twitter.com/ICfLI1nBaf
— Twilight (@the_marcoli_boy) April 27, 2024
Supporters highlight his sold-out shows in Asia and the impact of his music, while critics point to other artists like Stonebwoy and Black Sherif, questioning the fairness of the awards process.
You are telling me King Promise isn't Artiste of the Year? let's be serious 😂pic.twitter.com/k8KDiilWsP
— Twilight (@the_marcoli_boy) April 26, 2024
The discussion showcases the diverse opinions and passion surrounding the music industry in Ghana and beyond, with users engaging in playful banter and humorous remarks while presenting their arguments.
Ur artist of the year our artist of the year my artist of the year their artist of the year @stonebwoy #StonebwoyForAOTY 🔥🔥🔥🔥all this history was made just last year December @GHMusicAwards pic.twitter.com/R0biHkhdEx
— Hernandez Gh✊🏾🔥 (@HernandezGh35) April 27, 2024
People & Lifestyle
‘Dubai in Accra’ set to thrill Ghanaians on Sunday, April 28
In the heart of Accra, excitement buzzes as the city eagerly anticipates the grand spectacle known as “Dubai in Accra,” set to take place this Sunday 28th April 2024 at the prestigious Stanbic Heights, Icon House Airport. (more…)
People & Lifestyle
Celebrating 25 Years: Otumfuo Osei Tutu II’s Reign
Today marks the 25th anniversary of Otumfuo Osei Tutu II’s reign as the Asantehene, the King of the Ashanti Kingdom.
Otumfuo Osei Tutu II: Celebrating 25 Years of Local and Global Impact.
Showing on @GTV_Ghana and streaming on all our social media platforms on Sunday, April 28, at 8:30PM.#Asanteman #OurCultureOurHeritage pic.twitter.com/g3u0Ql5q6i
— GTV Ghana (@GTV_Ghana) April 26, 2024
The celebrations, which began with spectacular fireworks witnessed by Otumfuo himself, will culminate in the Silver Jubilee anniversary on Akwasidaekese on June 12 at Dwabrem, Manhyia Palace.
This milestone is a testament to Otumfuo’s impactful leadership, dedication to the Asante people, and contributions to education and research as the Chancellor of KNUST.
❤️ @AkwaboahMusic meets The King of Ashanti Kingdom Otumfoc Osei Tutu II. pic.twitter.com/wdvlulV7Ez
— FELICIA OSEI (@Osei_Feliciaa) April 26, 2024
The event is being celebrated across Ghana, with well-wishes and congratulations pouring in from various quarters, highlighting the significance of this occasion for Asanteman and Ghana as a whole.
People & Lifestyle
Mr. Beast in Ghana: Surprising Visit Sparks Excitement
World-renowned YouTuber Mr. Beast, known for his philanthropic acts, has been spotted in Ghana, specifically in Accra and Tema, sparking excitement among locals.
Wow, Mr Beast is in Ghana! Look at how boys are gathering to take pictures with him. pic.twitter.com/46gawXYWnJ
— Big Kay🇬🇭 (@OfficialBigkay) April 26, 2024
His visit has led to discussions about his choice of Ghana over other African countries, with some suggesting that the country’s popularity as a tourist destination played a role.
MrBeast is in Ghana and no one is talking about it? Make I step out more times I go get new phone or car saf pic.twitter.com/AUP9CSoDoV
— Kofi Ntim (@NtimBarima) April 26, 2024
Mr. Beast’s presence in Ghana is part of his global outreach, as he recently gifted a Ghanaian $25,000 as part of his X (Twitter) giveaway.
Read Also: Producers of 'Beast of No Nation' return to filming in Ghana, causing upset in parliament
The YouTuber has been seen exploring the country and interacting with locals, with many expressing their desire to meet him and participate in his charitable endeavors.
People & Lifestyle
Stephen Appiah to contest John Dumelo and Lydia Alhassan in MP race for Ayawaso West Wuogon
Former Black Stars captain Stephen Appiah is set to enter the political fray by rubbing shoulders with notable personalities in the upcoming general elections.
The former Juventus midfielder is believed to be lacing his boots to face the likes of John Dumelo and the incumbent member of Parliament for the Ayawaso West Wuogon Constituency Lydia Alhassan.
While Dumelo and Alhassan represents the NDC and NPP respectively, Appiah is expected feature in the elections as an independent candidate.
This was revealed by the Spokesperson of the Ayew family Fiifi Tackie via X on Friday afternoon.
“Stephen Appiah to contest Ayawaso West Wuogon constituency as an independent Parliamentary candidate,” he wrote.
If Stephen Appiah affirms the reported news, he will be following in the footsteps of other renowned figures in Ghana football who have indulged in politics recently.
Earlier this year, all-time top scorer of the Black Stars Asamoah Gyan was appointed as the sub-committee chair of Youth and Sports in the campaign committee of Dr Bawumia, the flagbearer of the ruling New Patriotic Party.
In acceptance of the appointment, Gyan emphasised the need to share hos ideas garnered through experience in the game.
Anas took $100,000 to stop documentary release – Kwesi Nyantakyi
‘I have enough experience to contribute to sports – Asamoah Gyan reacts to political appointment
“I always ask myself, how do we create change if we don’t want to change? How do we spectate without being on the bench, and how do we score without being on the field?… All I know and will ever know, all I love and will ever love is SPORTS.” he stated.
Another figure in Ghana football who recently announced his intention to engage in partisan politics is Kwesi Nyantakyi, former Ghana Football Association (GFA).
The former football administrator showed up as one of the candidates to contest in the NPP primaries for the Ejisu constituency following the demise of incumbent John Kumah.
However, it didn’t pan out well for the former Wa All Stars owner as he lost disappointingly.
He garnered a paltry 35 votes after close to 1,081 delegates had cast their votes in the parliamentary primary of the New Patriotic Party (NPP) held in the Ejisu Constituency on April 13.
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