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Blxckie joins Nadeska to discuss his latest album, B4now

Published

3 years ago

July 2, 2021

Blxckie joins Nadeska to discuss his latest album, B4now. The Africa Rising cover star talks about his musical community in South Africa, the reaction to his debut album, his musical influences, and how he stays close with his fanbase.

Key quotes below. Video to follow. If you’re able to use, please credit to Nadeska on Apple Music 1: apple.co/_NadeskaAlexis

On going from poetry to rap:
”I wasn’t really into rap in- in high school. I was more into like deep house and stuff like that, so rap came as a product of just me like, reciting the poetry and just like, figuring out how to express myself like, like orally in terms of, you know, the written pieces. You know? And then just gaining that confidence to-to be within like, the rap culture and stuff like that.”

On how it has been since his debut album premiered:
“It’s been, it’s been really crazy. I’ve only been in Josie for like a little bit under a year now. I didn’t expect like, to- to have an album out at this, at this stage. You know what I mean? ‘Cause I came from where I’m from here to just like, try and figure things out. I just didn’t expect it to be so quick. And then I’ve been working on new music also, uh, while the album’s out and just, yeah, just receiving the love and, and just… it’s been crazy. It’s been a nice experience.”

On his musical influences:
“Rap like, came about very late, but then when I was listening to it, it was more just like, boom bap, like Joey Bada$$, Ab-Soul, Kendrick, that type of thing. So really like, jazzy sort of sound. So I was like, more into like, instruments and just like, the whole melodic side of rap, you know what I mean? So, yeah, Hold was just like, and ode to just, you know, the neo soul era, like, uh, I took the concept from, um, Musiq Soulchild, uh, Halfcrazy, that song.”

On his musical community:
“So I was, I was more of like a Soundcloud rapper for a bit. Um, so the people that I stayed with when I came to Josie were like the, even now like, they still like run Soundcloud. If you go on Soundcloud in South Africa, it’s just us. It’s just me and my friends that I used to work with. So yeah, like, they were just like, just for the kids, like, we used to drop music like, often. Like, every two days. We used to do a lot of trailers and stuff like that. So, that, that sort of thing like, helped me like, sharpen the skills and like, perfect the craft. And you know, just find ways of like making music trying to sing, you know what I’m saying? Playing with the auto tune a bit, also just producing a bit. Yeah, that like, that whole space, that whole creative space in the whole lockdown just helped us to become more creative within the music making process.”

On how majoring in Psychology has helped his career:
“The most important thing was just like, self, you know, recognition, and- and just like, owning like, you-your space. It came hand-in-hand with hip-hop and stuff like that. Because hip-hop like, taught me to like, you know, just be confident in yourself. Like, be confident with your heritage, your culture, and stuff like that. And then when I got into psychology, it just, it just affirmed that some more. It just like, it just like made me, yeah just more confident within everything and just when I would uh, transfer it into music, it’s just like, yeah, now this is over. It’s like, I’m taking over this whole thing and stuff”

On the importance of staying close with his fanbase:
“When I was in Durban, like that was, that was the only thing that-that- that helped us, because I was in a group of like, uh, how many, there was like 10 of us and we were all like, rappers and producers and stuff like that, and we had like a WhatsApp group, um, with just like fans and stuff like that. We used to give them music and updates about what we’re doing and all that. And we found that, like, that little community would just like, spread out, and by the time we get on stage or by the time we’re in the streets and stuff, people already know. But then it wasn’t important for like, someone that’s like, in, like a promoter or like an event organizer to know us if the kids know us already, you know what I mean? Like, it was going to flare out eventually into- into those sorts of spaces and, and into the brands or whatever.”

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Liv North shares new song ‘Boyfriend’ featuring Kwaw Kese

Published

10 hours ago

May 1, 2024

Ameyaw Debrah

Rising Afrobeats sensation, Liv North unveils her latest single ‘Boyfriend,’ featuring renowned Ghanaian rapper, Kwaw Kese. The must-listen song celebrates love and appreciation for partners, showcasing Liv North’s vibrant style and knack for deeply felt lyrics in one scoop. ‘Boyfriend’ is in line to become a radio sensation. Listen to it here: https://fanlink.tv/liv-boyfriend

On ‘Boyfriend,’ Liv North again shines brightly. Her soulful vocals seamlessly flow into Kwaw Kese’s signature rap style to create an engaging sound that sounds fresh yet familiar. This beautiful synergy is made possible by the talented DatBeatGod, whose irresistible production captures the passion at stake.

“I’m excited to be releasing ‘Boyfriend’ with Kwaw Kese and DatBeatGod,” Liv North shares about her new release. “This song is very special to me and I hope it resonates with listeners as much as it does with me. It’s a celebration of love that I can’t wait for everyone to hear.”

Liv North has been a steady voice in the live music scene making exceptional covers, all of which are on her 2022 album, “The LivE Xperience, Vol. 1.” Her spicy fusion of Afrobeats and R&B has grown on fans over the years, with ‘Boyfriend’ set to become a resounding success and further solidify the singer as one of the genre’s favorites.

About Liv North

Liv North is quickly cementing herself as the new Afrobeats diva on the block. Known for her captivating vocals and infectious energy, Liv North has garnered massive attention among fans with a unique sound that blends traditional Afrobeats rhythms with contemporary influences. With each new release, her music pushes the boundaries of the genre while celebrating love, life and culture.

Stay tuned for more updates from Liv North and follow her on social media for the latest news and announcements.

Instagram: livnorthmusic
Twitter/X: @livnorthmusic1
Facebook: Liv North

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Prince Bright and Stonebwoy unveil their forthcoming EP with electrifying new song ‘Back To Sender (Taamiawu)’

Published

14 hours ago

May 1, 2024

Ameyaw Debrah

With a joint EP on the way, Prince Bright and Stonebwoy give us a sneak peek of what to expect; enter ‘Back To Sender (Taamiawu).’ This electrifying mid-tempo Afrobeats anthem is guaranteed to keep bad energy at bay, making it the perfect daily companion. Stream or download ‘Back To Sender (Taamiawu)’ across all major digital platforms here: https://ampl.ink/XApb2

Just as an apple a day keeps the doctor away, ‘Back To Sender (Taamiawu)’ keeps negativity and its associated headaches a mile away. The song acts like a talisman, attracting positive vibrations to the listener through an indulging wave of frequencies that engross, and its charm extends beyond the lively production.

Prince Bright and Stonebwoy’s dynamic vocals are equally powerful in repelling traces of negativity. They light up the track with a strong gust of optimism as the two stars uplift their audience through lyrics like “You dey wish for my downfall say make I enter for the gutter. Naaey” and “Say my bread I go always butter/Jah rise and me enemy scatter.”

According to Prince Bright, ‘Back To Sender (Taamiawu)’ is meant to address the struggles we go through. It is also the first single taken off his forthcoming EP, “Infinity,” with Stonebwoy. This heavily-anticipated collaboration will arrive later this year and promises to have something for everyone. But till then, this is the song to beat.

CONNECT WITH PRINCE BRIGHT AND STONEBWOY:

Twitter: @PrinceBright_NY

Instagram: princebright

Facebook: Prince Bright Buk Bak

Twitter: @stonebwoy

Instagram: stonebwoy

Facebook: Stonebwoy

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Amerado drops new single titled ‘Tin Ton Tan’

Published

1 day ago

April 30, 2024

Ameyaw Debrah

Renowned Ghanaian music sensation, Amerado, is gearing up to thrill fans with his latest Afrobeat-infused single, “Tin Ton Tan.” Produced by the TGMA producer of the year nominee IzJoe Beatz, this track promises to be a chart-topper, bringing together Amerado’s lyrical prowess with IzJoe Beatz’s infectious rhythms.

Amerado, known for his sharp wit and magnetic stage presence, has once again raised the bar with “Tin Ton Tan.” This song is not just a mere release; it’s a cultural phenomenon that encapsulates the essence of contemporary Ghanaian music. With his signature blend of Twi and English lyrics, Amerado delivers a message that resonates with audiences across the nation.

“Tin Ton Tan” is more than just a catchy tune; it’s a celebration of Ghanaian resilience and determination. Amerado’s verses, intertwined with IzJoe Beatz’s masterful production, create a sonic experience that is as uplifting as it is irresistible.

The visualizer which can be found on Amerado’s YouTube was shot and directed in USA by Isaa Obuobi for Creative House TV.

Watch/Stream Amerado – Tin Ton Tan via:

Others DSPs: https://onerpm.link/tintontan

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Ogee Xeng drops ‘Agege Baby’ EP

Published

3 days ago

April 29, 2024

Ameyaw Debrah

The fusion of diverse genres has become a hallmark of creativity in today’s music.Afrobeat and Amapiano stands out as a vibrant concoction.AGEGE BABY has the infectious groove of Afrobeat seamlessly blended with the infectious energy of Amapiano.

The EP opens with a transcendent track that sets the tone for the entire experience.
Each track on the EP expect track 4 (benk3 me interlude) offers a unique exploration of the Afro-Amapiano fusion.
One standout track on the EP is track 2 (Gbogbo(wall))The Ga language could weave intricate patterns, seamlessly blending with the rhythmic groove of the Amapiano beat. The lyrics tell a story of perseverance conveying a sense upliftment to the listener.

Another highlight of the EP is track 3 (Power) A powerful expression of frustration, disillusionment, and a call for accountability as the beat kicks in, it’s driven by pounding drums and deep basslines that give the music a sense of urgency.The lyrics are raw and unapologetic.

As the EP draws to a close, the final track (Agboo ayee) leaves listeners wanting more, its infectious groove lingering in their minds with its seamless blend of Afrobeat and Amapiano.

Links

Spotify https://open.spotify.com/album/00S01BO3P1bu0lgAUsqTxs?si=2QS9HdYfSaGHhyVbSkh64A

Apple Musichttps://music.apple.com/us/album/agege-baby-ep/1734643633

Boomplay https://www.boomplay.com/share/album/86312562?srModel=COPYLINK&srList=IOS

Audiomack https://audiomack.com/ogee-xeng/album/agege-baby?share-user-id=7383633

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Yankee Beatz and TRzemmi gear up for new collaborative EP with lead single “Slow Down”

Published

3 days ago

April 29, 2024

VJ Scaro

Yankee Beatz, the dynamic and multi-talented Composer, Music Producer, Songwriter, and Artist, thrills audiences with his latest release, “Slow Down,” featuring the talented TRzemmi. (more…)

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Listen Up: Afro Fusion sensation OOSHA drops long-awaited album “OOSHATIDE”

Published

4 days ago

April 28, 2024

VJ Scaro

Afro Fusion sensation, OOSHA , has dropped his highly anticipated body of work dubbed “OOSHATIDE” featuring 12 distinct tracks such as “Caesar place ,” DND,” “OOSHATIDE,” “Pull Up,” and “Over u.” The artist said of the new release in a statement: “On this project, I connect with my inner flame, It’s like an outburst on the inside of me that I’ve held in for too long. It’s not fueled with negativity, rather it’s fueled with drive, passion, and destiny. What people will hear on this project is a little exhale from me, only that it comes with fire.” OOSHA music has frequently divided opinions. his flitting across a range of genres. His output on his new album OOSHATIDE showed this off, earning him the love of a dedicated fanbase as OOSHA continues to salute the salacious nature of Afro Fusion, but his vocal deliveries are far-ranging, existing on the seams of diasporic affiliations and dreamy inventiveness. His melodies sometimes sound like mutterings from the depth of sex-induced sleep, but with his endless cache of Nigerian references.