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Alicia Keys joins Zane Lowe on Apple Music ahead of her seventh studio album ‘ALICIA’

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Alicia Keys joins Zane Lowe on Apple Music for a wide-ranging conversation ahead of the release of her seventh studio album ‘ALICIA’, out this Friday.

She tells Apple Music what she took for granted prior to the pandemic and reflects on struggles with early success, self worth, and her relationship with her parents growing up. She also runs through various tracks on the new album and shares what she’s learned from her husband Swizz Beatz, how her willingness to collaborate has evolved, why Verzuz is “our survival tool”, how she ended up collaborating with Jill Scott, and more.

Listen to Zane’s interviews with leading artists on Apple Music HERE and Apple Podcasts HERE.Video | Alicia Keys Tells Apple Music About Her Forthcoming Seventh Album ‘ALICIA’, Struggles With Early Success, Lessons Learned, Collaborations, The Significance of Verzuz, and More
Watch — https://youtu.be/tg4oDKl03nM

Alicia Keys Tells Apple Music What She Took For Granted Prior To The Pandemic…Prior to the last six months, I definitely took for granted stillness, just like how good it is to be in one place, to be able to really dig in, dive in, stay put. I don’t know if it’s a very American philosophy, or if it’s a very not New York mind state. I’m trying to figure out what it is, but there’s a certain mind state that the busier you are, the better you are. And that’s a lie. That’s a real live lie. And so, this time to just be still, because you can’t be busy if you tried.

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I mean, you could Zoom all you want, and sure, you can still have a lot to do over Zoom, but the moving, why did we have to rush so much? How come we had to fill our gas tank that many times and fly that many times a year, and put that much gas in the sea? And all these things, definitely the stillness I took for granted.I took for granted what it means to actually have your hub and have your space with your people there, and that you’re always showing up for each other, no matter what. You’re figuring out the hard things, and you’re talking through. A lot of the times, moving so fast, I’m always concerned about, am I missing some of these conversations? Am I missing some of these moments with my family?

Alicia Keys Tells Apple Music About Early Success… 

A lot of the times, you’re kind of pushed to blend in or do what’s expected, and you feel awkward if you even have a dissenting point of view. And for me, I fell right into that whole trap. Oh, I fell so good into that trap because I was so young. I was 14 years old the first time that I was ever even signed. And when the first record came out, I was 18 years old. It was like, whap. It was just, that was it. I had to pretend so much the majority of the time that I knew what I was doing. I pretended I knew what I was doing for so much of the time. I didn’t know what I was doing.

Alicia Keys Tells Apple Music About Pleasing People…

Whoo, and the craziest part is, at some point, you don’t even know if what you’re doing is for you, or is it for the person that is next to you. And you think it’s for you. But as you start to live, you start to discover, man, a lot of this was for you. Of course, there’s a flow there and there’s an ebb there, and it benefits both. And of course, there’s an energy exchange, which I really believe in energy is so powerful. But you can, and I did, turn around. And I was so concerned with pleasing everybody, so concerned with saying the right thing, so concerned with not kind of getting caught up or tripped up in the people trying to have these sensational headlines.

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I was so cautious and so protected, and had such a wall that was perfect. Who are you underneath all that? What is your opinion? Do you even know what your opinion is? I found that, no, I didn’t. And that was not good. But it took me a long time to even know I didn’t have an opinion. Because I thought I was quite opinionated. I’m like, woman’s worth, right? I’m supposed to… But underneath it all, I was quite insecure.

Alicia Keys Tells Apple Music About Titling Her Album ‘ALICIA’…

So deep, so deep. This is so deep. I feel like I think about this a lot. I specifically think about this a lot with the Alicia album. And that’s why I feel so strongly about calling this work Alicia. Because I feel like I have, for the first time, been most fully myself now. In the beginning, I was very myself. I really was. Although I was unsure of this crazy world that I was in and I definitely didn’t know the rules or how to do it or exactly what I was doing, I was very sure of myself.

I knew that I was a young woman. I’m boyish. I’m not trying to be all pretty and girly. I got my piano. I got my songs. I got my braids. Don’t try to make me do this. Don’t talk to me about that. Don’t bring me no flower dresses and sh-t. This is me. Take me or leave me, I don’t care. And then success came. I had never been successful before and everybody was there, and I was going places I’d never been before, and I was meeting people I never met before. And they were telling me things I never heard before.

I was having experiences that I would never have experienced before. And people liked what I did. So then, when it came time to do it again, for the first time in my life, I had been exposed to what it feels like when people like what you do. And then you start to think, well, what if people don’t like what I do? Then what?

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Alicia Keys Tells Apple Music About Self Worth and Her Relationship With Her Parents Growing Up…

I realized that I have deeply struggled with feelings of self-worth. That came from my mother and father. They… My father didn’t raise me, my mother raised me. I think I definitely was always looking for his love, to some degree, and feeling like I could never really access it, for many different reasons. And I think that started to give me insecurities. My mother was also a very, very strong-minded woman, mostly out of necessity, because to survive New York City streets as a single mother, it’s hard as hell with a daughter. So, out of necessity, she’s very emotions on her sleeve. And so then, I had to accommodate for her, and always kind of fix and dodge and make things right. Somehow, I lost my voice in there.

Because I always had to accommodate for the protection of that relationship, to allow that relationship to function. I had to accommodate her. Because her style was her own. And she took up a lot of space in the room, you know what I mean? So, I learned that behavior. And so, on top of, I think the fact that I felt maybe unloved by my father, although I never admitted it. I didn’t feel like I did because I was like, “Well, I don’t really even know you, so how could I feel loved or unloved by someone you don’t really know?” I did. And so, I felt I created and started to discover an insecurity that I carried with me my whole… I mean, literally, it has been maybe four years that I finally don’t hold that anymore.

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Alicia Keys Tells Apple Music About What She’s Learned From Working With Her Husband Swizz Beatz…

I mean, he’s taught me so much about magic. He knows how to access the magic in a way that’s so free. I know how to access the magic. Don’t get it twisted. But my access to the magic is from a more cerebral place. He teaches me about this openness to try whatever, whereas I’m quite mental. I’m like, “I’m want to make sure this sounds great. Let me make sure this is the right hook. Let me make sure my vocals are strong.” He’s just like, “Who cares, who cares, who cares? This is what I feel. This is what I think. I don’t care. No apology. Bang.” So, that’s what I think. That’s why I think you feel that rawness, and there is that difference. I feel safer, somehow, to just fail, to be off, to be wrong.

Alicia Keys Tells Apple Music About ‘Here’ Being Her Favorite Album of Hers and How It Opened Doors For Her…

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‘Here’ is maybe my favorite album. It’s so special to me. It carries with it such a magic, such a portal. It was the first time that I did something without compromise. None. I didn’t give a sh-t. Don’t come in here talking to me about what’s the radio single. I don’t want to hear it. This is my whole everything poured out from me, no holds barred, completely free. The way that the songs came, it was like it came down from a divine thing, and it was like, boom, and they would get written in 20 minutes. And I never wrote like that before, I told you. So it was my opening. It was definitely my opening. And it lead me to here, Alicia, because I started to understand, “Wow, look at all these feelings that you have. Look at all these thoughts that you have. Look at all these opinions you have. Look at all these ways that you’re experiencing the world, look how you can verbalize, and look how you can put them into, something that means something.” And it was just the right combination of people, and the timing, and the space. And it really did open something in me that I never accessed before.

Alicia Keys Tells Apple Music About Collaboration…

It’s always been tricky for me, collaboration. At the very beginning I hated it so much. I was so uncomfortable. I just didn’t know how to even sit in a room with another being. I felt completely exposed. It was just too much. But over time, I’ve definitely learned to enjoy that process, and I do enjoy it because there’s something so crazy about what I bring, and then what you bring is going to be completely different, and there’s something about the merging of energy that’s fascinating to me. And now, I feel like that’s another alchemy that’s created that I love the process of. So yes, and that process of being open and receiving and what’s meant to come from each person and creating something out of nothing is always incredible.

Alicia Keys Tells Apple Music About Verzuz and Working With Jill Scott…

First of all, what the hell with my baby and Tim in this Verzuz situation? It’s our survival tool. It has been our survival, and I live with him and I know what’s coming. I know what’s coming. So I was saying he did the daggone Jill Scott/ Erykah Badu Verzuz, which was my personal favorite. I’m bugging like crazy. I’m driving home from wherever and I’m listening to the thing through the car. And I mean I’m fan-girling out all the way. I’m singing every word, I’m bugging. I get to the crib, get out, continue, it’s like a whole thing, and I’m watching these two queens and Jill and that daggone smile. What is that? That smile is the most beautiful thing I ever saw. She is illuminating everything. And after the thing was over… he’s like, “Babe, Jill is on the phone.” And I get on the phone with her and I’m like, “You’re just… This is crazy. You’re so…” And she’s like, “Hi, how are you? This was so great.” And we have a moment. And I’m like, “Why haven’t we worked together? Why haven’t we? This is crazy.” And so she’s like, “I know, and I hope to come, and let’s connect.” And I said, “Yes, let’s connect.” Boom, left it alone. Go to that end part of the album where I went away by myself and I was like, “Wait, what do we need? And what are we doing?” Went to this super desolate area and was just totally alone. And Swizzy, he’s like, “Babe, what about this vibe?” And I’m like, “Ooh.” And we start talking about this idea of celebrating putting love on display and being that confident and that much of… You have to put this love on display. And we’re vibing, we’re vibing, I’m like, “Ooh, what if it was like this, like some Jill Scott sh-t.” And I start pretending to be Jill Scott. I’m just totally pretending to be Jill Scott. And I put it down, and he’s like, “Ooh. Send it to her. Send it to her right now.” And so, my engineer, Ann Mincieli been with me forever and is such a boss. She’s like, “Wait, what are we calling the song?” And I was like, “Call it Joe Scott. Because I don’t want to forget. Don’t forget, because I know I’m going to send it to Jill. Call it Joe Scott.” Boom. Called it Joe Scott, talked to Jill, we have an amazing thing. She’s so unbelievable. She’s like, “Okay. You want me to do it?” She did it. Went out of her way, sorted it out, sent it back, called me like, “What you did was so cool. I was thinking, maybe I’ll just do a few backgrounds.” I said, “No, no, no, no, no. No. What I did was pretended to be you. I need you to be you.” And she was like, “Okay.” Came back, killed it, as per normal. And Ann did these sick background vocals, it was so outrageous. If you could hear the difference you could hear her mind, which is just ridiculous. And so then, we’re at the remastering, and we’re calling in this Joe Scott, featuring Joe Scott. I was like, “Definitely.”

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Alicia Keys Tells Apple Music About Being Held On a Pedestal…

I remember that there was a very specific time. Maybe it was about “Girl on Fire” maybe, that I actually understood that somehow I was put up on this pedestal. And I didn’t know the I got up there. So who put me on that pedestal? Who put me up there? I don’t want to be up there. I don’t even belong up there. That’s not even natural to my – It’s horrible. It’s like this unrealistic expectation. You can imagine you’re supposed to be there and you’re supposed to be stone. You’re supposed to be unflawed like stone. You’re suppose to be perfectly crafted, and shaped, and sculpted into a thing that can’t even move, or evolve, or change, or grow, or anything. And I did not understand how I got up there, because I never wanted to be up there.

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Iranian rapper Toomaj Salehi sentenced to death for protesting

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Iranian Dissident rapper Toomaj Salehi has been given a death sentence for his involvement in the widespread protests that swept Iran in 2022, according to his lawyer. (more…)

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2024 MTV Video Music Awards (VMAs) to air LIVE on DStv

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MTV has announced the 2024 “VMAs” will make its return to New York on Tuesday, September 10th at the UBS Arena. Airing LIVE on MTV, DStv Channel 130 on Wednesday, 11 September at 1:00am WAT and 2:00am CAT around the world in more than 150 countries. This year’s global fan-filled phenomenon will celebrate the best music videos of the past year with supersized performances, epic tributes, and unforgettable appearances from the world’s biggest celebrities.

“We’re excited to bring this year’s VMAs to UBS Arena, one of the country’s newest and most cutting edge venues,” said Bruce Gillmer, President of Music, Music Talent, Programming & Events, Paramount and Chief Content Officer, Music, Paramount+. “Celebrating one of music’s biggest nights with the incredible, robust New York area fans is something we’ve been looking forward to since the moment last year’s show ended.”

“It’s an honor to host MTV and the VMAs at UBS Arena,” said Mark Shulman, Senior Vice President of Programming, UBS Arena. “This is the culmination of bringing a world class event to a venue that offers state of the art capabilities and the best in fan amenities. We look forward to welcoming this year’s top artists, fans, and viewers worldwide to experience our arena and campus at Belmont Park.”

“We are excited to welcome back the MTV Video Music Awards to New York State,” said New York Governor Kathy Hochul. “From its origins at Radio City Music Hall in 1984 to this September’s event at the UBS Arena, the VMAs continue to captivate millions, showcasing the very best in music video artistry. As we prepare to host this 40th anniversary event, let’s embrace the spirit of creativity and innovation that defines our state’s cultural landscape.”

The “VMAs” will air across MTV’s global footprint of linear and digital platforms in more than 150 countries and territories, reaching over 319 million households.

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Additional details will be announced closer to the show. Follow @MTV and @VMAs on social to keep up with all-things #VMAs.

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Major step in malaria prevention as three West African countries roll out vaccine 

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In a significant step forward for malaria prevention in Africa, three countries—Benin, Liberia and Sierra Leone—today launched a large-scale rollout of the life-saving malaria vaccine targeting millions of children across the three West African nations. The vaccine rollout, announced on World Malaria Day, seeks to further scale up vaccine deployment in the African region.

Today’s launch brings to eight the number of countries on the continent to offer the malaria vaccine as part of the childhood immunization programmes, extending access to more comprehensive malaria prevention. Several of the more than 30 countries in the African region that have expressed interest in the vaccine are scheduled to roll it out in the next year through support from Gavi, the Vaccine Alliance, as efforts continue to widen its deployment in the region in coordination with other prevention measures such as long-lasting insecticidal nets and seasonal malaria chemoprevention.

Benin, which received 215 900 doses, has added the malaria vaccine to its Expanded Programme on Immunization. The malaria vaccine should be provided in a schedule of 4 doses in children from around 5 months of age.

“The introduction of the malaria vaccine in the Expanded Programme on Immunization for our children is a major step forward in the fight against this scourge. I would like to reassure that the malaria vaccines are safe and effective and contribute to the protection of our children against this serious and fatal diseases,” said Prof Benjamin Hounkpatin, Minister of Health of Benin.

In Liberia, the vaccine was launched in the southern Rivercess County and will be rolled out afterwards in five other counties which have high malaria burden. At least 45 000 children are expected to benefit from the 112 000 doses of the available vaccine.

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“For far too long, malaria has stolen the laughter and dreams of our children. But today, with this vaccine and the unwavering commitment of our communities, healthcare workers and our partners, including Gavi, UNICEF and WHO, we break the chain. We have a powerful tool that will protect them from this devastating illness and related deaths, ensuring their right to health and a brighter future. Let’s end malaria in Liberia and pave the way for a healthier, more just society,” said Dr Louise Kpoto, Liberia’s Minister of Health.

Two safe and effective vaccines — RTS,S and R21 — recommended by World Health Organization (WHO), are a breakthrough for child health and malaria control. A pilot malaria vaccine programme in Ghana, Kenya and Malawi reached over 2 million children from 2019 to 2023, showing a significant reduction in malaria illness and a 13% drop in overall child mortality and substantial reductions in hospitalizations.

In Sierra Leone, the first doses were administered to children at a health centre in Western Area Rural where the authorities kicked off the rollout of 550 000 vaccine doses. The vaccine will then be delivered in health facilities nationwide.

“With the new, safe and efficacious malaria vaccine, we now have an additional tool to fight this disease. In combination with insecticide-treated nets, effective diagnosis and treatment, and indoor spraying, no child should die from malaria infection,” said Dr Austin Demby, Minister of Health of Sierra Leone.

Malaria remains a huge health challenge in the African region, which is home to 11 countries that carry approximately 70% of the global burden of malaria. The region accounted for 94% of global malaria cases and 95% of all malaria deaths in 2022, according to the World Malaria Report.

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“The African region is taking positive steps in scaling up the rollout of the malaria vaccine – a game-changer in our fight against this deadly disease,” said Dr Matshidiso Moeti, WHO Regional Director for Africa. “Working with our partners, we’re committed to supporting the ongoing efforts to protect, save the lives of young children and lower the malaria burden in the region.”

Aurelia Nguyen, Chief Programme Officer at Gavi, the Vaccine Alliance, noted: “Today we celebrate more children gaining access to a new lifesaving tool to fight one of Africa’s deadliest diseases. This introduction of malaria vaccines into routine programmes in Benin, Liberia, and Sierra Leone alongside other proven interventions will help save lives and offer relief to families, communities and hard-pressed health systems.”

Progress against malaria has stalled in these high-burden African countries since 2017 due to factors including climate change, humanitarian crises, low access to and insufficient quality of health services, gender-related barriers, biological threats such as insecticide and drug resistance and global economic crises. Fragile health systems and critical gaps in data and surveillance have compounded the challenge.

To put malaria progress back on track, WHO recommends robust commitment to malaria responses at all levels, particularly in high-burden countries; greater domestic and international funding; science and data-driven malaria responses; urgent action on the health impacts of climate change; harnessing research and innovation; as well as strong partnerships for coordinated responses. WHO is also calling attention to addressing delays in malaria programme implementation.

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Kid Cudi cancels tour after breaking foot at Coachella

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Kid Cudi has been forced to cancel his tour after breaking his foot at Coachella over the weekend. During the fest’s Weekend Two on Sunday night, the rapper went to the hospital with a broken foot after jumping off the stage at the Sahara Tent. (more…)

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The Un Certain Regard Jury of the 77th Festival de Cannes

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The Canadian actor, director, screenwriter and producer Xavier Dolan will be the President of the Un Certain Regard Jury of the 77th Festival de Cannes. He will be joined by French-Senegalese screenwriter and director Maïmouna Doucouré, Moroccan director, screenwriter and producer Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic, director, and writer Todd McCarthy. They will be in charge of awarding prizes for the Un Certain Regard section, which showcases art and discovery films by young auteurs.

This year, 18 films have been selected, including 8 first films. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex.

When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on Wednesday May 15, 2024.

XAVIER DOLAN – President
Actor, director, screenwriter, producer
Canada

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An actor since the age of four, Xavier Dolan directed and starred in his first feature film, I killed my mother, which was a big hit at the Directors’ Fortnight in 2009. This was followed by Heartbeats and Laurence Anyways, presented at the Festival de Cannes in 2010 and 2012 at Un Certain Regard, where they were enthusiastically received. In 2013, Tom at the Farm was screened at the Venice Film Festival, where it won the FIPRESCI Prize. With Mommy, he is awarded several prizes, including the Prix du Jury at the 2014 Festival de Cannes and the César for Best Foreign Film. Grand Prize winner at the 2016 Festival de Cannes with It’s only the end of the World, he returns to Competition with Matthias & Maxime in 2019. After a few notable roles with other filmmakers, such as his performance in Xavier Giannoli’s Lost Illusions in 2021, for which he was nominated for a César for Best Supporting Actor, in 2022 he directed the series The Night Logan woke up. Xavier Dolan was a member of the Jury in 2015, and now chairs the Un Certain Regard Jury.

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MAÏMOUNA DOUCOURÉ
Screenwriter, director
France, Senegal

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Her first professional short film, Maman(s), was selected for nearly 200 festivals around the world and won more than 60 awards, including the Jury Prize at Sundance, the Best Film Award in Toronto and the 2017 César for Best Short Film. In 2019, Maïmouna Doucouré receives the Gold Fellowship Award from the Academy of Motion Pictures. Released in 2020, Cuties, her first feature film, wins the Best Director Award at Sundance and a Special Mention from the International Generation Jury in Berlin. The film’s lead actress, Fathia Youssouf, won the César for Best Actress. Her second feature-length film, Hawa, produced in 2022 with Prime Vidéo, was also presented in Toronto. Maïmouna Doucouré is currently working on her next feature film about the legendary Joséphine Baker.

ASMAE EL MOUDIR
Director, screenwriter, producer
Morocco

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Asmae El Moudir studied cinema at the Moroccan University and at La Fémis in Paris. She has directed several award winning short films. She completed her Al Jazeera television documentary, The Postcard, in 2020. The Mother of all Lies is her first independent documentary feature premiered at the 2023 Festival de Cannes where it won the Un Certain Regard Directing Prize. The film also won the Golden Eye for Best Documentary. The film is screened at Toronto, Sundance, Melbourne, Busan, Karlovy Vary as well as many festivals around the world and won more than 25 awards. Asmae El Moudir is nominated for the PGA Award and the Film Independent Spirit Award for Best Doc. Most recently, she won the IDA Award (International Documentary Association) for Best Director. The Mother of All Lies was also shortlisted in the international features section of the Oscars 2024.

VICKY KRIEPS
Actress
Luxembourg, Germany

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An international actress who works in French, English and German, Vicky Krieps has appeared in Joe Wright’s Hannah (2011), Philippe Claudel’s Before the Winter Chill(2013), Anton Corbijn’s  A most wanted Man(2014), Ingo Haeb’s The Chambermaid Lynn(2015), Raoul Peck’s The Young Karl Marx(2017), and starred alongside Daniel Day Lewis in Paul Thomas Anderson’s Phantom Thread(2017). In 2021, she defended two films selected for the Festival de Cannes, Mia Hansen-Løve’s Bergman Island in Competition and Mathieu Amalric’s Hold me tight. The following year, she returned with two young German and Austrian directors in the Un Certain Regard section: Emily Atef’s More than Ever and Marie Kreutzer’s Corsage, which won her the Un Certain Regard Jury’s Best Actress Award in 2022. She will soon be seen in Viggo Mortensen’s The Dead Don’t Hurt and Hot Milkby Rebecca Lenkiewicz.

TODD MCCARTHY
Film critic, director, writer
United States

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Todd McCarthy is a Cannes veteran – his first was in 1970 – who for decades covered the Festival for Variety and The Hollywood Reporter. Among his books are the definitive biography “Howard Hawks: The Grey Fox of Hollywood”, “Kings of the Bs: Working Within the Hollywood System” and “Fast Women” about female race car drivers. He won an Emmy Award for his documentary Preston Sturges: The Rise and Fall of a Hollywood Genius and is currently working on a project set in Hollywood just after World War II.

 

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Kanye West reportedly planning to launch porn studio

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Looks like Kanye West’s religious era is officially over. (more…)

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