When the Big Brother reality TV phenomenon took over the world, Africa was not spared. Thanks to M-net and Endemol, my family caught the bug early in 2001 with Big Brother South Africa. With larger than life characters, as well as a prying and eloquent host, Mark Pilgrim, we witnessed two seasons of fun, unpredictable television. A crazy Ferdi won season one while another crazy housemate, Richard, won the second season. (more…)

I want to thank everyone for the amazing well-wishes, prayers and gifts that characterised  my 40th birthday celebrations. You inspire me to excel more each year!

One of my biggest highlights was on Monday, when I visited orphaned children and abused women at the Potters Village Home, in Dodowa.

I first heard about the home when Ameyaw TV was invited to cover a donation earlier in the year. I was touched to make a similar donation when I watched our video from that event.

Watch the donation to the Potters Village Home below

The Potters Village is a charitable organization established to provide care and support to women and children who suffer domestic violence and abuse. To donate to The Potters Village, visit https://thepottersvillage.org/ or call +233243573386

Wendy Shay has heaped praises on her manager, Bullet for being the best in the industry. (more…)

As a keen follower of the Ghana Music Award for over two decades, I have observed how increasingly it has become difficult to award the ‘Artist of The Year’ over the period.

Today, I ask whether that category is even necessary? What is the true measure for the artist of the year – be it for a genre or the ultimate? As the current scheme stands, and looking at how winners have been chosen over the years, I doubt there are indeed any standards for scoring and judging the ultimate ‘artist of the year’.

An obvious standard for measuring an outstanding artist would first be the body of work. I know the Ghana Music Awards over the years has also considered the level of artistry and the performances of the artist as a key indicator or measure for choosing the artist of the year, which I find pretentious and even contentious because we each look for different things in a performance.

So by logic, in choosing an artist of the year, the number of hit songs (good or bad), album or EP ratings, and public ratings would be good indicators. By this logic, Diana Hamilton wouldn’t be the strongest suit for Artist of the Year for the 2021 Vodafone Ghana Music Awards. For the year in review, I honestly only knew of her smash hit song, ‘Adom’. If she had an album, I don’t know of it. She was not nominated for an album or an EP this year; she came into the competition with one strong song, and an obvious backing of ‘industry people’.  Looking at the nominees in the category this year, the others had more than just these attributes!

Over the years, we have come to accept the Ghana Music Award scheme as being a judgment of the Board, the Public and the Academy. While I love it for this unique outlook, it comes with its inherent challenges also. And I feel that to preserve the integrity of the awards, some changes need to happen. This includes scrapping off the Artist of the Year category. We have seen the scheme adapt and make changes over the years including new categories, new definitions and more. In fact this year saw the introduction of Afropop/Afrobeats Artist of the Year and EP of the year, to reflect the growing changes in the industry.

I think it is about time to build the various genres of the scheme and make them competitive enough for the artists that win each genre to be the top award for each genre, example, Highlife Artist of the Year or Hip-hop artist of the year. For instance for the Grammys, the top awards in the “General Field” are four awards which are not restricted by music genre. These include The Album of the Year, The Record of the Year (which is the Vodafone most popular song of the year in Ghana, and not so much its equivalent), The Song of the Year (which is a songwriter award unlike in Ghana) and The Best New Artist.

The ‘Artist of the Year’ unnecessarily makes the awards overly competitive for the musicians, and frankly, it has been proven enough that the Ghana Music Awards scheme does not have what it takes (in terms of the standards I mentioned earlier) to adjudge the ultimate artist of the year in Ghana. For instance, by logic, looking at the nominations this year, Diana Hamilton was the only gospel artist in the ‘artist of the year’ category, which meant that by default she had already been adjudged ‘gospel artist of the year’. Yet, the ‘gospel artist of the year’ is supposed to be a combined judgment of voting by The Board, The Academy and The Public.

It’s time to clean up!

The 2021 Vodafone Ghana Music Awards was billed to be the biggest night for Ghana’s music industry, and for most parts, it lived up to the expectation, and perhaps even surprised some people.

After a not so inspiring Day 1 of performances and industry awards, Day 2 on Saturday picked up with a number of amazing moments. And here are my picks

Tribute to Castro

Singer Kurlsongx led medley of hit in honour, Castro 7 years after his speedboat accident. Castro will be  legally declared dead this year, and the tribute was very befitting, although the performance was entirely great. Kofi Kinaata and Sarkodie joined Kurlsongx to before some of their biggest collaborations with the ‘hiplife colossus’.

Mr Drew’s performance

Mr Drew proved why he deserved the New Artist of the Year honour with a well produced performance. The energetic performance was backed with solid vocals and exciting dance routines. His ability to control his vocals while dancing proved that he is indeed gifted with both.

 

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Adina’s show of intent!

Adina came to prove a point on Saturday and her performance clearly was a show of her intent to remove doubts about leading this year’s nominations. She begun with the touching ‘Daddy’s Little Girl’ tribute to her late father and picked up the tempo with the Reggae/Dancehall song of the year, ‘Why’. Adina won two of the biggest awards at the VGMA this year including Record of The Year for ‘Daddy’s Little Girl’ and Album of The Year for her eclectic ‘Araba’ album.

 

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The Asakaa vibes

Yaw Tog , Kofi Jamar and Ypee got the chance to be a worthy representation for the new wave of music from ‘Kumerica’ that characterised the new vibes of the Ghana music industry in the past year. collectively the performed two of the biggest jams of the years including ‘Sore’ and Ekorso’.

#vgma Yaw Tog https://t.co/moFbLHJ8U9

— Ameyaw Debrah (@ameyaw112) June 27, 2021

Queen amongst Kings

Ghana’s number femcee, proved she deserved the Best Rap Performance laurel with a well coordinated stage craft that made me fall in love with her, in a new kind of way. Her flows were effortlessly executed and her coordination with her dancers were well choreographed.

A worthy champion

The 2020 Artist of the Year, Kuami Eugene, who was also in the running for this big gong this year came with a strong performance to prove why he was the reigning champion. The performance had a lot of layers and progression, something not very characteristic of Kuami Eugene.

Time for @KuamiEugene #VGMA22 https://t.co/v1W9Oh3VH5

— Ameyaw Debrah (@ameyaw112) June 27, 2021

HITZ FM on-air personality, Dr. Pounds- real name Maximous Mensah has married his fiancee in star-studded traditional wedding in Cape Coast. (more…)