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How Ken Attoh scored a perfect picture for ‘The Perfect Picture: 10 Years Later’
A lot of things come together to make a great movie or film. From the characters to the storyline, each of these elements is like a piece in a puzzle, and they come together to create the perfect picture!
Whereas most of these elements came out well in Shirley Frimpong-Manso’s latest movie, ‘The Perfect Picture: 10 Years Later’, it seems one thing that stood out for most people who saw the world premiere last Sunday, was the Cinematography in the sequel to the hit Sparrow Productions movie, from ten years ago!
Cinematography is a blend of science and art used to capture, manipulate and store moving images for the purpose of creating a motion picture. The cinematographer or director of photography is responsible for the technical aspects of the images such as lighting, lens choices, composition, exposure, filtration, film selection and more.
Ken Attoh, the DOP for this much-anticipated sequel attributes the fundamental difference between shooting ‘The Perfect Picture: 10 Years Later” and some of his previous works to “Intentional Timing”.
“Usually we would shoot more than 10 scenes a day and this did not allow for timing for perfect outdoor moods,” he explained.
“With this film, each scene was perfectly timed to allow for the right exterior and interior lighting condition. This meant shooting just a few scenes a day, as we would literally wait for 3pm or 5:20 am to shoot a particular scene. Most of our afternoon scenes were shot during the Golden hour.”
But what is the price to pay for such a quest for perfection?
“It wasn’t the most cost-effective way of filming because it meant we had to shoot over more days than usual. But this is how it’s done in most professional settings. It allows you to complement the story with breath-taking visuals. Our locations were perfectly picked. They had to be colourful. The textiles for the costume were carefully selected to match each environment. Trust me it was one painstaking coordination. But it definitely gave us such a colourful pallet.”
Knowing what you want as a cinematographer is one thing but knowing how to get it is often the magic! For Ken Attoh, it came in a tiny dynamite that was almost destined to work magic for him, and translate that brilliance on to the screens!
“I shot the film on a tiny little camera, the Black Magic Pocket Cinema Camera 4k. Yeah a bit of a mouthful but this baby is exceptional; that is if you know how to use it. The images were captured in their most raw state, and this allowed us complete control to colour grade the film into the beautiful viewers see. It also made our filming very agile. We could keep the camera crew really small and shoot in small spaces that would have been cumbersome with our much larger cameras.”
I am not sure that Shirley and Ken take their romance to the set of their productions but if they do, I wouldn’t be surprised if that adds a little bit more spark to their magic! After all, the written rules in the film industry says the cinematographer needs to work closely with the director to ensure that the artistic aesthetics are supporting the director’s vision of the story being told.
Ken Attoh and Shirley Frimpong Manso on set
Well, Mr Attoh agrees…. “I really enjoyed working on this project. Shirley’s storyline determined the right locations and actions that forced a perfect picture.”
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King Promise thrills fans at sold-out show in Singapore
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Ice Spice remix stamps Cash Cobain’s “Fisherrr” as the Song of the Summer
Billboard Rookie of the Month, and multi-hyphenate NYC star, Cash Cobain has just linked up with Ice Spice for the long-awaited video remix for “Fisherrr”(feat. BaySwag) [18m+ Streams]. After bubbling the past few years with R-rated anthems over his own ethereal production – creating the playful “sexy drill” sound that he’s pioneered and taken to mainstream heights, Cash Cobain is stamping himself as a serious song of the summer contender with this remix.
Following up his two smash singles “Dunk Contest” (8m+) and “Fisherrr” (pronounced, ‘for sure), Cash is primed for his moment in the spotlight –– hitting 1M Monthly Listeners on Spotify, Top 3 NYC Shazam Charts, having occupied the #1 + #3 slots of the NYC Apple Music Charts, hitting #45 on the Urban Radio Charts and counting, and now landing Ice Spice’s third feature ever –– in the words of COMPLEX, “the summer of 2024 is looking very slizzy”. On the highly-anticipated remix, Ice Spice is simply in top-tier shape.
Adding her signature magnetic ‘it-girl’ flair, charming cadence, and instantly-coinable one-liners, she bolsters the lightning-hot single into astronomical territory with the opening lines –– “Got an attitude but I’m feelingless, so I ain’t mad at you, And I’m tatted too on this fatty-tude, I’m the baddest boo”.
The long-overdue collab from the two Bronx natives is seamless, with her being a tailor-fit alongside the ethereal, dreamy production and silky smooth verses from Bay Swag and Cash. With the recent releases of “Dunk Contest” (watch Genius ‘Open Mic’) and now the Ice Spice-assisted remix for “Fisherrr” (feat. BaySwag), Cash Cobain is using his collaborative momentum from last year to continue elevating his signature sound, showcasing its influential and ever-growing widespread appeal in the process. In the words of Cash:“It’s a beautiful record. It feels amazing, it feels like NYC is back stronger than ever with me and Spice -– two Bronx legends. Get ready for the song of the summer.”
Last month, Cash took over NYC with his birthday show, ‘Slizzyfest’ at Irving Plaza –– a night that was slated as a stacked lineup of NY’s finest, with rumors of an A-list superstar surprise set. After chatter spread online and the hype reached a fever pitch, the crowd became too much to handle and the show was ultimately canceled –– but Cash wanted to give the fans their money’s worth so he ventured into Union Square and threw a makeshift show with his crew, a Bluetooth speaker, and hundreds of adoring fans (read ‘I Went to Cash Cobain’s Slizzyfest and All I Got Was That Classic NYC Feeling’ via Rolling Stone + statement in Billboard).
Also in Billboard, Cash recently teased potential collaborations with Frank Ocean, Travis Scott, Don Toliver (seen filming a music video here), Lil Yachty and more –– a surefire sign of the worldwide stardom soon to come. These recent releases arrive on the heels of a career-defining year in 2023 that closed with the production of PinkPantheress‘ “Nice To Meet You” (feat. Central Cee), which debuted at #20 on Billboard Hot 100 (he also starred alongside her in a nationally-syndicated Apple commercial for the new MacBook).
This was preceded by producing Drake’s “Calling For You” (feat. 21 Savage), which debuted at #5 on the Billboard Hot 100, DJ’ing at Travis Scott‘s Cactus Jack x Audemars Piguet event, and releasing his critically-acclaimed debut solo album Pretty Girls Love Slizzy with Giant Music.
Please find links to stream the new “Fisherrr” Remix (feat. Ice Spice) below, and stay tuned for more announcements:
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Buzz
Tobinco Pharmaceuticals LTD donates drugs worth GHc 155k to Lekma Hospital in celebration of World Malaria Day.
In commemoration of World Malaria Day, Tobinco Pharmaceuticals Limited exemplified its commitment to healthcare by donating an anti-malaria drug worth GH155,000 to the LEKMA Hospital in Teshie. (more…)
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Celestine Donkor Sets the Record Straight on Weight Loss Surgery Speculation
Award-winning Ghanaian artist, Celestine Donkor has addressed speculations regarding her potential pursuit of weight loss surgery, clarifying that she hasn’t made any decisions in that regard. (more…)
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Akua Music unveils heartfelt music video for hit single ‘Miss You Bad’
Akua Music, the acclaimed singer-songwriter known for her soulful melodies and emotive lyrics, has just released the highly anticipated music video for her latest single, ‘Miss You Bad.’ The video, directed by Joseph Amino, captures the essence of the song’s message and showcases the singer’s raw talent and creativity. (more…)
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