Buzz

Lord Paper says he has no regrets for his explicit ‘Awurama’ music video

Published

3 years ago

May 27, 2019

Ghanaian singer Lord Paper has said that he has no regret releasing his debut “Awurama” music video, which was widely criticized for its explicit content.

The afro-soul singer went viral in 2016 when he released the official music video for his first single dubbed “Awurama”.

#VGMA20: Lord Paper looking like a ‘Papa’ on the red carpet.

Speaking in an interview on TV3’s New Day show on Monday, May 27th, Lord Paper revealed that the experience he got from releasing the video has taught him a lot. According to him, he does not regret it but rather has learned lessons which kept him going.

“I don’t. Like I said, it’s been a learning a process”, he told the host, when asked if he regrets the video.

Lord Paper is currently promoting his new song ‘“Dzigbordi”. he hopes to use the song to campaign against tribalism.

Buzz

KiDi’s 2020 tweet reveals he has already apologised for risky and risqué old tweets

Published

18 hours ago

September 29, 2022

Zeinat

Vodafone Ghana Music Awards (VGMA) Artiste of the Year 2022, KiDi has topped Twitter trends since the resurfacing of his old tweets on the social media platform on Wednesday, September 28. (more…)

Buzz

Western Gospel Awards 2022; Full List of Nominees

Published

19 hours ago

September 29, 2022

Ameyaw Debrah

The organizers of the annual Western Gospel Awards (WGA22) have unveiled the nominees for the 2022 edition of the prestigious award. (more…)

Buzz

Dreams College of Creative Arts holds spectacular 5th convocation

Published

19 hours ago

September 29, 2022

Zeinat

On Wednesday, September 28, Dreams College of Creative Arts, Ghana, held its annual convocation. (more…)

Buzz

We didn’t sanction the use of our music video – Fuse ODG hits at Ghana Tourism Authority

Published

20 hours ago

September 29, 2022

Jacqueline Johnson Quaye

Ghanaian musician, Fuse ODG has broken his silence on the copyright infringement issue involving the Ghana Tourism Authority using visuals from music videos for a promotional advertisement without artists’ permission.
(more…)

Buzz

African fantasy series Blood Psalms premieres on Showmax with glowing reviews

Published

21 hours ago

September 29, 2022

Ameyaw Debrah

Khanya Mkangisa as Nymph in Blood Psalms

The first two episodes of Blood Psalms, the first Showmax Original fantasy series, are now streaming. Early reviews are glowing, withTVMzansi calling it, “Without doubt, the best TV show ever created in Africa”; Leon van Nierop “the biggest and most spectacular production of a local series yet” and TimesLive “African fantasy at its finest.”

Set in ancient Africa, the action-packed epic follows Princess Zazi (Bokang Phelane) as she battles a world-ending prophecy to navigate her people through ancient curses, long-standing tribal vendettas and the wrath of the gods.

“Watching it feels as thrilling as being an astronaut exploring new worlds,” says Genevieve Terblanche from tvplus. “The sheer scope of Blood Psalms is breathtaking.”

On TVSA, Movies And Things With Tha-Bang writes, “What Jahmil XT Qubeka and Layla Swart have achieved with Blood Psalms is something that will go down on SA TV history books like the Yizo Yizo and Intersexions of the world, series that came and changed the game when folks least expected it.”

Swart and Qubeka were responsible for South African Oscar entries Knuckle City and Sew The Winter To My Skin. Qubeka also directed Of Good Report, which won seven SAFTAs, including Best Film and Best Director, and Stillborn, which won the SAFTA for Best Short Film.

They’ve assembled an incomparable cast, with nine SAFTA winners – Bongile Mantsai, Hamilton Dlamini, Hlubi Mboya, Mothusi Magano, S’dumo Mtshali, Siv Ngesi, Thishiwe Ziqubu, Warren Masemola and Zolisa Xaluva – and all your faves, from Enhle Mbali Mlotshwa to Lemogang Tsipa, Faith Baloyi to Faniswa Yisa, Mandisa Nduna to Niza Jay, Richard Lukunku to Sello Maake Ka Ncube, Thabo Rametsi to Thando Thabethe, Thembikile Komani to Zikhona Sodlaka, and many more.

We caught up with the most ambitious filmmakers in Africa to find out more about Yellowbone Entertainment’s first Showmax Original, which is already topping the charts on Africa’s homegrown streaming service:

Where did the idea for Blood Psalms come from?

Qubeka: I was just always extremely curious about our continent. The question mark around the history of Africa, and where we come from, has been a great platform for us to be able to build this world.

Swart: I think Blood Psalms is a yearning more than anything else. It’s a look at a history that has never been depicted before, that we always wanted to see.

When is Blood Psalms set?

Qubeka: 11 000 years ago. Blood Psalms is an action adventure series that invites us into a world that no longer exists, a time before the Great Flood changed the world.

Swart: Blood Psalms draws from elements of a multitude of African mythologies and looks at various different tribes in Season 1 – the Akachi, the Uchawi, the Ku’ua, the Chini, and Great Nziwemabwe – as they migrated south from Kemet, which is now Egypt, and formed their cultures.

Qubeka: These tribes moved southward, running away from the calamity that was happening in Kemet and Kush, which is what we now know as northern Sudan. There are remnants even today that show that there was a great civilization and a great culture that comes from that space.

Which tribe do you focus on the most?

Swart: The tribal focus in season one is House Akachi, run by the eccentric King Letsha [four-time SAFTA winner Mothusi Magano].

Qubeka: We look at this world through the eyes of his daughter, a young Akachi princess by the name of Zazi [Bokang Phelane], as she goes on her own quest to find a sense of self in a rapidly evaporating world.

How do you feel about the inevitable Game of Thrones comparisons?

Qubeka: If they want to call it the African Game of Thrones, I’ll take that mantle on. If you love Game of Thrones, you’re gonna love this show.

But what we really want to do is create heroic archetypes for the African child. If you look across the entire landscape of cinema and television, there are no archetypes for the African child.

Swart: It’s a pioneering show that attempts to redefine our very perception of our identity as Africans. What we’re trying to do is to reclaim the continent’s history from an African perspective. The goal, for us, is to ensure that the golden thread of Africa’s stunning history really shines.

Qubeka: If we don’t start to project an image of how we see ourselves, someone else is going to do that for us.

There are very few references for Africa 11,000 years ago. Was this freeing or challenging?

Swart: Building a world that doesn’t exist has been enormously creative. Doing something set 11,000 years ago has really given us all collectively the scope to just play.

But it’s also enormously challenging. Every single costume, every single piece of the set had to be conceived and made from scratch.

Qubeka: I’m very excited to see how audiences engage this world. There’s a lot of things that people are going to look at and be like, ‘What are you talking about? Did they have guns in that time? Do they have electricity?’ There’s all sorts of things that we challenge in terms of conventions, of what people understand of our glorious past.

Where did you shoot in the Eastern Cape?

Qubeka: So the Akachi Citadel actually sits above the Hole in the Wall but we shot parts of the Citadel in different locations. For example, the big dam in Graaff-Reinet is incorporated as the Citadel dam, situated at the back end of the city.

What I really loved about shooting in the Eastern Cape is that it just brought a whole other dimension to what we were intending to achieve.

The epic scale of places like Coffee Bay and the Valley of Desolation – just the size and scale of these places – makes you feel so insignificant, so small, so we’re able to get an essence of what it could have been like 11,000 years ago on this continent.

Why should audiences watch your show?

Qubeka: It’s a sweeping epic adventure that doesn’t hold back. It is definitely a large canvas, one that I personally have not seen from this continent. This thing is big.

Now streaming, first on Showmax

Shot in the Eastern Cape, Gauteng and North West provinces, Blood Psalms is a Showmax Original in partnership with CANAL+, the Department of Trade, Industry and Competition, the Eastern Cape Economic Development Corporation (ECDC), the National Film and Video Foundation (NFVF) and the MultiChoice Innovation Fund, which supports South Africa’s most exciting entrepreneurs, enabling them to bring their unique, innovative and creative business ideas to life.

Showmax will drop new episodes of Blood Psalms every Wednesday until the end of November 2022.

Join Swart for an InstaLive on producing as part of the Showmax x Actor Spaces masterclasses at 6pm on Thursday, 29 September 2022 at https://www.instagram.com/actorspaces/.

Watch Layla Swart’s Showmax x Actor Spaces masterclass on producing:

https://youtu.be/iMd7wsJI210

Add Blood Psalms to your Showmax watchlist:

https://www.showmax.com/eng/tvseries/376jbv7a-blood-psalms

Watch the new trailer:

https://youtu.be/1s2qWQXAw1A

Join the conversation:

#BloodPsalmsShowmax