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CnL Aftermath artworkAlbumMr Muffin opens his ‘CNL– Aftermath’, the second chapter to his previous album called “Codename Lonewolf”, with ‘The African Dream’, a track that aptly introduces his 12-track EP. The unorthodox alternative rap album represents the African Dream of a rapper who wants to be heard through the global phenomenon of hip-hop; an artist who wants the world to hear his story in bars of well-written lyrics using metaphors and unapologetic realness.Back Track List Album Sunyani-based Mr. Muffin (real name Ike Owuraku Amponsah) describes CNL– Aftermath’ as a multicultural hip-hop album showcasing true-life stories of betrayal, backstabbing and how he almost lost everything after the release of his previous album; an album that was pulled down from all platforms due to production conflicts. Track 1, African Dream spares no punches in sharing his hustle in living his dream of making music. I particularly like the way he incorporates the howling of a wolf to show his aggression, and of course the album title. Track 2, Breakfast, is less aggressive but equally laced with puns…food for thought for those who get it. Track 3, Syll@bus, is a cynical look at the rap industry and how other rappers compare to him. Track 4, Lunch sees the rapper attacking the snitches, and basically having them for lunch with his punch lines. Track 5, Blakk Boi Muff! (feat. Drew) has a fantastic and simple instrumentation that starts with piano notes and switches up into a pulsating adowa tempo, as he and his guest artist serve some narration of real life situations, from discouraging remarks, and hate to pretense. Track 6, #MNB (Me No Bore), is one of my favorites on the album. I like the flow to it. A clever expression of his resistance to all the challenges he went through. Track 7, Demonic -Gonzo- (feat. 12welve) may start off as a fun rhyme but quickly moves into serous flows and hardcore lyrics, that would make you not want to mess with Muffin and his posse! Track 8, TNB, LAGA! Shows Mr Muffin’s diversity as a rapper as he slows it up with a trance-like flow on the concept of truth! Track 9, U$ed $cam, reminds me a bit of the ‘slim shady’ personality of Eminem, as Mr Muffin in his own way reflects on how money changes the situation or messes things up. On Track 10, Blue Face, it’s smack down time and Muffin says Niggas shouldn’t try him or they will end up with a blue face. It’s his time to shine. He coins his emotions beautifully into a rather smooth flow. Track 11, Magnificent is an up tempo hip-hop track with a distinct fast rap flow that is quite different from Muffin’s style and flows on the EP. Track 12, Fire and Grace!!, is a good end to the journey that begun with an ‘African Dream’. It is a track that has the most African influence on the album and probably my favorite. It has really nice melodies and lyrics that Muffin cleverly uses to make a statement about ‘changing to become what people want’. Remarks: The album which was largely recorded or produced in 2016 is a modern hip-hop album thanks to the various signatures from producers such as Dare Mame Beat(Ghana), Jay Twist(Ghana), Rojesus(Nigeria) and Dakkagob(France). It is an album that can be appreciated by hip-hop heads in any part of the world. It is a well-written album using great literary tool, consciously or unconsciously, and what makes me especially proud is the fact that it was all made in Ghana, Africa! For the hip-hop album it is, I would rate it a 7/10!]]>

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Album Review

Album Review [ALEWA]: SANTROFI Resurrects Ghana’s Classic Highlife with a Bang!

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Fellow Ghanaians, the moment of waiting for classic highlife music is over! (more…)

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Album Review

Alpha P Makes an Impact With His Debut EP- “King of The Wolves”

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Alpha P

The Music Industry in Nigeria is competitive and ever evolving. Between 2018 and 2019, we have witnessed the rise of artistes like Joeboy, Teni, Fireboy DML, Blaqbonez, Rema, Oxlade, Zlatan and the list goes on and on. (more…)

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Album Review

Youssou N’Dour’s new album, ‘History’ pays homage to great African artists, without losing sight of the future ahead

Youssou N’Dour’s new album meditates on moments from a storied career and pays homage to late great African artists, without losing sight of the future ahead. History (Naïve Records release: May 17, 2019)gives new life to tracks from Babatunde Olatunji’s 1970s records, N’Dour’s own cassettes sold on the streets of Dakar in the 1980s, and a 2019 […]

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Youssou N’Dour’s new album meditates on moments from a storied career and pays homage to late great African artists, without losing sight of the future ahead. History (Naïve Records release: May 17, 2019)gives new life to tracks from Babatunde Olatunji’s 1970s records, N’Dour’s own cassettes sold on the streets of Dakar in the 1980s, and a 2019 hit by Swedish star Mohombi. N’Dour reinvigorates them all with that inimitable voice—and mature musicianship—that makes Youssou N’Dour the undisputed King of African Pop.

Youssou N’Dour’s new album, 'History' pays homage to great African artists, without losing sight of the future ahead
Youssou N’Dour’s new album, ‘History’ pays homage to great African artists, without losing sight of the future ahead

He’s achieved a globe-spanning career, 35 albums, and hits at the top of charts around the world, but N’Dour still sees each project as a chance to explore different directions. 2017’s Seeni Valeur took to new heights the spirited Senegalese mbalax that N’Dour popularized in Senegal and around the world, while Africa Rekk (2016) featured up-to-the-minute Pan-African collaborations with Akon, Fally Ipupa, and producer Spotless, who returns on History.

The new album opens with “Habib Faye,” a moving tribute to the bassist who, as musical director of N’Dour’s band Super Étoile de Dakar, shaped their sound starting in the 1980s. The two giants of mbalax worked on separate projects in recent years, but at Faye’s untimely death in April 2018, N’Dour cancelled shows to be at his funeral. “Habib Faye was my friend, bassist, and music director for almost twenty years.” N’Dour reminisces. “Together we created many songs and played many shows around the world. Naturally, this is the first song I wrote for this album.” It‘s serene, not a lament but a contemplative elegy, a prayer with a mbalax beat and smooth sax by Cameroonian Alain Rodrigue Oyono.

History honors another late legend: Babatunde Olatunji, the Nigerian-American drummer, singer, and social activist whose Drums of Passioninspired the likes of John Coltrane and Carlos Santana. “I wanted people to know about Babatunde, a great Nigerian who had an immense impact on his country,” N’Dour explains. N’Dour returns Olatunji to the spotlight with covers of “My Child” and “Takuta,” co-composed with Prince Ayo Manuel Ajisebutu, that feature Olatunji’s original vocal recordings at the center of new arrangements. N’Dour’s own unmistakable voice carries Olatunji’s songs into the present moment.

N’Dour also digs deep into his own history, with fresh takes on three tracks from across his remarkable career. The first recording of the love song “Salimata” dates to 1989’s Jamm, while “Ay Coono La” appeared on Set in 1990. These were electric times for N’Dour: after 10 years as a star in Senegal at the helm of Super Étoile de Dakar, his work with Peter Gabriel brought him international notice, and his 1989 album The Lion attained global fame. Reimagined for 2019, these tracks have a new energy and lush production that leaves space for the emotional colors of N’Dour’s voice to glow.

With “Birima Remix,” N’Dour places the past and future in harmony. From the album Joko in 2000, “Birima” tells the legend of a Senegalese king. Now N’Dour has recreated the song with a new richness in collaboration with Seinabo Sey, a young Swedish singer with Senegambian roots making waves on the Scandinavian electro-soul scene. Sey’s new lyrics pay tribute to her father’s heritage and the immigrant experience, creating a multilayered exploration of African values and ancestors. N’Dour’s remix of “Hello” by Swedish-Congolese singer Mohombi shows that History is not only about the past: “Hello” swept Mohombi to the final of Sweden’s Melodifestivalen competition in March 2019.

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N’Dour’s new songs make vivid, current stories a part of History. “Confession,” a collaboration with Mike Bangerz (BGRZ), a French beatmaker of Beninese heritage, chronicles the romantic plight of a young emigrant working abroad. On “Macoumba,” N’Dour, BGRZ, and saxophonist Oyono riff on the characters and sounds of Dakar’s streets, where a macoumba is an unlucky gambler. “Tell Me” rounds out the album with a multilingual plea for connection and trust.

Throughout his extraordinary career, Youssou N’Dour has always been moving forward, creating new sounds even when he makes forays into tradition. Now, exploring his own past and the legacy of friends and heroes, N’Dour makes History his own.

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Listen UP: Kosi YNot feat. Spicer – Color Me

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Kosi YNot - Color Me Kosi YNot – Color MeKosi YNot – Color Me[/caption] Kosi YNot is a Ghanaian singer, song writer and rapper. (more…)

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Album Review: A journey through Sarkodie's 'Highest'

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sarkodie Highest tracklistEnviably decorated rapper, Sarkodie has released his 5th studio album, christened Highest. It is a collection of 16 songs and three interludes. I embarked on a journey of listening to the album and upon completion, this is the experience I want to share; (more…)

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WATCH: Exclusive listening of Becca’s ‘Unveiling ‘ album, featuring Mr Eazi, Kofi Kinaata, Stonebwoy & more

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Becca UnveilingOn August 18, multiple award-winning Ghanaian singer, Becca will release her album, ‘Unveiling’ to mark her 10 years in the music industry. The album contains 10 tracks carefully selected to represent her anniversary, with 3 bonus tracks that all together define the dynamism of Becca as an artist. (more…)

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