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Tems Launches ‘Leading Vibe Radio’ on Apple Music 1

Nigerian singer-songwriter, producer and Apple Music Up Next alum Tems has announced ‘Leading Vibe Radio’, a new biweekly radio series airing on Apple Music’s global live-streaming radio station Apple Music 1. On ‘Leading Vibe Radio’, Tems says she will be “shining a light on women, artists, and creatives that are finding their way, finding their voice, and talking about how to be good soil—something that greatness can grow out of,” and bring “Africa to the world.”
The inaugural episode of Leading Vibe Radio is an introduction to Tems, her co-hosts and her new show. She answers questions from her co-manager Muyiwa and brother Tunji, and shares details, stories and thoughts about her life, her childhood, her creative process and her taste in music. The trio expands on the episode’s broad theme of ‘Leading The Vibe’, as we eavesdrop on honest and real conversations, soundtracked by a personally curated playlist featuring some of Tems’ favourite songs and artists, old and new.
Video trailer, key quotes and image below. If you’re able to use, please credit to Leading Vibe Radio with Tems on Apple Music 1.
Leading Vibe Radio with Tems will air biweekly on Saturdays on Apple Music 1 at 7am PT / 3pm UK, beginning April 2nd.
Listen live for free at or anytime on-demand with an Apple Music subscription at apple.co/_LeadingVibe
VIDEO | Leading Vibe Radio with Tems: Trailer
Watch: https://embed.apple.media/public/assets/player.html?id=62438f5193af9f00010078d2
Tems tells Apple Music about ‘Leading Vibe Radio’
Tems tells Apple Music about the show title and how she developed the “Leading Vibe” brand from her 2018 single, “Mr Rebel”
“I don’t know why or how that phrase came into my song. Afterwards I realised that it came for a reason, and Leading Vibe is really what it says: leading the vibe and creating opportunities for people, creating an alternative, and helping people navigate life. It’s helping people to become leaders, helping people to find their own voice, their own sound, their own thing—and to get the best of life.”
Tems tells Apple Music about the purpose of the show
“‘Leading Vibe Radio’ is really aimed at talking about real things, shining a light on women, artists, and creatives that are finding their way, finding their voice, and talking about how to be good soil—something that greatness can grow out of.”
“Africa is the source, so pay attention. There are many ‘leading vibes,’ and it’s about all of us collectively coming together to lead the vibe—that’s Africa to the world.”
Tems tells Apple Music about the importance of finding your own sound/voice
“Finding a sound, and finding your own thing is really just the beginning to evolution. I want that for everybody. If everyone found their thing, life would be so much easier in general—especially coming from Africa where it’s really hard to find your thing. Because when you’re in survival mode, you’re not thinking about yourself or finding the ‘inner you’ or doing anything. You really just want to make money and be great and you want to come out of the struggle. I want that for everyone. I want everyone to find their real sound, because that’s maximising your potential.”
Tems tells Apple Music about building communities of empowered women
“Women need each other. We need to be there for each other in a real way—and I think, for a long time, not just in music but also in life, women haven’t really had a community, a real type of understanding. It’s because most of the time women are pitted against each other. There always has to be one ‘top person.’ But imagine if we were all ‘top’—then the standard of living would be better. I see it’s happening already because we’re all realising that we need each other. Nobody can do it alone.”
Tems tells Apple Music about her co-hosts
“Muyiwa [Awoniyi] is my manager, and he was my friend first. He has a lot of wisdom, and that’s the point of this radio show: to help people increase their energy, to edify what’s already in them. Tunji [Adetunji “Tunji” Paul] is my older brother, and he’s the person that I used to make music when we were much younger. He is really into highlighting Africa, and creatives. He’s a digital artist; he’s a software engineer, and he’s someone that loves the intricacies of music.”
Tems on the role of music in her life and childhood
Growing up, I just remember, we had a Celine Dion cassette, and we used to listen to Celine Dion when I was really young, like nursery, and I just know it made me feel alive. And that was my introduction. That was what I understood as music at that time. And that formed my own understanding of it.
And it never became, “Oh, wow. So music is life,” or, “Music does something, heals you inside, or does… Wow.” It’s just a knowing. I don’t need to tell you. When did you realize you could breathe? When did you realize that, inside of you, your heart is actually beating? When did you say, “Oh, wow. I can breathe. Whoa.” There isn’t actually a realization. It’s just a knowing. And if you don’t know, then you are not awake.
Tems on singing as a child
I remember when we used to have breakfast, Tunji used to actually tell me to shut up all the time. He used to be like, “Why do you always sing?” And literally, that was everybody’s reaction to me. We could just be at breakfast, and maybe there’s a cereal box, and it says “So good for you” on the cereal box. I would literally just be like, “So good for you. So good.” I literally make a song out of that “So good for you.” It was just coming out anywhere.
This is not something I intentionally did, like, “Oh, I’m going to make a song.” It just started happening, and I wasn’t aware of it. It still happens now, where sometimes I’m looking for something, then I realize, “Wait, I’m singing something. When did I start singing this random thing?”
At what point could I possibly have realized that, “Oh my God, music is this”? It’s just something that has… As I live and breathe, I’m going through experiences. And these experiences translate into feelings within me that I have to release. It’s like eating and… And so basically, I digest experiences, and I have to let it out. It has to come out.
Tems on confidence
I would call myself confident, for sure. I think when you have a certain level of awareness, you cannot not be. It’s like if the lion realizes he’s a lion, then what is the reason for him to act like a rat? Imagine a lion. He knows he’s a lion. Why… That’s not even an option. That’s not even in his mind. And I feel like the more you realize who you are, the more confident you are because you know what’s important. Nothing else matters. And I haven’t always been confident. I think as children, we’re all confident. I think we’re born into this world full of new adventures, and we just go into them, and we just do things. I think, along the way, life happened. And my confidence was actually… Actually, there was a time that I had no self-worth or value, or I genuinely believed I was meant to be the mat that people stepped on.
I just had people around me telling me I was not anything. And when someone tells you long enough and they treat you that way… And I was isolated for a long time. When I was in school I couldn’t eat in public. I wasn’t someone that people liked. And I was like, “Yeah, if my presence is bothering people, I’m just going to move away and not be with… I’m just going to do my thing and go and find what I like. And I’ll find one friend, maybe, and then me and the friend would be friends.”
Tems on copycats, originality and finding your own sound
I think it’s better for whoever to find themselves and what they like. And when you’re aware of yourself, then you’re aware of how your music sounds holistically. You’re aware of what you are doing and who you are. And to be honest, music always sounds better when you block all those things out. I had a phase when I used to listen to Kate Nash. Do you remember? She’s this British singer that is like really, really, really, really happy, happy, happy. And then I started making music like that. That’s where I got whatever British accent. The completion of my British accent, wherever that comes from, it’s from me making those songs to sound like her. And obviously, at some point, I knew that was what I was doing. But I did it to check if I could, not to actually be that.
The reason why I was making songs that emulated her was because it was something I had never heard before. And I was trying to see if I could do it. And when I decided that I could, I wasn’t interested actually in being that. I just wanted to be me. So, I just continued on my own journey.
I think the difference is, I think when you are not aware, when you listen to artists that you like, you take them on, as you, rather than as people to learn from. It’s not actually the music that you should copy. It’s the principle behind the music. It’s not about, oh, how does this music sound? It’s the principle behind the sound. It’s the messaging. It’s the meaning.
When people listen to music that has meaning it lasts. When people listen to music that doesn’t have meaning, but is fun, then it is what it is. It’s fun for the time. And then they drop it and they never go back to it because it was easily digestible. But when you have a song that has meaning, it makes you think. It makes you heal. It makes you rediscover something.
Tems on whether she sees herself as a leader
In a way I do, but I see myself as a servant leader. I see myself as someone who aims to serve, aims to help, aims to heal, aims to make life a little better. And in me doing that, I recognize that that will cause an effect of followership, which is just the way life goes. Because people that follow me are leaders in themselves. This is the leading vibe. I’m the leading vibe, but so are you. It’s a movement. It’s the ocean, it’s… While leading the vibe, you’re leading the vibe from following my vibe and making your own vibe and people are following your vibe. And then becoming leaders themselves. And that’s the point.
Tems on the misconception that she and Tunji came from a rich background
I’m just sending big love to my mom, to our mom, because of who she is. And she stopped at nothing. We couldn’t afford to go to the school we went to, some rich kid school. Everybody in that school knew that we weren’t rich. My mom was the doctor of the school clinic. My mom got a job at my school. Yeah, it wasn’t roses. But we are around people that could speak English, so we thank God that we are. We thank God that we don’t look like what we went through.
World News
Doe Boy Presents much-anticipated full length album, ‘BEEZY’

Making a statement as loudly as possible, critically acclaimed Cleveland hip-hop phenomenon Doe Boy proudly presents his anxiously awaited new project, BEEZY, today via Freebandz/Epic Records. Listen to BEEZY HERE.
The 16-track project unfolds as a rap blockbuster of the highest order. He attracted an A-list cohort of guests, including Future, G Herbo, and Roddy Ricch on the irresistible “TRY & SEE,” Lily Yachty and Luh Tyler during the hilarious “KARDASHIANS,” Lola Brooke on the punchy “DUMB,” EST GEE for the street anthem “PICK A SIDE,” and Cleveland legends Krayzie Bone and Bizzy Bone on the haunting and hypnotic finale “GRIM REAPER.”
Check out the full tracklisting below.
About the project, Doe Boy commented, “It tells my story, everything I’ve been through, all of the trials and tribulations I overcame, and where I’m at now. It’s all based on true stories. Nothing is fabricated. I’m going to give you everything. I’m elevated as a grown man now. I’m not a kid anymore. The way I move is bossed all the way up. I’ve come a long way from East Cleveland. BEEZY is my nickname, so this album is self-titled. It’s who I am today and all of the things that brought me here. This is all of my different moods all rolled up into one as BEEZY.”
It also boasts the single “DEEP END” [feat. Don Toliver]. He just uncovered a cinematic music video for this melodic banger. Watch it HERE.
He initially teased BEEZY with “WAY I WALK.” It has just begun to gain steam at DSPs. HipHopDX plugged it, and Rap Radar proclaimed, “The Freebandz rapper does his killer step to Hendrix Smoke, John Luther, and Nick Mira’s groove while delivering his cutthroat lyrics.”
“WAY I WALK” hinges on a head-nodding and nostalgic Jennifer Lopez sample as Doe Boylocks into a bouncy flow. His cadence instantly captivates as he struts towards one of his catchiest choruses to date, “This just the way I walk.” The accompanying visual showcases just that as he and a group of friends groove, smoke, and turn up outside in their neighborhood.
Last year, Doe Boy continued his rapid rise with the CATCH ME IF YOU CAN EP. It tallied over 10 million streams and earned critical plugs from the likes of Complex and RapRadar who noted, “Doe Boy is hard to kill.” Perhaps REVOLT put it best by proclaiming, “If you not hip to Doe Boy by now, shame on you.”
It’s time to get to know BEEZY….
TRACKLISTING:
1 RHUDE BOY
2 NONSENSE
3 WAY I WALK
4 NUMBER GAME FT. BABYFACE RAY
5 KARDASHIANS FT. LIL YACHTY & LUH TYLER
6 TOP TAKER FT. BIG FLAME 8
7 RAN INTO A THUG
8 DEEP END FT. DON TOLIVER
9 TRY & SEE FT. FUTURE, G HERBO & RODDY RICCH
10 DEMON TIME
11 DUMB FT. LOLA BROOKE
12 CLOUT CHASE FT. DABABY
13 FIRST 48 GANG
14 PICK A SIDE FT. EST GEE
15 MENACE FT FUTURE
16 GRIM REAPER FT. KRAYZIE BONE & BIZZY BONE
World News
Sam Smith & Madonna out with “VULGAR,”

In February 2023, Madonna introduced an arresting GRAMMY® Awards show performance by Sam Smith ft. Kim Petras. “Are you ready for some controversy?” she asked, before making a heartfelt speech. “If they call you shocking, scandalous, troublesome, problematic, provocative or dangerous,” she said, “You are definitely onto something.” The day after, with their fifth GRAMMY Award in hand, Sam headed into a Los Angeles studio with Madonna to record a fierce, unapologetic duet: “VULGAR.” Listen HERE. View the lyric video HERE.
A fearless, bold anthem, “VULGAR” honors every word of Madonna’s speech. It’s the celebratory sound of two artists conjoining in abandon, a meeting of wild minds, hooks and aesthetics, punctuated by an Eastern string break and bolstered by earth-shattering bass. It is a two-and-a-half minute slap-back to repression and a demand for respect. Released today by Capitol Records, the single was produced by ILYA for MXM Productions, Cirkut, Omer Fedi, Ryan Tedder, Jimmy Napes, Sam and Lauren D’elia, Madonna’s vocal producer and engineer.
Sam Smith is a multi-award-winning, multi-platinum-selling singer, songwriter and lightning rod for provocation. Their third studio album, Gloria, has sold over 40 million albums sold worldwide and been praised by Rolling Stone as “their deepest album yet.” Sam will launch the North American leg of GLORIA The Tour on July 25.
Madonna, the best-selling female artist of all time, continues to push boundaries and transform culture. She will kick off her highly anticipated global Celebration Tour in July.
Together, they are S&M. Together, they are “VULGAR.”
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Ghanaian singer Darkua shares soulful new single ECHO

Ghanaian Afrofusion Artiste, Darkua has released her new single ECHO which marks her debut single for 2023. (more…)
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Sofie and $pacely make waves with ‘3AM in Labadi’

Accra, Ghana – Ride the sonic wave as rising star Sofie invites $pacely to feature on her 2nd single of the year, ‘3AM in Labadi’. This global Afrobeats tune crosses borders with its fusion of vibrant instrumentation and captivating melodies. The composition delves into the immersive experience of bonding with your crew in the vibrant city of Accra; whether it’s chilling at Labadi Beach, dancing in the club or heading to the hottest spot in town. Listen HERE: https://fanlink.to/3AMinLabadi
The song embodies the spirit of joy and adventure encapsulating the essence of those magical nights spent with friends. Sofie and $pacely’s voices effortlessly blend with the bouncy drums and smooth guitar chords in the song. The essence of the track takes the listener on a ride that they don’t want to stop. Zodivc, the producer of the song did an amazing job composing the Afropop sound of ‘3AM in Labadi’. Sofie’s recent afro inspired sound is a collection of her experience navigating life in her 20s.
Sofie is a Ghanaian singer-songwriter and producer with a soulful R&B sound that blends West African instruments and rhythms. She uses her platform to raise awareness and inspire positive change. Sofie has released two EPs and multiple singles, including her latest ‘SUV’ in May 2023. She has performed at notable events such as the Chalewote Festival, Ghana’s Independence Anniversary and the Women of Colour celebration in Boston. Sofie also opened for Stonebwoy at his Homeland concert in March 2023 at the Palladium in Times Square and has played headline shows in Boston, NYC, LA and Accra.
$pacely, also known as Elorm Kabu Amenyah or Keanu, was born in Accra and grew up in Geneva. He speaks English, French, Twi and Ga fluently and draws inspiration from various cultures. He remains a flexible creative, switching flow from English to French to Twi He formed the collective La Même Gang with five other talented musicians, showcasing his versatility in Trap, Afropop and R&B.
Enjoy the smooth vibe of the song and let it transport you to the wavy world created by Sofie, $pacely and the brilliant production of Zodivc.
CONNECT WITH THE ARTISTS:
Instagram: lionessofie
Twitter: @lionessofie1
Facebook: Sofie
Instagram: spacely1z
Twitter: @Spacely1z
Facebook: $pacely
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Keeny Ice Unveils Powerful Amapiano Single “Frazz” Featuring Chief One

Ghanaian musician Keeny Ice is thrilled to announce the highly anticipated release of his latest single, “Frazz.” The energetic Amapiano track features the remarkable talents of Chief One, a nominee for the coveted “New Artiste of the Year” award at the 2023 Ghana Music Awards. Produced by Two Bars, “Frazz” marks Keeny Ice’s first feature of the year, adding to his impressive catalogue of hits. The single is released under the management of ABM GLOBAL and is accompanied by a vibrant music video directed by the talented Dela Finn.
Frazz Artwork.jpg
With “Frazz,” Keeny Ice ventures into the Amapiano genre, infusing his unique style and lyrical prowess into this infectious party anthem. The track showcases Keeny Ice’s versatility as an artiste and his ability to adapt to different musical styles while maintaining his signature sound. Chief One’s guest appearance adds an extra layer of energy and dynamism, making “Frazz” a must-listen for music lovers worldwide.
The accompanying music video for “Frazz” is a visual feast, featuring stunning cinematography, captivating choreography, and a vibrant display of colors. Directed by Dela Finn, the video perfectly complements the energetic and celebratory atmosphere of the song, bringing it to life with its engaging visuals.
In support of the release, Keeny Ice has embarked on a media tour to connect with fans and spread the infectious energy of “Frazz.” Through interviews, performances, and appearances across various media platforms, Keeny Ice aims to create widespread excitement and anticipation for the single, solidifying his position as one of Ghana’s most talented and versatile musicians.
“I am thrilled to share ‘Frazz’ with the world,” expressed Keeny Ice. “It’s a song that embodies the spirit of celebration and brings people together on the dance floor. I had an amazing time collaborating with Chief One, and I can’t wait for everyone to experience the energy and joy of this track.”
“Frazz” is now available for streaming and download on all major music platforms, including [list of platforms]. The official music video can be enjoyed on
. Fans and music enthusiasts are encouraged to share the song on their social media platforms and spread the infectious vibe of “Frazz” with their friends and followers.
Audiomack – https://audiomack.com/keenyice/song/frazz
Streaming platform – https://distrokid.com/hyperfollow/keenyice2/frazz-feat-chief-one
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Amaarae Release Highly Anticipated Album “Fountain Baby;” Set To Become First Ghanaian To Perform On NPR Tiny Desk

Today marks a momentous occasion as the highly anticipated album “Fountain Baby” by the Ghanaian groundbreaking platinum-selling artist Amaarae is officially released through Interscope Records. (more…)
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