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Rudeboy Sho out with hit ‘Up in the Party’

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Rudeboy ShoNetherland-based Ghanaian rapper Rudeboy Sho comes is out with another club banging hit ‘Up in the Party’.  The rapper who is rated as The Next Big Thing on the hiphop scene within the Ghanaian community in Amsterdam says the single is a feel good tune meant to thrill the party scenes in Europe and Ghana from now till the end of the year.  Download : ‘Up in the Party’ –http://www.hulkshare.com/mbbjoq2scni8 Inspired by his time spent in Ghana, Rudeboy Sho plans to make his presence felt in the Ghanaian music and film sector, since he also has a passion for acting and script writing. Rudeboy, also known as Elvin Jamil, was born in Ghana and grew up in an army barracks. He’s a proud product of Accra Academy, where he graduated in the year 2008. When he moved to the Netherlands, he started hosting different parties and soon become a fixture in the club and entertainment scene in South-East Amsterdam. Besides being an MC, Rudeboy’s talent as a rapper and dancer soon became apparent when he made his debut performance at Ghana Most Beautiful Holland in 2009. After having a successful year of MC’ing and rapping, he decided to take a break in 2010 only to resurface in 2011 when he begun to reminisce about the fun times he had when entertaining the crowd. It was clear to him that the reason he liked to MC and rap, was because he just loved doing it. He loved entertaining people and making people laugh. Full of energy and motivation, he started going to the studio to write and record songs in 2011. He currently has 3 songs namely ‘Fallin’ , ‘Top of The World’ and ‘Blow’, and still recording more. He comments, “When it comes to MC’ing I’m different because I know how to relate with the party freaks; I’m one myself. And when it comes to rapping I rap from the heart, from the inspiration I get from life and from friends. So whenever I’m rapping on a beat, I try to entertain myself and my people.” Popularly known by many overseas as Ghana’s very own Wizkid, Rude Sho says he intends to have a collaboration with Nigerian singer about making it from the ghetto into the limelight. Also download: No Money No Love – http://www.hulkshare.com/330x4e72xv28 Check out  Rudeboy Sho performing ‘Up in the Party’ in Mambo. ]]>

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Experience the Evangelistic Power of Gospel Music with ADOMcwesi and Becky Bonney’s “Yesu Nkoaa (Jesus Alone)”

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The Ghanaian gospel music scene is about to get buzzing with the release of “Yesu Nkoaa” (Jesus Alone), a powerful new track by ADOMcwesi featuring Becky Bonney.

This innovative track seamlessly blends the rich rhythms of highlife with the edgy beats of funk and hip-hop, creating a unique sound that transcends traditional gospel boundaries. The single is available on all major streaming platforms HERE

“Yesu Nkoaa” is not just a song; it’s an experience that reaffirms the power and sovereignty of Jesus as the ultimate answer to life’s challenges.

The track is characterized by its infectious beats and powerful, biblically grounded lyrics, making it both anointed and irresistibly catchy. It promises to resonate deeply with listeners, offering a fresh and inspiring perspective on gospel music.

Listen on Apple Music below:

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https://music.apple.com/us/album/yesu-nkoaa-feat-becky-bonney/1743835469?i=1743835698

ADOMcwesi (he/him), known for his almost feminine silky smooth vocals, and Becky Bonney (she/her), with her deep bassy undertones, create a vocal harmony that is both surprising and captivating.

Their combined voices deliver a powerful message of faith and hope, making “Yesu Nkoaa” a must-listen for anyone seeking spiritual upliftment.

“This collaboration is a testament to the versatility and dynamism of gospel music,” says ADOMcwesi. “We wanted to create something that not only honors our faith but also pushes the boundaries of what gospel music can be.

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‘Yesu Nkoaa’ is a declaration of Jesus as the sole solution to our problems, and we hope it inspires and blesses everyone who hears it.”

Becky Bonney adds, “Working with ADOMcwesi has been an incredible journey. Our styles may be different, but our message is the same. This song is a celebration of our shared faith and a testament to the power of gospel music to bring people together.”

“Yesu Nkoaa” is set to be the future sound of gospel music, blending traditional and contemporary elements in a way that is both innovative and deeply spiritual.

Listen on Spotify below:

https://open.spotify.com/track/30kX9nNwgLu2LZxkYuXAo9?si=c05bd8b82a2b49b3

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The single is available on all major streaming platforms HERE. Follow ADOMcwesi and Becky Bonney on social media for updates and exclusive behind-the-scenes content.

Subscribe to his YouTube Channel and get interactive across his socials via;

Facebook – ADOMcwesi

Twitter – @Adom_cwesi

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Instagram – @adom_cwesi

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Benjies charts his course to stardom with introspective debut EP “TRI”

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Benjies charts his course to stardom with introspective debut EP “TRI”

With the finesse of a poet, Benjies explores the multifaceted nature of identity in 10 minutes of pure lyrical bliss on his debut EP, “TRI.” His 3-track spectacle is available to stream in music stores worldwide. Listen to it here: https://bfan.link/tri-2

Money, love and mental health are some of the relevant issues of our day and to Benjies, these are cardinal to his self-expression, hence “TRI.” This thematic representation of himself (as reflected on the EP’s cover) sees the rapper break into the Ghanaian Hip-Hop scene at lightspeed with silky flows and a melodic rap style that renders a catchy narrative. Bundle this talent with the groovy touches of PsykoWorldWide, Elormbeatz, Swit and Benjies is invincible on his first EP.


“TRI” opens up with the hard-hitting ‘Scheming.’ Benjies acknowledges the power of money and rhymes about his determination to secure the bag by any means necessary. He uses the Akan proverb “sika yɛ mogya” as a substrate for his intriguing rhymes to atomize, dropping nuggets of wisdom along the way.

Benjes shifts the scope to mental health in the second track, ‘Pain Killer’ featuring Nemisis Loso. Here, the rapper artistically contemplates turning to alcohol and other vices as a quick fix to his problems. He is, however, quick to highlight the negative impact of such choices on his psyche, relying on a clever Fante flow to keep his call for staying sober fresh and exciting.


Things slow down for the EP’s closer, ‘Ride or Die.’ Benjies takes his time on this one, putting his better half on a pedestal over a soothing Hiplife production that feels classic. In an intimate show of affection, the rapper appreciates this significant figure for sticking it out with him through thick and thin. The rapper’s lyrics echo a sense of gratitude, steadily manifesting his final identity: love.

After drawing inspiration from his extensive time studying in China, Benjies is ready to disrupt the Ghanaian Hip-Hop scene through his tasteful blend of Hip-Hop, Hiplife, Afrobeats and Jazz with the funky rhythms of Alternative music. Last year, the burgeoning Fante rapper, who is equally fluent in Cantonese, dropped two tracks (’On the Go’ and ‘Third Person’) to test the waters and showcase his talent. Since then, he has been eager to establish himself as a prominent player in the industry, making his latest EP a must-listen.

Instagram: _benjies
Twitter/X: @Benjies_
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Gibrilville and Kwaw Kese Join Forces for Exciting Remix of “Gorilla”

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Dynamic duo Gibrilville and Kwaw Kese have teamed up for an electrifying remix of their hit single “Gorilla.” The collaboration brings together two powerhouse artists in the Ghana music industry to create a fresh and innovative sound that is sure to captivate listeners around the world.

Originally released as a standalone track, “Gorilla” quickly gained momentum and garnered widespread acclaim for its infectious beat and catchy lyrics. Now, with the addition of Kwaw Kese’s unique style and flair, the remix takes the song to new heights, offering fans a fresh take on an already beloved track produced by klenam Lednum “Klxnam” from the Uk.

Gibrilville and Kwaw Kese are no strangers to success in the music industry, with both artists boasting an impressive catalogue of hits and a dedicated fan base. By joining forces on the remix of “Gorilla,” they have created a collaboration that is sure to resonate with fans of both artists and introduce their music to new audiences.

The remix of “Gorilla” is now available on all major streaming platforms, including Spotify, Apple Music, and YouTube. Fans can expect an exciting blend of Gibrilville and Kwaw Kese’s signature sounds, as well as a few surprises along the way.

Don’t miss out on this exciting collaboration between two of the most talented artists in the industry. Stream the remix of “Gorilla” today and experience the magic for yourself.

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For more information, please visit Gibrilville and Kwaw Kese’s official websites and social media pages.

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Zyon Ovkin drops hot new single, ‘Vibrate’

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Zyon Ovkin drops hot new single, 'Vibrate'

Frank Kweku Cole a.k.a “Manzo” but mostly known as Zyon Ovkin has dropped his latest single, ‘Vibrate’. Listen here

Born and raisd in the Eastern Region of Ghana, Zyon Ovkin completed Good News Baptize JHS in Sunyani and later move to Accra to continue his education at College High Senior High School.  He calls himself ” The Composer” due to his versatility and ability to quickly blend and adapt with any kind of music style. “I have experiment with different sounds and genres including Afropop,Rap,Highlife, Afrobeats Contemporary and conscious music. My immediate surrounding and upbringing has a major influence on my composition and thought process,” he comments.

Zyon Ovkin is spiritually conscious. He  taps a lot of energy from Daddy Lumba, Kwadwo Antwi and Amakye Dede as their messages resonate well with him. “I’m also influenced by the late Fela Kuti and Bob Marley. As a tenager, the loss of my Dad and my brother left me with a huge gap and trauma and the only way escaping the pain is through Music,” he adds.

He is currently signed to Solid Brand Management.

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LEONARDODDJ X IYKE PARKER CALLS ON 99PHACES FOR SUMMER ANTHEM “PAIN AND PLEASURE”

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“Life of the party and I give it my all” is one of the lines that is bound to catch your attention as you listen to Iyke Parker and Leonardoddj’s latest single.

Audio: https://easternchild.fanlink.tv/PainNPleasure

Teaming up with Ghanaian collective 99phaces, the duo releases their second single as they build up the release of their joint project later this year. 

With verses from Anabel Rose and Freddie Gambini, the house themed song is laced with an infectious chorus and catchy bridge which embodies the groovy feel that comes with the summer. The song encourages listeners to let loose and destress after experiencing the gruesome and tiresome couple of months. 

Produced by Iyke Parker, Pain and Pleasure has been dubbed a summer anthem. You can stream the single on all DSPs. 

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‘Borkor Borkor’: new single from rising rapper, Crytical emphasizes on success through perseverance

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Crytical, the talented artist from Tema, Ghana, is set to captivate audiences once again with the release of his latest track, ‘Bokor Bokor,’ produced by the esteemed SwatyBeats. Listen to ‘Borkor Borkor’ here: https://onerpm.link/bokorbokor

‘Bokor Bokor’ epitomizes a fusion of contemporary Hip-Hop and Rap with intricate guitar riffs and licks interwoven throughout, providing a melodic backdrop. The rhythmic drum patterns and instrumentation draw inspiration from cultural dance folk tunes, lending the composition a rich tapestry of sound. These elements converge to deliver a fresh perspective on rap music, filtered through the lens of a Gen-Z artist.

At the heart of the track lies a dynamic interplay between the buoyant beats and Crytical’s evocative lyrics, which explore the existential struggles faced by individuals navigating the complexities of life. Amidst the vibrant rhythms, Crytical adeptly articulates the internal turmoil experienced by “hustlers,” deftly weaving themes of perseverance and resilience.

A noteworthy aspect of ‘Bokor Bokor’ is Crytical’s incorporation of the popular Asante Twi phrase, further enriching the cultural tapestry of the composition. This inclusion, particularly evident in the chorus, reflects Crytical’s personal journey and underscores an enduring theme of patience amidst adversity.

With ‘Bokor Bokor,’ Crytical invites listeners on a sonic journey that transcends conventional boundaries, offering a poignant commentary on the human experience. As the track reverberates with infectious energy and introspective lyricism, it serves as a testament to Crytical’s artistry and unwavering commitment to pushing artistic boundaries.

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