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First Impression of Soorebia’s ‘Bag of Rocks’ Album

Bag of Rocks, Soorebia’s debut album, is a dedication to form. It is a unique project conceived and shaped by hurdles as he navigates his way up to stardom. The album is an ode to his birth city and mirrors the diversity of culture and artforms that shaped his worldview and the variety of genres he dabbles.
Think of Bag of Rocks as a sealed bag containing minerals of a different kind, each with its unique richness. For Soorebia, the album is a collection of moods that he dealt with while recording the album. “After winning the Next Rated Act at the 2020 edition of 3Music Awards, there was a lot of expectations from my fans and friends to breakthrough, and that never happened. Although COVID affected the industry so much then, I still felt I could not use the award to propel myself because of the limited financial muzzle. So, I began blaming everything on money that was when I wrote the verses for monopoly”. This, Soorebia revealed during his Album listening. Monopoly is a dancehall jam, where Soorebia turned his emotions to music speaking to the money and wealth as power distributors, which shapes the success of people in society to a more significant extent.
There is no emotion without love, and I’m Ready with One Nira is an appreciation of the friends and loved ones who stuck by him through thick and thin. His storytelling ability that weaves in the sultry vocals of One Nira on the hook establishes the work as not just an album but a life at play.
Through ebbs and flow performance on an Afro-Trap beat by long time in-house producer AzkonnBeatz, Soorebia talks about nightlife and the vibe that comes to light when he is with his clique in Voole. AzkonnaBeatz magically infused traditional African two-stringed guitar, referred to as Kologo in Local parlance, into Hip Hop sub-genre Trap beats. But the magic did not end with Voole. In Feeling, AzkonnaBeatz repeats a similar algorithm. This time, Brooklyn Inspired Drill beats, thereby pioneering new sub-genres as Afro-Trap/Afro-Drill. “Feeling” is a celebration of emotional and mental vitality.
In this project, Soorebia is selfless in recording an album that does not target just one sect of his fanbase as rap heads who want it. “There is a rock for everyone”, he said when asked about the type of music the album is made of.
In celebrative moods, Soorebia shares a toast to life with the young, celebrated Rapper/Singer Fad in One Toast. The song sees Soorebia looking back at life whilst being optimistic about the success that awaits him. “I have been there and done that, like a wheel on the street I still run that, all day all night not redundant, it’s rampant, I work till I need me an accountant.”. This lyric portrays Soorebia’s current mindset as he continues his career. In this song, he goes spiritual, leaning to God to do the rest.
On track 6 tilted Star, Soorebia decided to go south, not figuratively, but literally as he hops on South Africa bread Amapiono music. In this song, Soorebia delivers about 90 per cent in Frafra, a Ghanaian language. In fact, some historians trace the origin of the Frafra people to South Africa. Cultural Similarities such as tone of language, traditional hunting and funeral practices have been cited by some historians as what connects the two cultures. Star, therefore, fits perfectly into a typical Amapiono music although the song contains elements of Afrobeats.
The Album can also be perceived as an ode to his birthplace, and this is manifested in track 7 All Yours. Performed on traditional Kololgo rhythms, Soorebia sums up the important theme of the Album in this love song.
The choice of songs in this album departs from Soorebia’ s typical aggressive rap that he is known for. But this did not come as a surprise as he has experimented with several genres and styles over the years. It also fits perfectly into the story told in the album and matches the diversity of cultures and experiences he has had growing up. The richness of the sound, its representation of Africa and the sonic quality is a mark of maturity and investment that Soorebia and AzkonnaBeatz have witnessed over the years. Bag of Rocks is an essential album for the growing Ghanaian/African Music and a true sound of Africa for the continent and global audience.
Links to Album
All in one link; https://hypeddit.com/soorebia/bagofrocks
Spotify: https://open.spotify.com/album/12vxfKrGrMTJ5duxqCGVr5?si=qRHVf5NfSMeBAg71428gcA
Apple Music: https://music.apple.com/gh/album/bag-of-rocks/1607063150
Boomplay: https://www.boomplay.com/albums/39524250?from=search&srModel=COPYLINK&srList=WEB
Direct Download: https://Soorebia.com/bagofrocks
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“Boborebobo” hitmaker Minister Isaac Sie back with “Kamale Mulele”

Renowned Ghanaian gospel musician Minister Isaac Sie returns with a brand new single titled “Kamale Mulele”.
The “Boborebobo” originator and hitmaker, who has been on a long hiatus, has made an unpredictable comeback with a new single that is set to become the new catchphrase on the internet as well as the airwaves.
“Kamale Mulele,” according to Isaac Sie, means ‘God is king,’ and it is inspired by the wonderful works of the creator and his kingdom that is about to come.
For Isaac Sei, God has unlimited attributes, and the title of his latest banger is just one of them.
Although the gospel star has been painfully sidelined by prestigious awards schemes in Ghana despite creating hit songs like “Boborebobo,” his latest song isn’t targeted at any award scheme. However, if it grabs the attention of awards schemes, he won’t deny them the honour.
“Award is not the main objective for my latest single, but welcomed if it comes,” Isaac Sie disclosed in an interview.
The DHE GILLY RECORDS label frontman advised his loyal fans who have been supporting his career and been through the thick and thin with him that they “should look up to God. He is KING!”
The song is available on all digital stores across the globe.
Stream the full song below, and don’t forget to share your candid views.
SoundCloud: https://soundcloud.com/dhe-gillyrecords/kamale
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Quad’s Debut Song, Southside, Is Set To Bring Down The House

While many do not begin at all, the beginning of others is nothing to write home about. It is therefore, amazing how a musical career that saw its potential at an age as early as fourteen has grown through thick and thin without an iota of a thought of giving up. Professionally known as QuaD, Selassi Addaison
He officially started his music career while in Senior High School, and his has been a display of pure talent and brilliance since. This does not however, seek to connote a notion that he has encountered no setbacks over the period. Considering how long it had been since he put music on hold, he had some challenges trying to rebirth his lyrical dexterity. Fortunately, he got necessary help from a fellow up-and-coming artist, Nathaniel, to whom he looked up. It was through Nathaniel that QuaD made his debut performance in University of Ghana, Legon. Motivated, inspired and supported by his mum, uncles, Nathaniel, Big Dee, Big.K Dj and a few colleagues in school, he was and still is determined to leave no stone unturned in his quest to chalk several successes in his musical journey.
Drawing inspiration from amazing people like Sarkodie, Kwesi Arthur,
To make a formal and gilt-edged entry into the world of music, QuaD releases his debut song, Southside, mixed and mastered by Bxndit, and produced by Faygo. Born and bred in the southside of Ghana, he realized how harsh and difficult life there is, so much that giving up has almost become an immediate resort whenever hit with the intensity of the reality and severity of life at the south. The song therefore, seeks to give hope to anyone whose dream may be on the verge of being awakened from, and to remind them not to lose sight of their goals, but believe in themselves and work at materializing them. It goes on to encourage everyone to support the dreams of the up-and-coming ones, and urge them to reach for higher heights.
It promises to satiate his fans with a new hope to do, and he definitely cannot wait for it to be heard.
You can stream Southside on any digital platform here;
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Quavo x Takeoff Present New Single & Music Video “Hotel Lobby”

Over the years, Quavo and Takeoff have gone wild once or twice. However, they go wilder than ever on their new single and music video “Hotel Lobby”—available today via Quality Control Music Group/Motown Records. Quavo and Takeoff reveal a woozy and wobbly banger on a whole different level..
Listen to “Hotel Lobby” HERE and watch the music video for “Hotel Lobby” HERE.
The airy cinematic production and ominous beat set the tone as Quavo and Takeoff trade one intoxicating bar after another. Co-directed by Keemotion and Quavo, the music video serves as an insane homage to the cult classic Fear and Loathing in Las Vegas directed by Terry Gilliam and co-starring Johnny Depp and Benicio Del Toro. In the clip, Quavo and Takeoff assume the roles of Raoul Duke and Dr. Gonzo cruising through the desert with a “mobile pharmacy” before pulling up to a Las Vegas hotel and barely passing the doors to check in. All kinds of psychedelic, tripped-out trap madness follows as they deliver the South’s first proper hip-hop homage to the late Hunter S. Thompson. It’s unlike anything either of these two multiplatinum GRAMMY® Award-nominated superstars have done either solo or as part of Migos!
It also paves the way for more music to come.
Takeoff recently dropped off “Crypto” with Rich The Kid. It has already amassed over 6.5 million Spotify streams and 4.7 million YouTube views on the music video. Receiving critical acclaim, HYPEBEAST proclaimed, “the new single sees the Migos rapper embrace his love for cryptocurrency and the fortune that it has brought him.”
Meanwhile, Quavo served up the intense “Shooters Inside My Crib.” It posted up 6 million Spotify streams and 6.6 million YouTube views on the music video. Touted among the “Soundsystem 50,” High Snobiety observed, “Quavo skates over the Ayo-B-produced beat effortlessly teasing us about an upcoming project.” REVOLT added, “‘Shooters Inside My Crib’ sees the North Atlanta star harmonizing about past struggles and current successes.” Sports Illustrated summed it up best as “an absolute banger.” Not to mention, he joined NBA2K22 as a playable character and will star in a new action thriller Takeover.
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Rising Singer-Songwriter Malachiii Unveils Debut EP ‘The Ascension’

Elevating music to another stratosphere altogether, rising singer, songwriter, producer, and artist-to-watch Malachiii presents his debut EP, The Ascension, today via Motown Records. Listen to it HERE.
The Ascension highlights Malachiii’s artful approach as a future-facing curator, alchemizing vibes and styles into a multi-dimensional pop, hip-hop and R&B sound of his own design. Anchored by his production skills, the project boasts fan favorites including the vibey track “I’m Back,” the powerful anthem “Hold Me,” as well as the melodic “Free My Soul,” which Euphoria raved as “an upbeat listen with a mellow undertone, morphing multiple genres into one sound.” The EP fittingly closes with “Back When We Were Kids,” a nostalgic track featuring guitar riffs that seesaw back and forth between emotionally charged verses.
Speaking on his debut EP, Malachiii shares, “The Ascension is my true introduction to the world. This project is so important to me because it’s just the tip of the iceberg. The listener will get a chance to see different sides of me musically, while reflecting on my journey with “ascension” in all things in my life.”
Check out the tracklist for The Ascension below, and watch Malachiii pull back the curtain on his production process in his ‘Behind The Beat’ video series HERE and HERE. It’s Malachiii’s year, so hold on tight!
THE ASCENSION EP TRACKLIST:
1. Elevate
2. Hold Me
3. What’s In Store
4. I’m Back
5. Free My Soul
6. Next To Me
7. Back When We Were Kids
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Stunna 4 Vegas Drops New Album “Rae Rae’s Son”

- Rae Rae’s Intro
- The One
- Pay Me To Speak
- BMF ft. Ice Wear Vezzo
- Going For Nun
- Suspect
- Activated
- Sticks
- Fye ft. YRB Tezz
- Skurrt
- Sad Song ft. Spinnabenz
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paris jackson out with new single, “lighthouse”

Today, singer, songwriter, multi-instrumentalist, actress, and activist paris jackson unveils her brand new single entitled “lighthouse” out now via Republic Records—listen to “lighthouse”HERE. “lighthouse” was produced by singer, songwriter, musician, and producer Butch Walker.
The single is released alongside the official music video, which was inspired by the iconic video for Nirvana’s “Sliver.” In the video, paris pays homage with a photo of Kurt Cobain—a full circle moment to the original video. Watch the “lighthouse” video HERE.
The song channels unbridled nineties rock energy as it harnesses the power of a classic alternative dynamic with a twist of its own. paris’ hypnotic verses give way to a chantable chorus, “I can feel the lights go low, but I don’t wanna let go now, maybe if I turn around you’ll see me, and what you used to be,” before a hummable guitar solo.
On the song, paris says, “I continued to write about this same old heartbreak that ‘wilted’ is about. A lot of the new songs coming out are similar stories about the same person and heartbreak. I guess I’m just exploring different feelings. ‘wilted’ was a more melancholy record, and now I’m exploring more of the anger…”
paris recently lit up SXSW with her debut performance at the festival, landing looks from Billboard, The Recording Academy’s Grammy U, and more. Back in 2020, she delivered her debut album, wilted, joined by collaborators Andy Hull and Robert McDowell of Manchester Orchestra. Upon arrival, it captured #1 on the iTunes US Alternative Albums Chart and incited the applause of NPR, Rolling Stone, Associated Press, Entertainment Weekly, E! News, People, NME, NYLON, Refi
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