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Bringing African music to the world, one playlist at a time – Ebro Darden, Global Head of Editorial for R&B and Hip Hop at Apple Music

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African music has had a lot of gains globally in recent times. Afrobeats, largely fronted by Nigerian artists, has been rising fast in the last decade. The phenomenon first took off in the United Kingdom within the Ghanaian and Nigerian communities, spreading across Europe; and has gradually trickled into the North America music space.

A lot of African artists have been working hard to justify our inclusion into the global music scene, with some artists going all out to collaborate with American stars. When Dbanj, through some association to Kanye West’s Good Music, released his smash hit ‘Oliver Twist’ it peaked at number nine on the UK Singles Chart.

Things started to look even better for African music, when some global music stars started to feature African acts on their projects, perhaps as a result of big global music corporations like Sony Music and Universal Music signing some African acts.

To that end, we saw Drake feature Wizkid on the Billboard topping and award-winning song, ‘One Dance’ which opened a new window of opportunity for African music to shine.  Wizkid has since had major collaborations with the likes of Chris Brown, Drake, Ty Dolla Sign, Major Lazer, Trey Songz and many others.

Davido’s ‘hit song, Fall’ also caught fire around the world, setting some records on global charts. In 2019, ‘Fall’ made it on the Billboard Top 100 R&B/Hip-Hop charts as well as the US Top 40 Urban Radio songs.

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In 2017, Ed Sheeran took a bold step to collaborate with Fuse ODG and Ghanaian producer, Killbeat on a number of songs including ‘Bibia Be Ye Ye’ off his Grammy-winning album, ‘Divide’.  In fact, Ed Sheeran even sang in Twi on that record.  In 2019 Beyoncé curated an album for ‘The Lion King’ featuring African musicians and producers.

For African music to continue to grow around the world there is the need to make the music accessible and available to music lovers around the world and platforms such as Apple Music are playing a vital role in that.  Apple Music is doing more than just giving an opportunity for African artists to make money from their talent; a lot of efforts are also going on in promoting African music and artists to other territories.

I spoke to Ebro Darden, a veteran American hip-hop radio presenter, on these gains and how to take it even further among other things.  As Global Head of Editorial for R&B and Hip Hop for Apple Music and host of its global radio station, Beats 1, Ebro Darden brings the sounds of the streets of New York City to the rest of the world.

Speaking of his experiences from his few visits to Ghana, Ebro comments: “ I have good relations with Sarkodie, Stonebwoy, Kwasi Arthur and a host of artists from there. It’s a great scene. I have not spent a lot of time in the northern part like Tamale and Kumasi. But there is a lot of positive vibes in Ghana, a lot of support for local music, and a lot of opportunity for growth also!” 

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On the role of Apple Music in bringing Ghanaian or African music closer to the world, Ebro believes putting the spotlight on our talents is a step in the right direction.

“We are listening to music and interfacing with artists, trying to figure out ways to get their songs exposure inside Apple Music; as well as finding opportunities where we can feature artists from other places around the globe on the North America side.   We also feature playlists from different places. So hypothetically speaking there is ‘Rap Life’ which is North American but there is also a version in South Africa, which is a hybridized playlist which features artists from South Africa that have achieved a high up chart position and regional profile of success.” 

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‘Rap Life’ is a weekly show and ongoing companion to Apple Music’s marquee global hip-hop playlist of the same name, hosted by Ebro. It features the latest additions to the playlist, but it’s also a vital extended conversation about the culture and how artists and their songs are shaping the state of rap today. ‘Rap Life’ with Ebro Darden airs every Friday at 1:00p EST / 10:00a PST.

With his visits to Ghana and other parts of Africa, and his experience with the music and culture of the continent, Ebro is happy with the growth of African music and opines that with the right mentality and relationships, a lot more could happen for African artists and music.  He spoke of the challenges, the successes and the need to build on them.

“The biggest challenge is language. If the music is mostly English, it is easier to get it to translate and have success on the North America side. Interestingly, since it’s been happening in the last four or five years, we have been asserting and featuring music in the hip-hop genre and R&B genre pages inside Apple Music and trying to get people exposed to the music and the artists.  

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“It also becomes a regional thing; so in New York City or Atlanta where there are larger African populations, we see more consumption of music from those regions. When you break outside other regions in the US where the African population is a little smaller, you start to see people not responding to the music. So it all just takes time. It is all about consistency over an extended period of time and creating opportunity for people to interface and learn about the artists and the culture, and also learn and feel the music, as well as keep communication lines open.”

Ebro believes collaborations between African and American artists are a great way of bridging the gap but he is fully aware that a lot hinges on individuality and the ability to build meaningful brand presence and relationships.

“Personally, as a fan of music from around the world I don’t like hearing artists try to conform their sounds to other sounds just to get popular.  One of the great things happening now is that when you hear the music coming from Africa it sounds like it is organic and from the region, and it is not trying to be something it is not.  Music is so important to black folks worldwide culturally. It is part of our identity, it is how we share stories, and it is a part of us.  So seeing artists not have to conform to gain popularity is a step in the right direction.

“Collaborations between African and American artists is a sure way to go; both with Americans and Caribbean Americans. It is all about relationships and it depends on the artists. I am sure as you gain popularity in Africa and people are talking about you in parties in America where your music is being played, it is obviously easier to collaborate. It’s not like any American artist can reach out to Chris Brown in the DM for a collaboration and Chris Brown would jump on the song. It’s all about notoriety and reaching a certain level of success. Ultimately it has to make sense.”

Apple Music is poised to bring African music closer to Africans and the rest of the world. With constant innovation and opening up of the world to one another, the possibilities are endless. Ebro concludes that there is a need to build and improve on current successes and trends.

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I’m just looking forward to artists being able to put their music out and be themselves, and being able to create and collaborate. I am hoping that we are seeing now can continue. I just hope that we get more of this upliftment of African music, African artists and a connection of African people across the globe.”

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King Promise thrills fans at sold-out show in Singapore

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Ghanaian singer King Promise has made history by being the first Afrobeats star to headline a concert in Singapore. (more…)

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Ice Spice remix stamps Cash Cobain’s “Fisherrr” as the Song of the Summer

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Billboard Rookie of the Month, and multi-hyphenate NYC star, Cash Cobain has just linked up with Ice Spice for the long-awaited video remix for “Fisherrr”(feat. BaySwag) [18m+ Streams]. After bubbling the past few years with R-rated anthems over his own ethereal production – creating the playful “sexy drill” sound that he’s pioneered and taken to mainstream heights, Cash Cobain is stamping himself as a serious song of the summer contender with this remix.

Following up his two smash singles “Dunk Contest” (8m+) and “Fisherrr” (pronounced, ‘for sure), Cash is primed for his moment in the spotlight ––  hitting 1M Monthly Listeners on Spotify, Top 3 NYC Shazam Charts, having occupied the #1 + #3 slots of the NYC Apple Music Charts, hitting #45 on the Urban Radio Charts and counting, and now landing Ice Spice’s third feature ever  –– in the words of COMPLEX, “the summer of 2024 is looking very slizzy”. On the highly-anticipated remix, Ice Spice is simply in top-tier shape.

Adding her signature magnetic ‘it-girl’ flair, charming cadence, and instantly-coinable one-liners, she bolsters the lightning-hot single into astronomical territory with the opening lines –– “Got an attitude but I’m feelingless, so I ain’t mad at you, And I’m tatted too on this fatty-tude, I’m the baddest boo”.

The long-overdue collab from the two Bronx natives is seamless, with her being a tailor-fit alongside the ethereal, dreamy production and silky smooth verses from Bay Swag and Cash. With the recent releases of “Dunk Contest” (watch Genius ‘Open Mic’)  and now the Ice Spice-assisted remix for “Fisherrr” (feat. BaySwag), Cash Cobain is using his collaborative momentum from last year to continue elevating his signature sound, showcasing its influential and ever-growing widespread appeal in the process. In the words of Cash:“It’s a beautiful record. It feels amazing, it feels like NYC is back stronger than ever with me and Spice -– two Bronx legends. Get ready for the song of the summer.” 

Last month, Cash took over NYC with his birthday show, ‘Slizzyfest’ at Irving Plaza –– a night that was slated as a stacked lineup of NY’s finest, with rumors of an A-list superstar surprise set. After chatter spread online and the hype reached a fever pitch, the crowd became too much to handle and the show was ultimately canceled –– but Cash wanted to give the fans their money’s worth so he ventured into Union Square and threw a makeshift show with his crew, a Bluetooth speaker, and hundreds of adoring fans (read ‘I Went to Cash Cobain’s Slizzyfest and All I Got Was That Classic NYC Feeling’ via Rolling Stone + statement in Billboard).

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Also in Billboard, Cash recently teased potential collaborations with Frank Ocean, Travis Scott, Don Toliver (seen filming a music video here), Lil Yachty and more –– a surefire sign of the worldwide stardom soon to come. These recent releases arrive on the heels of a career-defining year in 2023 that closed with the production of PinkPantheress“Nice To Meet You” (feat. Central Cee), which debuted at #20 on Billboard Hot 100 (he also starred alongside her in a nationally-syndicated Apple commercial for the new MacBook).

This was preceded by producing Drake’s “Calling For You” (feat. 21 Savage), which debuted at #5 on the Billboard Hot 100, DJ’ing at Travis Scott‘s Cactus Jack x Audemars Piguet event, and releasing his critically-acclaimed debut solo album Pretty Girls Love Slizzy with Giant Music.

Please find links to stream the new “Fisherrr” Remix (feat. Ice Spice) below, and stay tuned for more announcements:

“FISHERRR” REMIX (FEAT. ICE SPICE) – OUT NOW
WATCHLISTEN
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Tobinco Pharmaceuticals LTD donates drugs worth GHc 155k to Lekma Hospital in celebration of World Malaria Day.

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In commemoration of World Malaria Day, Tobinco Pharmaceuticals Limited exemplified its commitment to healthcare by donating an anti-malaria drug worth GH155,000 to the LEKMA Hospital in Teshie. (more…)

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Celestine Donkor Sets the Record Straight on Weight Loss Surgery Speculation

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Award-winning Ghanaian artist, Celestine Donkor has addressed speculations regarding her potential pursuit of weight loss surgery, clarifying that she hasn’t made any decisions in that regard. (more…)

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Akua Music unveils heartfelt music video for hit single ‘Miss You Bad’

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Akua Music, the acclaimed singer-songwriter known for her soulful melodies and emotive lyrics, has just released the highly anticipated music video for her latest single, ‘Miss You Bad.’ The video, directed by Joseph Amino, captures the essence of the song’s message and showcases the singer’s raw talent and creativity. (more…)

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Diana Asamoah Takes Legal Action Against Assistant Pastor for GH₵4K Theft

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Contemporary gospel musician and evangelist, Diana Asamoah has taken action leading to the arrest of her assistant pastor, Reverend Kwame Asante, for an alleged theft of GH₵4000 from her mobile money account. (more…)

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